Category: Movie Dramas (Page 55 of 188)

Blu Tuesday: Green Zone, She’s Out of My League and Entourage

With the World Cup in full swing, you’d think that the studios would have taken advantage of the event by releasing a few soccer-related titles on Blu-ray. (“Bend It Like Beckham” or “Victory,” anyone?) It was definitely a lost opportunity, but that’s okay, because there are still plenty of great titles to choose from, including the Blu-ray debuts of two HBO comedies.

“Green Zone” (Universal)

Though not as exhilarating as the “Bourne” films, or as poignant as “United 93,” director Paul Greengrass’ post-9/11 thriller, “Green Zone,” is still a damn fine movie that takes a politically-charged look at the botched search for WMDs in Iraq during the infancy of the 2003 United States-led invasion. Matt Damon once again teams up with Greengrass as the Chief Warrant Officer in charge of the investigation, only to realize after coming up empty on several occasions that the “solid intel” he’s been given may not be as reliable as his superiors believe. Greengrass’ trademark shooting style will still have some popping Dramamine just to keep from feeling dizzy, but the chaotic nature of the action makes sense in a war zone environment. I’m not entirely sure why this bombed so badly at the box office, but Universal clearly still believes in the film enough to release a Blu-ray that’s been adorned with plenty of bells and whistles.

“She’s Out of My League” (Paramount)

It’s not exactly the most original romantic comedy to come down the pike, but thanks to some sharp writing and great performances from its cast, “She’s Out of My League” is a great Judd Apatow clone that will have you laughing more than you might expect. Jay Baruchel is like a young Ben Stiller as the anemic geek who can’t believe he’s dating someone as hot as Alice Eve, and though the movie never gets quite as crazy as “There’s Something About Mary,” there are definitely shades of the film throughout. But just like that movie, as well as Apatow’s “The 40-Year-Old Virgin” and “Knocked Up,” “She’s Out of My League” really gets a lift from its supporting players, particularly T.J. Miller and Kristen Ritter as the mean-spirited best friends of the two leads. Pity Paramount couldn’t scrounge up better special features, because while “She’s Out of my League” is worth owning, the lackluster Blu-ray is better off just renting.

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Midweek movie news, and then…

After tonight, I’ll be taking a break from the daily blogging grind for just a bit. That means I’ll be out completely for a couple of days at least and then you may see a post here and there and then, suddenly, I’ll be back like I was never gone in the first place, probably towards the tail end of the month. So, this will have to hold you for a little while.

* As of tonight, corporate raider Carl Icahn appears to be a majority stockholder in Lionsgate.

* I’ve never been a fan of the seventies movie of the silly seventies film version of “Logan’s Run,” but with Carl Erik Rinsch directing, my interest in the new film perked up considerably. Now, Alex Garland — who wrote and produced the not-entirely-unrelated upcoming version of “Never Let Me Go” which I discussed yesterday — has jumped on board, making it even more interesting. Better, they’re approaching it as a new version of the book, not a remake of the film. In the 1976 film, by the way, no one in the futuristic society was permitted to live past 30. In the novel, it was 21.

* Sam Raimi has been confirmed as the director of “Oz: The Great and Powerful.” Apparently Robert Downey, Jr., who just formed a new company with his producer wife, Susan Downey, is the most likely Oz at this point.

* Be sure and check out Will Harris’s terrific interview with one of the best, Isabella Rossellini. Easily one of the most fascinating  actresses of the last thirty years or so, with quite a backstory behind her. Don’t miss it.

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*Though Ms. Rossellini seems perfectly at home in a very humorous way with her fifty-something status, that is not really always the case for actresses. This month’s conversation between Jason Bellamy and Ed Howard at the House Next Door underlines that point as the cinephile thinkers discuss two of Hollywood’s greatest show-biz based films, “Sunset Boulevard” and “All About Eve,” both released in 1950 and both dealing with actresses who struggling with this whole passage of time thing.

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A trailer for the road: “Middle Men” show us how to make money on the ‘net

As I prepare for a reasonably brief semi-hiatus, via Anne Thompson comes this trailer for a film being pitched as one part “Boogie Nights” and one part “Goodfellas,” though this trailer reminds me more of the cold blood business machinations of “Casino.”

Co-writer-director George Gallo, who penned “Midnight Run,” brings us the story of how Luke Wilson, with a little help from Giovanni Ribisi and Gabriel Macht, figures out that this Internet thing just might be good for showing people very naughty pictures. Since this is a movie, naturally the porn-purveying “Middle Men” get a bit more than they asked for.

Nice bit with Kelsey Grammer there at the end. Also, considering that he’s openly contemplating running for office someday, kind of gutsy. On a different note, I’d love to know the actual “true story” this apparently pretty heavily fictionalized movie is supposed to be based on. Just curious. Finally, let it be said, I hold no ill feeling against actor Gabriel Macht for the despicable and unholy desecration that was “The Spirit.” He just did what Frank Miller told him to do. I just felt like that needed to be said.

Oh, and speaking of trailers, Anne Thompson also has the trailer up for the third Narnia film. Go ahead and click, I mean, if you’re into that kind of kinky shit.

Sometimes feel like the deck is stacked against you? The “Never Let Me Go” trailer might put that into perspective for you

Think you’re in a pointless, no-win situation? Did you feel at school like you were just being prepared to put into the human meatgrinder we call the rat race? Well, you’ve got it easy, kid, compared to the strangely acquiescent students and alumni of Hailsham. I’d tell you more but I understand via Cinemablend’s Katey Rich and the novel’s very spoilery wikipedia entry that the arguably science-fictional premise of Kazuo Ishiguro’s Booker Prize short-listed 2005 novel is kept somewhat hidden for a significant portion of the book. (It was revealed to me years ago, however, via book reviews and author interviews.)

That premise will also be revealed to you if you watch the intriguing trailer so, if you plan to read the book (which I think I might try to do myself, anyhow) you might want to hold off. I will say that the Japanese-English Ishiguro wrote the very non-genre “The Remains of the Day” and history and frustrated love seems to his favorite topics. This time, though, the history hasn’t been written yet.

Even aside from Ishiguro, this one has an intriguing pedigree. The adaptation is by novelist Alex Garland, who recently has turned to screenplays with “28 Days Later” and “Sunshine,” both directed by Danny Boyle, and the director is Mark Romanek. For some reason, I felt compelled to avoid his highly divisive 2002 thriller “One Hour Photo,” but he’s made some of the best videos of all time as far as I’m concerned, including the amazing and ultra-creepy “Closer” for Nine Inch Nails, the memorable “Criminal” for Fiona Apple, and “Hurt,” Johnny Cash’s moving cover of a song by Trent Reznor. And, oh yeah, Carey Mulligan is in it. Does anyone not like Carey Mulligan?

Blu Tuesday: Vengeance Trilogy

Though it’s technically been available for a few months due to an exclusivity deal with Best Buy, Park Chan-wook’s “Vengeance Trilogy” is available everywhere else starting today, so it seemed like a good time to finally take a look at this fantastic four-disc set from Palisades Tartan’s Asia Extreme division. Since I’ve already reviewed all three films in some capacity over the years, I’m not going to again, other than to say that “Oldboy” remains the highlight of the trio and “Sympathy for Mr. Vengeance” the most overrated. “Lady Vengeance,” on the other hand, is even better when watching the “Fade to White” version – a previously unreleased cut of the movie that is slowly drained of color until it eventually dissolves into black and white.

The “Fade to White” edition of “Lady Vengeance” is just one of many new extras that appear on the four-disc set. It’s also the only way to purchase two of the three films on Blu-ray in the U.S. (“Oldboy” has been available for a few years now), and although that may seem like a pretty voracious decision on the part of the studio, they’ve clearly done their research, because I haven’t come across too many people who want to own one of the films and not the others. With that said, Palisades Tartan has done everything in their power to make these new Ultimate Revenge Editions truly ultimate in every way. Both “Sympathy for Mr. Vengeance” and “Lady Vengeance” boast audio commentaries with Chan-wook and his lead actors, as well as hours of production featurettes, interviews and more. They also look and sound great thanks to brilliant 1080p video transfers that really play to the film’s strengths, and DTS-HD 5.1 Master Audio tracks.

Of course, I’ve saved the best for last. While “Oldboy” isn’t quite as technically impressive as the other two films – namely due to an error on the packaging that promises a DTS-HD 7.1 Master Audio track that doesn’t exist – the studio does make up for it with some killer extras. There are so many, in fact, that it’s a bit surprising that they didn’t decide to split up the content between two discs like they did with “Lady Vengeance.” Along with three commentary tracks – one with Chan-wook, another with him and cinematographer Chung Chung-Hoon, and the last one with the director and his cast – the Ultimate Revenge Edition also includes all the deleted scenes, behind-the-scenes documentaries, and interviews that have appeared on previous releases. The piece de resistance of the Blu-ray, however, is “The Autobiography of Oldboy,” a three-hour video diary that goes about as in-depth into the making of a film as you could possibly get.

Some studios are all too quick to splash around words like “special” and “ultimate,” but Palisades Tartan’s four-disc release of Park Chan-wook’s “Vengeance Trilogy” more than lives up to its billing thanks to an incredible collection of special features and a supplemental booklet filled with essays about each movie. Chan-wook’s ultra-violent revenge tales aren’t for everyone, but for fans of his twisted trilogy, this is quite the love letter.

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