Category: Movie Dramas (Page 137 of 188)

News from the sleepy town of H-wood

Nothing too exciting to report today, but that doesn’t mean there’s nothing to report.

* Dreamworks and, presumably, Steven Spielberg are “eying” one last project based on a book by the late Michael Crichton, to be written by David Koepp. Much as I admire Spielberg, this particular triumvirate has never done much to get me excited as a filmgoer, and yes, that includes the original “Jurassic Park.” Still, this time the topic is a non-fantasy pirate story, so who knows.

* Some movies to TV news, the cult teen black comedy, “Heathers,” is being adapted for TV, which I guess makes sense in the era of “Gossip Girl.” Also, Sam Raimi, still a major movie player courtesy of “Spiderman” and what not but also licking his wounds from the utterly unfair box office failure of “Drag Me to Hell,” is making a new tubular type deal.

Christina Hendricks on * Christina Hendricks, on the other hand, is going from TV to movies. Ms. Hendricks is a first rate actress currently making hearts go pitty-pat as the multifaceted Joan on “Mad Men.” She previously contributed a couple of tour-de-force guest spots on a show that was just about as outstanding in its own way, “Firefly.” Yes, I’m a big fan. And, sure, her movie gig is only a “best friend” kind of thing, but you gotta start someplace.

In Super Panavision 70!

Filmmaker and Panavision cofounder Richard Moore was probably the least famous person whose passing today received any notice, but he certainly had a big impact on what you see at the movie theater and on DVD. Below are a few trailers for films made the Panavision 65 process he is credited with developing. (Technically, all 70 mm films are really 65mm — 5 milimeters are required for the magnetic sound strips.)

All of these, particularly “Lawrence of Arabia” and “2001” are movies you should try to see on the biggest screen possible, ideally projected on film and in a movie theater. If you’re lucky enough to live someplace where older movies are occasionally still shown on 70mm prints, leap at the chance. Seeing movies like that is too much fun to be left only to hardcore film geeks.

Ms. Bacall, is that you?

I’m intensely skeptical, but someone claiming to be movie/stage legend Lauren Bacall has an account on Twitter and is doing a pretty good job of sounding like the woman born Betty Joan Perske. Well, some of the time, anyhow.

For those of you who may not be familiar with her, Bacall’s status is entirely earned. A born entertainer, she became one of the screen’s sexiest young sirens playing opposite the substantially older Humphrey Bogart, whom she married. After starring with Bogie, and stealing all her scenes, in Howard Hawks’ “To Have and Have Not” and “The Big Sleep,” she graduated to more mature roles over the years and she became a Broadway star and occasionally popped up in great movies like “The Shootist,” and TV shows like “The Rockford Files.” Now nearing her mid-eighties, she continues to work and be terrific in movies like Paul Shrader’s political thriller, “The Walker.” She even allowed herself to be robbed and mistreated by Christopher Moltisanti (Michael Imperioli) on an episode of “The Sopranos.”

Lauren Bacall in As Karina Longworth points out, her posts do have a Betty Bacall like cadence, so if you’d like to think that’s actually her, I can’t stop you and I might be tempted to join you. I’m in awe to even think it might be for real.

It’ll be sometime before we find out the truth behind these Tweets. In the meantime, a great Bacall moment or two. We’ll start with her most memorable scene from “The Big Sleep,” which was actually added to boost her role after the success of “To Have and Have Not” and their marriage made Bogart and Bacall one of Hollywood’s hottest couples.

After the flip, I’ve got a couple of iconic clips with Lauren Bacall in her way, way pre-Twitter days.

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Blu Tuesday: Duplicity, Rudo Y Cursi and Adventureland

It’s been awhile since I posted a proper Blu Tuesday column due to a combination of things – slow release weeks, busy work weeks, and even a sudden interest in writing up a few title-specific entries – but I plan on remedying that today. This week’s selection doesn’t contain any really major titles, nor is there anything that could be considered particularly must-buy, but you will find a couple of films that, if given the chance, might just earn a place in your collection.

“Duplicity” (Universal)

If Tony Gilroy’s “Duplicity” taught us anything, it’s that moviegoers won’t see a film just because of the people involved. That, or Julia Roberts simply isn’t the A-list star she once was. Whatever the reason, it’s the perfect example of movie stars who make way too much. Case in point: Roberts was paid $15 million for her role in the film, while the movie only managed to rake in $40 million at the box office – a staggering $20 million less than its reported budget. While just about everyone can agree that inflated actor salaries need to be policed, reactions to the film itself haven’t been quite as cut and dry. Personally, I can understand why some might find “Duplicity” a little boring – it’s slow, repetitive, and the characters never seem to shut up – but we don’t get that many adult-oriented films these days, and though it isn’t perfect, Gilroy’s follow-up to the much better “Michael Clayton” is still worth a look. At the very least, it delivers some great dialogue and yet another solid performance from Clive Owen.

null“Rudo Y Cursi” (Sony Classics)

Billed as the onscreen reunion of “Y Tu Mamá También” stars Diego Luna and Gael García Bernal (not to mention produced by Alfonso Cuarón and directed by his brother, Carlos), “Rudo Y Cursi” tells the story of two brothers from a small town who are recruited to play for rival teams in the Mexican Soccer League. Those expecting a straight-up soccer drama will find themselves severely disappointed, however, as it’s pretty obvious from the few times the actors are forced to play that they’re not very good. The lack of soccer action aside, “Rudo Y Cursi” is a fun little movie about two men who are practically handed the American dream, only to squander it on their respective vices. For Luna’s character, it’s compulsive gambling, and for Bernal, it’s the chance to use his newfound success to become a music superstar. The latter results in some pretty funny moments — including an accordion-led rendition of Cheap Trick’s “I Want You to Want Me” — but the real humor comes from the interactions between its two stars. That alone is worth the price of the ticket, although you could just as easily find some entertainment in their poor soccer skills as well.

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Looking backward

A few more items with a retro cast, starting with a sad one.

* It’s simply too big a show business and media story not to mention that the death of Michael Jackson has been ruled a homicide. Though you can argue that it shouldn’t be more than a legal story, there’s really no underestimating the pop-cultural impact of something like this. Certainly, it won’t be lowering the temperature around the upcoming movie built around Jackson’s last performances.

* On a far more pleasant note, Anne Thompson has casting news on Andrew Stanton’s upcoming non-Pixar film of Edgar Rice Burroughs’ “John Carter of Mars.” I’m not familiar with most of the names, but Samantha Morton is definitely cool with me.

* Anne Thompson also posted a trailer that I’m borrowing below for Christopher Nolan’s new film with Leonardo DiCaprio, “Inception.” Ms. Thompson calls it a “mind movie.” I wonder if everyone doing well in Hollywood from studio heads to head waiters shouldn’t just tithe to the estate of Phillip K. Dick without whom we’d have none of the film’s in this subgenre would exist. If ever a writer’s impact was underestimated in his own lifetime, he’d be the guy.

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