Tag: Panavision

In Super Panavision 70!

Filmmaker and Panavision cofounder Richard Moore was probably the least famous person whose passing today received any notice, but he certainly had a big impact on what you see at the movie theater and on DVD. Below are a few trailers for films made the Panavision 65 process he is credited with developing. (Technically, all 70 mm films are really 65mm — 5 milimeters are required for the magnetic sound strips.)

All of these, particularly “Lawrence of Arabia” and “2001” are movies you should try to see on the biggest screen possible, ideally projected on film and in a movie theater. If you’re lucky enough to live someplace where older movies are occasionally still shown on 70mm prints, leap at the chance.¬†Seeing movies like that is too much fun to be left only to hardcore film geeks.

Cronkite, the action hero + more

As at least a large chunk of America mourns the passing of Ted Kennedy, today is a day when we honor William Faulkner’s phrase: “The past is not dead. In fact, it’s not even past.”

* Did you know that the late Walter Cronkite stumbled into a den of Colombian narco-terrorists? The result was that a few years later the most trusted man in America gave testimony before a Florida jury. No surprise, a major conviction resulted. Now, as Michael Fleming tells it, international thrillmeister Luc Besson wants to turn Uncle Walter into a movie action hero, or something close. Interesting.

* Great news for those of us who are involved with cinema’s past here in Southern California. The endangered film program of the Los Angeles County Museum of Art (LACMA) has been given a $150,000 reprieve.

* Something tells me that maybe Vin Diesel is taking that Faulkner quote a bit too seriously. Does anyone want XXX III?

* Martin Anderson of Den of Geek wonders about the future of Blu-Ray in general and a newer superduper 3-D compatible version being tied to “Avatar.”¬† He’s right about the still-problematic nature of at least some of the glasses and the fact that we quickly forget we’re even watching 3-D after the first few minutes, so there’s a point of diminishing returns for the viewer which might prevent folks from making the large initial investment in the technology. For me, I love 3-D as a novelty for certain kinds of movies, but I really don’t think we need it to become standard. Having 3-D available to me at home would almost defeat the purpose and ruin the fun.

* More deaths: Writer turned film producer turned diarist Dominick Dunne (h/t David Hudson) and widescreen/large format pioneer, Panavision cofounder, cinematographer, and director Richard Moore.

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