Category: Movie Dramas (Page 133 of 188)

Blu Tuesday: X-Men Origins: Wolverine, Army of Darkness and The Ultimate Force of Four

It’s been several weeks since we’ve seen any high-def titles really worth talking about. The average moviegoer could even say the same for today’s releases, but despite there being only one major title hitting stores, there’s a small niche of cinephiles (myself included) that will likely pick up more than a few great films making their Blu-ray debut.

“X-Men Origins: Wolverine” (20th Century Fox)

Fox’s highly anticipated spin-off doesn’t exactly qualify as one of those films, but it’s a movie that a lot of fanboys are going to want in their collections anyway. That’s not to say that “X-Men Origins: Wolverine” is necessarily bad, but it certainly isn’t as good as a lot of people were expecting. Part of the problem is that the movie is supposed to be about the origin of Wolverine, and yet that’s the least interesting part of the film. For all intents and purposes, this is just another X-Men movie, because it features a slew of mutant characters we’ve been dying to see onscreen for while. In fact, the number of mutant cameos in this film alone is almost as large as the entire cast of the X-Men franchise, which only begs to ask the question: why not just make another X-Men movie instead? That was clearly the idea behind “X-Men Origins: Wolverine,” because although the filmmakers severely botched it up (characters are haphazardly killed off, while others stray from their comic book roots), your X-Men collection wouldn’t feel complete without it.

“Army of Darkness” (Universal)

By far one of my favorite movies of all time, Sam Raimi’s semi-sequel to “The Evil Dead” and “Evil Dead 2” trades in scares for laughs as Ash is transported back to the Middle Ages to lead its people against an army of dead. Though the movie was a certifiable box office dud when it was released in theaters, it’s earned a huge cult following over the years and features B-movie actor extraordinaire, Bruce Campbell, at his absolute best. Though the HD transfer isn’t quite as good as we’ve come to expect from Universal’s past releases, it’s still better than the shoddy video quality that fans of the movie are used to. Sadly, the new Screwhead Edition only comes with one new bonus feature (a visual effects featurette called “Creating the Deadites”), and it’s one that I could have easily gone without had they included all of the extras from the numerous DVD editions. As it stands, only the alternate ending and some production photos have survived the jump to Blu-ray, so you might want to wait until a more ultimate version is released before you pick this up. Those that consider themselves diehard fans, however, probably own more than a few versions of this already, and so buying this one will only come naturally.

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Overall, not the best day in the world

I’ve been just a bit distracted and sleepy today and didn’t even hear about Kanye West’s little display at the VMA’s last night until just now. Of course, I’m strictly a movie blogger, more or less, so I don’t have to weigh in on — or even watch — last night’s no doubt mega-embarrassing spectacle. A small mercy.  Also, as I started to write this, we got the very sad news of the passing of film and television star Patrick Swayze from pancreatic cancer. Just below this post, Will Harris remembers him in high style.

Fortunately, not everything going on today is as really bad or really sad. Still, because I’m an irresponsible member of the media, I’m going to lead with the bad.

Megan Fox in * In political blogging, it’s common to refer to something called Godwin’s Law. The original version simply held that the longer an online discussion went on, the greater the possibility, or near certainty, that someone would invoke Hitler or Nazis. Over time, however, it’s use has extended and inapt Nazi/Hitler comparisons are held up for ridicule on Godwin grounds. Quoth the Wikipidians:

Godwin’s Law applies especially to inappropriate, inordinate, or hyperbolic comparisons…Whether it applies to humorous use or references to oneself is open to interpretation, since this would not be a fallacious attack against a debate opponent.

Well, I don’t think she was being particularly humorous (I guess you could call that the “Soup Nazi exception”), so I have to say that Megan Fox was definitely somewhere in Godwin’s Law territory when she compared controversial blockbuster director Michael Bay to, yes, Hitler last week. Now, I’m anything but a Michael Bay admirer, but on his long list of unfortunate qualities as a public figure, “genocidal mad man” simply isn’t there. He belongs in movie jail, not the Hague.

Anyhow, that would have been the end of it, but unnamed members of Michael Bay’s crew have, for whatever reason, gotten into the act and have written an unnecessary but nevertheless rather hilarious attack on Ms. Fox, which you can read all of over at Nikki Finke’s place. Apparently wanting to keep the peace with Fox, Michael Bay has gotten into the act to distance himself from the crew comments. He refers to Megan Fox’s “crazy quips.” I don’t think he understands what the word “quip” actually means. I guess he belongs in word usage jail, also.

Christoph Waltz in * Casting stories can get tedious, but awhile back I made a big deal about the casting of Taiwanese singer-kick-butt martial artist Jay Chou in Seth Rogen’s upcoming “The Green Hornet.” Now, the movie is starting to look even more fun with the placement of Christoph Waltz in the role of the bad guy. Waltz, of course, is the multilingual German TV actor turned international flavor of the month with his universally lauded, thoroughly enjoyable performance as the “Jew Hunter,” Col. Hans Landa, in “Inglourious Basterds.”

Not since Alan Rickman damn near stole “Die Hard” from Bruce Willis has a previously unknown actor playing a villain — particularly a more or less completely unredeemable villain — gotten anything resembling this kind of attention. Even Rickman didn’t get anywhere near this much praise, as important as he was to the massive success of that borderline-classic action flick.

It’s safe to say we’ll be hearing from Waltz a lot. I just hope he can find some really good leading man roles, too. If anyone deserves to suddenly become a full-on international superstar at age 52, he might be the guy.

* I’ve been guilty of ignoring the Toronto International Film Festival (aka TIFF). The favorite major festival of geeky cinephiles (a rep that was perhaps harmed slightly by a kerfluffle this year over blogger press credentials) is now well underway. The high profile films this year include Jason Reitman’s “Up in the Air” which wowed ’em at the Telluride Film Festival just a few days back, and the Coen brothers’ “A Serious Man.Anne Thompson and Karina Longworth are covering their ends of the festival very nicely.

The new “New Moon” trailer hits the Web

Just in case you were too stunned by Kanye West’s douche-y antics to pay attention, the theatrical trailer for “The Twilight Saga: New Moon” debuted during the MTV Video Music Awards last night. But even if you missed it, don’t worry — Summit Entertainment has released it to the Web in all its glory, and we’re embedding it here for you now.

But first, for the vampire/werewolf-allergic among you, an official synopsis from the studio:

In the second installment of Stephenie Meyer’s phenomenally successful “Twilight” series, the romance between mortal and vampire soars to a new level as Bella Swan (Kristen Stewart) delves deeper into the mysteries of the supernatural world she yearns to become part of—only to find herself in greater peril than ever before.

Following Bella’s ill-fated 18th birthday party, Edward Cullen (Robert Pattinson) and his family abandon the town of Forks, Washington, in an effort to protect her from the dangers inherent in their world. As the heartbroken Bella sleepwalks through her senior year of high school, numb and alone, she discovers Edward’s image comes to her whenever she puts herself in jeopardy. Her desire to be with him at any cost leads her to take greater and greater risks.

With the help of her childhood friend Jacob Black (Taylor Lautner), Bella refurbishes an old motorbike to carry her on her adventures. Bella’s frozen heart is gradually thawed by her budding relationship with Jacob, a member of the mysterious Quileute tribe, who has a supernatural secret of his own.

When a chance encounter brings Bella face to face with a former nemesis, only the intervention of a pack of supernaturally large wolves saves her from a grisly fate, and the encounter makes it frighteningly clear that Bella is still in grave danger. In a race against the clock, Bella learns the secret of the Quileutes and Edward’s true motivation for leaving her. She also faces the prospect of a potentially deadly reunion with her beloved that is a far cry from the one she’d hoped for. With more of the passion, action and suspense that made “Twilight” a worldwide phenomenon, “The Twilight Saga: New Moon” is a spellbinding follow-up to the box office hit.

Got all that? Good. Now hit ‘play’!


Tyler Perry can do well all by himself

Tyler Perry in "I Can Do Bad All By Myself"

Tyler Perry’s latest for Lionsgate, “I Can Do Bad All By Myself,” which once again features his crazed cross-gender alter-ego, Madea, over-performed its expectations by a few million and nabbed the weekend’s top box office spot with an estimated $24 or 25 million. The reason for the discrepancy, by the way, is that it appears that the numbers Nikki Finke nabbed late last night are differing slightly from those being offered by Variety and THR.

Finke is characteristically spinning the gross as a negative for Perry, since his last film made $41 million on its opening run. However, that was “Madea Goes to Jail.” If there’s one thing we’ve learned about film marketing in the current climate in recent years, having a title that explains your premise never hurts. Just ask “The 40-Year-Old Virgin.” Of course, that’s not the whole story — just ask “Snakes on a Plane.”

Considering that this film is actually getting okay reviews (58% “fresh” on the RT Meter as of this moment) from the critics who’ve sprung for a film bucks to see the movie this weekend, it seems that Perry is offering a least a modicum of story-and-music based entertainment. Low expectations may also be helping. The good news for him is that it seems to be pleasing his large, predominantly African-American and female, fan base — ensuring that his modestly budgeted films remain profitable. I wonder if Lionsgate is reevaluating its decision not to screen “I Can Do Bad” in advance; they actually might have found some decent quotes to help pull in some newbies. Tyler recently signed a deal to make a film of the 1975 poetry-based Broadway sensation by Ntozake Shange, “For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf.” Is critical respect of some sort in his future?

9With an estimated $15.2-$15.5 for Focus Features over its first five days and an on-track $10.9 million for the weekend, “9” seems to have found its audience. As I recounted last time, it’s only the eighth movie to be so numerically named, if you don’t count the original short film that launched it. (The true no. 9 will be Rob Marshall’s upcoming film of the Broadway musical “Nine.”) Now, I don’t how I missed this before, but the computer animated dystopian tale from newcomer Shane Acker was actually released on Wednesday of last week. That was not simply to get a jump on the competition, but to milk the fact that it was September 9, 2009 — i.e., 09/09/09. I guess the numerical mojo didn’t hurt.

Coming up in the #3 spot was neither of the two remaining major theatrical releases, but…drum roll…”Inglourious Basterds” once again proving wrong those who assumed that a subtitles and cinephilia heavy flick would ward-off rank-and-file filmgoers. At roughly an estimated $6.5 million in its fourth week for the Weinstein Company, Quentin Tarantino‘s latest has accumulated about $104 million so far, which I think is about double what some insiders expected from it. It seems fairly certain now that, with the benefit of at least a few Oscar nominations, it’s going to beat the $108 million take of “Pulp Fiction,” though perhaps not adjusted for inflation.  I can’t wait to see what Tarantino’s next step will be.

The critically dissed Kate Beckinsale “Whiteout” — which Fox tried to pass off as sci-fi horror in the tradition of “The Thing” but is really more of an action-thriller/whodunit — and Summit’s Heathery actual horror/slasher remake, “Sorority Row,” went down to an ignominious, youth-audience splitting, defeat. Each film made just over an estimated $5 million. The real horror film (i.e., “Row”) did slightly better than the fake one set in Alaska, but they were both unable to beat even the second week of the fourth-place “All About Steve,” and came in at the sixth and seventh spot on their opening week. Ouch.

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