Category: Movie Comedies (Page 85 of 195)

Movie loving movie moments, Pt. 1

For numerous reasons, I haven’t had time to give certain movie news items their due this week, like the inevitable lawsuit that accompanies any unexpectedly successful film and countless items about who’s going to be in which movie (maybe), or how every single movie will be in 3-D or whatever.

But here’s the thing, I’ve been through a lot this past month or so (though things seem to be resolving themselves nicely, thank you), the Oscars are coming and for numerous reasons, I’m behind on my movie going and badly in need of a shot or two or three of movie love.

I may acknowledge the results of the very important Independent Spirit Awards tomorrow morning — a bit begrudgingly since Film Independent teased me by sending me an application and then rejecting me as not quite important enough to attend. However, as far as my other daily blog posts are otherwise concerned for the next two days as I prepare for the closest thing this non-sports-fan has to a superbowl, they are going to be little shots of film love. Nothing but clips that will remind me why I love movies and maybe draw you in a bit too.

So, why do I love movies, well, for starters there’s violence.

And where there’s violence, there must also be a little sex.

More to come.

NPH to dance with “Smurfs”

On the list of movies I really think are not great ideas, like, say “Battleship,” a “Smurfs” film is probably up there. On the other hand, it looks like the upcoming film will be testing the theory that anything with Neil Patrick Harris is worth a look, even a truly smurfed up movie. And, considering that we’re on the precipice of Oscar Weekend 2010 and the power of a certain blue-creature filled science fiction film, well, there’s only one video to play.

Liza’s at the Palace

Early on, Liza Minnelli did a fantastic job of making the world forget her “somewhat famous” parents. In Bob Fosse’s 1972 film version of “Cabaret” and in “Liza with a ‘Z’,” the TV variety special he put together for her, she proved herself a first-rate actress, singer, and dancer with a humorous, gently ironic style all her own. Despite solid acting performances in numerous movies and TV shows since, her overall career trajectory since has been, of course, difficult.

In 2008, Minnelli regained her diva status with a critically acclaimed concert/theatrical performance, “Liza’s at the Palace,” which incorporates a recreation of the legendary nightclub act of her multi-talented godmother, Kay Thompson (“Funny Face“). Taped before an adoring, celebrity-studded audience at the MGM Grand in Las Vegas, this late 2009 performance is sure to please hardcore fans. For some, however, it will be painful to watch, for all the pizazz. It’s not that age, illness and all the rest have taken their toll on Minnelli’s almost too powerful voice, nor would any sane viewer expect her to dance like it’s still 1972. Her commitment remains undeniably powerful. The problem lay elsewhere. For all her attempts to tell a personal story, Minnelli’s style when communicating through song or spoken word has become — and I don’t know how else to say this — bizarrely phony and off-putting. It’s one thing for a second-generation powerhouse performer to have show business in her blood, it’s another thing when nothing else appears to be in it.

Click to buy “Liza’s at the Palace”

A Chat with Rob Riggle

Given how long Rob Riggle has been doing stand-up, it’s actually kind of funny to think that there are lot of folks who don’t even know that he does stand-up. Then again, given that he’s been on “Saturday Night Live” and “The Daily Show,” as well as in “Talledega Nights” and “The Hangover,” it’s not like you can’t understand why some people only know him for his TV and movie work. On March 5th, however, Riggle will be taking the stage once more for an episode of “Comedy Central Presents,” where he’ll be giving viewers 22 solid minutes of stand-up. I had a chance to chat with him about the special, as well as his work on “SNL,” his two and a half year stint as John Oliver’s officemate, and some of his upcoming film projects.

Bullz-Eye: Hey, Rob!

Rob Riggle: Hey, Will! How are you doing?

BE: Pretty good. Well, welcome back to the stand-up scene on Comedy Central!

RR: I know! I’m excited! Very excited…and I haven’t even seen it yet!

BE: It’s very good. I caught it on the online screening room.

RR: Oh, well, thank you. I’m glad to hear that. I’ve literally only seen a couple of clips, so that’s good. You never know how those things go, because I think I did, like, 34 minutes, and they cut it down to 22, so you’re, like, “Uh, okay, I hope it’s good.” I’ll be very interested to see what they cut!

BE: I can only presume that the 10 minutes they cut were the slowest minutes. (Laughs) So how often do you even get to do stand-up? Because you’ve certainly got plenty of acting keeping you busy.

RR: Yeah, well, actually, I’ve been very lucky with the acting, but I try to get out as often as I can…which, in my humble opinion, is not often enough. But I book gigs whenever I can, and to answer your question directly…I dunno, I’d say probably two times a month. At least right now. There was a time where I was a lot more consistent. It just depends on the work schedule, y’know? If there’s a gap, I’ll get out there and pound it out three or four times a week, but it just depends on my work schedule, that’s all.

BE: So are you forever honing material, just in case you might have a free night for a gig?

RR: Yeah, that’s the constant work, I guess. I’m constantly waking up in the middle of the night and jotting down notes, and I have a stack of notes and thoughts and premises that I am dying to explore… (Laughs) …and I hope to have the time work them out, but I just haven’t been able to get to them yet. But one of these days I will, and hopefully I’ll be able to develop a new set. That’s what everybody’s got to do.

BE: So what was the case with this Comedy Central special? Was it planned out well in advance, or did you just get a last-second phone call saying, “Hey, Rob, come on back to the family”?

RR: No, y’know, I was just very fortunate that they came and saw me do stand-up at…I think it was right there in New York, at Comics Comedy Club. I was doing a weekend there and they came down, saw me, liked what they saw, and asked if I wanted to do it. And I was flattered. I was, like, “Yeah! Count me in!” So that’s how it all came about. And, y’know, I love Comedy Central. The people over there are awesome, and I have a good relationship with them, so…it’s all good.

BE: Well, in particular, the routine during the special that hit home for me was the bit about men’s rooms in stadiums.

RR: (Laughs) Oh, how true is it, my friend?

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Midnight movie news

Well, depending on how long this takes.

* The Oscar voting deadline passed today and the big story ’round the town was on the punishment meted out to producer Nicolas Chartier, whose over-aggressive e-screeds against “Avatar,” and in favor of his own, “The Hurt Locker.” He’s banished from the ceremony. Still, as Nikki Finke reports, don’t feel too bad for him, if you feel bad at all, and I’m not sure why you should.

Wouldn’t it be nice — and naive — to think that stuff like this actually affected no one’s vote, in any direction?

* I like Tim Burton‘s work and dislike Timur Bekmambetov’s films, but the two nevertheless insist on working together to produce “Abraham Lincoln Vampire Hunter” based on the book by the author of the also soon to be filmed “Pride and Prejudice with Zombies.” The reportedly erratic but extremely talented writer-director David O. Russell, who infamously got into a scuffle with George Clooney over the treatment of extras while making 1999’s “Three Kings,” is “circling,” Mike Fleming says.

* Hef on Bogie. And, when you think about the Playboy mansions, almost everybody really does come to Hef’s, or wants to, anyway.

Joseph Gordon-Leavitt* James McAvoy leaves a “cancer comedy” for mysterious reasons and Joseph Gordon-Levitt jumps on board, reports THR‘s Gregg Kilday. McAvoy’s pretty good, but that still might be an improvement.

* Martin Scorsese is so busy these days I get tired just reading about him. Oh, and that gangster film with De Niro is starting to take shape, alongside at least three documentaries about Fran Lebowitz, George Harrison, and the history of British cinema, including much, I’m sure, about his old friend and mentor/influence, Michael Powell — the greatest director even many cinephiles barely know. Oh, and elsewhere he discusses the possibility of making films “like ‘Precious‘” in 3-D. I see his point about how the technology could theoretically be used to enhance intimate stories. I guess. Maybe.

* I meant to mention this days ago, but this lawsuit over the fictional destruction of the “Christ the Redeemer” statue in “2012” is based on the fact that the statue is covered by copyright — something one usually doesn’t think about for iconic statuary. In any case, I really just wanted an excuse to quote Matthew Belloni‘s opening to the story:

With apologies to the Coen brothers, Columbia Pictures is learning the hard way not to f— with the Jesus….

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