Category: Movie Comedies (Page 135 of 195)

Inglourious movie moment #4

When I was doing my series of “Inglourious Basterds“-inspired clips from movies set during World War II last weekend, I left out a favorite moment from one of the best films of the 1980s. From John Boorman’s child’s-eye-view of life during Hitler’s blitz on London, “Hope and Glory, ” we have a sequence you might call “Inglourious Little Basterds.” (Maybe not super safe for work because of imaginative use of children cursing, not to mention smoking, threatening each other with bullets, and breaking things up.)

I’ll be back tomorrow with a slightly delayed box office preview.

News from the sleepy town of H-wood

Nothing too exciting to report today, but that doesn’t mean there’s nothing to report.

* Dreamworks and, presumably, Steven Spielberg are “eying” one last project based on a book by the late Michael Crichton, to be written by David Koepp. Much as I admire Spielberg, this particular triumvirate has never done much to get me excited as a filmgoer, and yes, that includes the original “Jurassic Park.” Still, this time the topic is a non-fantasy pirate story, so who knows.

* Some movies to TV news, the cult teen black comedy, “Heathers,” is being adapted for TV, which I guess makes sense in the era of “Gossip Girl.” Also, Sam Raimi, still a major movie player courtesy of “Spiderman” and what not but also licking his wounds from the utterly unfair box office failure of “Drag Me to Hell,” is making a new tubular type deal.

Christina Hendricks on * Christina Hendricks, on the other hand, is going from TV to movies. Ms. Hendricks is a first rate actress currently making hearts go pitty-pat as the multifaceted Joan on “Mad Men.” She previously contributed a couple of tour-de-force guest spots on a show that was just about as outstanding in its own way, “Firefly.” Yes, I’m a big fan. And, sure, her movie gig is only a “best friend” kind of thing, but you gotta start someplace.

A Quick Chat with Joan Rivers

There’s little question that one of the most lively panels during the early days of the TCA tour was the one dedicated to Joan Rivers’ new TV Land series, “How’d You Get So Rich?” Or, if you read my coverage of the panel, you may be more familiar with it as “How’d You Get So Fucking Rich?” But, y’know, that’s Joan for you. You can learn just about anything you need to know about the concept of the series by checking out the link to my panel coverage that I just offered up (though I would be remiss if I didn’t mention that there’s a new episode of the series airing tonight at 10 PM EST / PST), but after she held court before the crowd of critics, a few of us actually had a chance to speak to her one on one for a few minutes each.

Now, I’ll be the first to admit that, were it a contest to see who got the best pull quotes out of Joan, Joel Keller of TV Squad – who preceded me in speaking with her – would have taken the victory (she hadn’t been aware that David Tutera was scheduled to have his own TCA panel, but when he brought it up, she let fly with her thoughts on him in her usual forthright manner), but I still managed to get a couple of good lines from Ms. Rivers about “Z Rock,” “The Celebrity Apprentice,” and “Rabbit Test,” and the closing moments of our conversation will live in my memory forever.

Bullz-Eye: It’s a pleasure to meet you.

Joan Rivers: And it’s a pleasure to…well, we’ll see.

BE: (Laughs) I’ve got only got a couple of minutes, but I’ll do my best.

JR: Ask whatever you want.

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Redbox, the meaning of zombies and “Soul Train”

A few items worthy of your attention this evening.

* A new study predicts that the Redbox video kiosks will be taking over 30% of the DVD market before the end of 2010. There’s no stopping this and you can’t really argue with success, but I fear this will only narrow the already narrow marketing of films further, as the kiosks can only rent a very limited of inevitably mostly recent and blockbuster titles. It’s really the opposite of Netflix, which is a godsend for those who want to broaden their movie/TV horizons.

* The healthcare crisis hits film business folks in need of longterm care.

* Speaking of matters of life and death, writer Johnathon Williams finds truth in his love of zombie flicks. (H/t David Hudson)

* Also via The Autuers/Mr. Hudson’s invaluable Twitter feed, comes this interesting comparison of the late John Hughes and the even later master of forties screwball comedy, Preston Sturges.  I personally would never really compare the two but it is slightly spooky that they both died on August 6th and were almost the same age, and there were some similarities to their respective careers, but not to their sensibilities. Of course, that also happens to be the day the atom bomb was dropped on Hiroshima, Japan and my sister’s birthday, draw whatever connections you want. (My sister is, however, way nicer than an atom bomb or a writer-director’s untimely death.) I will say that, to me, Sturges movies are much, much funnier and a lot more interesting.

* Another TV-to-movie adaptation. This one based on Fred Astaire’s favorite show. See why below. And, no, that guy just doesn’t look like Rerun, he is Rerun.

That was too much fun. I’ll have a couple of bonus “Soul Train” videos after the flip.

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Blu Tuesday: Duplicity, Rudo Y Cursi and Adventureland

It’s been awhile since I posted a proper Blu Tuesday column due to a combination of things – slow release weeks, busy work weeks, and even a sudden interest in writing up a few title-specific entries – but I plan on remedying that today. This week’s selection doesn’t contain any really major titles, nor is there anything that could be considered particularly must-buy, but you will find a couple of films that, if given the chance, might just earn a place in your collection.

“Duplicity” (Universal)

If Tony Gilroy’s “Duplicity” taught us anything, it’s that moviegoers won’t see a film just because of the people involved. That, or Julia Roberts simply isn’t the A-list star she once was. Whatever the reason, it’s the perfect example of movie stars who make way too much. Case in point: Roberts was paid $15 million for her role in the film, while the movie only managed to rake in $40 million at the box office – a staggering $20 million less than its reported budget. While just about everyone can agree that inflated actor salaries need to be policed, reactions to the film itself haven’t been quite as cut and dry. Personally, I can understand why some might find “Duplicity” a little boring – it’s slow, repetitive, and the characters never seem to shut up – but we don’t get that many adult-oriented films these days, and though it isn’t perfect, Gilroy’s follow-up to the much better “Michael Clayton” is still worth a look. At the very least, it delivers some great dialogue and yet another solid performance from Clive Owen.

null“Rudo Y Cursi” (Sony Classics)

Billed as the onscreen reunion of “Y Tu Mamá También” stars Diego Luna and Gael García Bernal (not to mention produced by Alfonso Cuarón and directed by his brother, Carlos), “Rudo Y Cursi” tells the story of two brothers from a small town who are recruited to play for rival teams in the Mexican Soccer League. Those expecting a straight-up soccer drama will find themselves severely disappointed, however, as it’s pretty obvious from the few times the actors are forced to play that they’re not very good. The lack of soccer action aside, “Rudo Y Cursi” is a fun little movie about two men who are practically handed the American dream, only to squander it on their respective vices. For Luna’s character, it’s compulsive gambling, and for Bernal, it’s the chance to use his newfound success to become a music superstar. The latter results in some pretty funny moments — including an accordion-led rendition of Cheap Trick’s “I Want You to Want Me” — but the real humor comes from the interactions between its two stars. That alone is worth the price of the ticket, although you could just as easily find some entertainment in their poor soccer skills as well.

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