Category: Movie Comedies (Page 119 of 195)

Chris Farley’s family OK’d DirecTV ad

Chris Farley and David Spade

As a huge (no pun intended) fan of Chris Farley in general and “Tommy Boy” in particular — there weren’t many more popular or quotable movies on campus during my college days — I wasn’t sure what to think about the new DirecTV ad featuring the late comedian’s classic “Fat Guy in a Little Coat” scene from the 1995 movie (watch it below). DirecTV has been running similar commercials for a while now, recreating iconic movie moments from films like “Aliens,” “Back to the Future” and “King Kong” to help illustrate why DirecTV is (allegedly) so much better than cable. I had enjoyed the other spots I saw but, for some reason, watching a re-dubbed David Spade in the “Tommy Boy” commercial with the original footage of Farley seemed…strange. “Tasteless, insensitive or just plain weird” is how the guys at Asylum.com described some of the public reaction to the commercials, which prompted Asylum to contact Spade’s publicist in search of a statement. Here is Spade’s response:

“When DIRECT TV came to me and the Farley family with this idea about ‘Tommy Boy,’ we talked and thought it would be a cool way to remind people just how funny Chris was. It is a clever homage to my friend and a movie that we loved doing.”

Spade said the commercial reminds people how funny Farley was, but it hit me that there may very well be hordes of college kids who have never even known how funny Farley was (he died in 1997) and have never seen “Tommy Boy” or “Black Sheep.” (We can only hope they haven’t been exposed to “Beverly Hills Ninja.”) Will “Fat Guy in a Little Coat” prompt some of them to download rent “Tommy Boy”? Absolutely.

Asylum also heard from a DirecTV spokesperson:

“We should look to Chris’ family and friends for the ultimate opinion on this subject. They were involved from the beginning of this project and felt that the spot was a great tribute to Chris.”

Talk about hitting the nail on the head. If Farley’s family was comfortable with the commercial, shouldn’t we all be? What is there to be offended by, anyway? Considering Farley’s short life was all about making other people laugh, he certainly wouldn’t want people to take this commercial — or his legacy — so seriously.

Apparently, this is it

In something of a box office anticlimax to one of the most astonishing careers in entertainment history, despite surprisingly strong reviews, “This is It” with Michael Jackson has fallen somewhat short of expectations. The documentary about the preparations for Jackson’s never-to-be final tour won was, in fact, the #1 movie with an estimate of roughly $20.4-7 million for the weekend and $31.9-$32.5 for the “cume” since it’s Tuesday opening — that’s depending on whether you prefer the numbers offered by the breathlessly negative Nikki Finke or Variety’s more glass-half-full Pamela McClintock. The film was originally pegged for closer to $50 million or more.

Now, to be fair, I’ve never been a fan of this whole box office expectations game. In my book, a movie is a commercial success if it makes a profit; the bigger the profit, the bigger the success. That’s it. Still, considering who we’re talking about, it’s obvious why those expectations were sky high.

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Given that Jackson was substantially more admired and less controversial/mocked abroad, it makes sense that the worldwide numbers for “This Is It” look a lot better, with a take so far of $101 million. MJ remains, of course, huge in Japan and lots and lots of other places. Supposedly in response to this response, Sony has made the deeply unsurprising move of extending the film’s putative two-week run through Thanksgiving. Nikki Finke’s cry of “Con Artists” might seem a bit over-dramatic in a business that has long been under the spell of P.T. Barnum, but I’m not going to deny that this was a pretty naked and unconvincing ploy to try to create artificial excitement that, at least in the U.S., didn’t much take. If anyone tries to use it again any time soon, if I may indulge in the subjunctive tense, they be putzes. Still, fair is fair and it appears as if the King of Pop did beat the Hannah Montana concert film internationally, so there’s that.

While “This Is It” was the only new major release this week, and the weekend’s numbers were low overall, at least partially because of an inevitably somewhat low-key Halloween Saturday, there were other movies in play. Not at all surprisingly, the holiday was kind to “Paranormal Activity” which declined a miniscule 22% while adding theaters for an estimated weekend total of about $16.5 million and a “cume” of about $84.8 million.

Considering that it’s still playing in roughly a thousand fewer theaters than “This Is It,” this is a genuinely outstanding box office performance for a film which had an original budget that was actually less than half of the budget of the “zero budget” “The Blair Witch Project.” Perhaps wisely, Paramount appears to be keeping Israeli-born video game designer and now film director Oren Peli under wraps for the time being – no need to turn him into Quentin Spielberg just yet – but I trust he enjoyed the happiest of Halloweens.

Other than that, there were few surprises this weekend with all the current films pretty much staying static. However, I’m sure some of our young male readership will be interested to note that, as per Box Office Mojo, the best per-screen average this Halloween was just under $6,800 and it was enjoyed by Apparition’s “The Boondock Saints II: All Saints Day” on 68 screens. Given the poor performance of my personal great black hope, “Black Dynamite,” which was released in seventy theaters by the same arm of Sony and did not even register this week, or last, at the Mojo, this kind of sets my teeth on edge. It ain’t fair but the most cinematically accurate spoof film since “Young Frankenstein” will be back for another try on DVD. That, as they say, is show biz, suckas.

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Sir Christopher Lee, CBE, in a musical mood

He’s got an awe-inspiring 266 credits listed on his IMDb c.v. Nevertheless, finding good embeddable clips for Christopher Lee, one of the most beloved yet also underrated actors of the 20th and 21st centuries, hasn’t exactly been easy. Sad, considering how much enjoyment he’s given audiences, how many good movies he’s enlivened, and how many mediocre-to-godawful ones he’s come darn close to saving single-handedly. However, in honor of his well deserved knighthood today, we have what we have. And they both involve music.

My personal favorite Christopher Lee movie, and I think his as well, is 1973’s “The Wicker Man.” Below in a great scene which, for reasons much too complicated to go into here, is deleted from the most commonly seen version. In it, Lee as the avuncular and dangerous pagan Lord Summerisle takes part in a ritual with Britt Ekland as the local high priestess of sexuality. He also recites some poetry by Walt Whitman, as Edward Woodward’s repressed “Christian copper” tries to get to some sleep, snails make more snails, and Peter Giovanni sings the hauntingly erotic “Gently Johnny.”

The Wicker Man – Gently Johnny

batcountry84 | MySpace Video

Lee actually sings — quite well — in “The Wicker Man” but that can’t be found. So, moving with warp speed from the sublime to the completely ridiculous, I found this incredibly strange number featuring a full-throated Lee from “The Return of Captain Invincible,” an ultra-ultra-obscure very pre-“Dr. Horrible”  1983 superhero musical starring Alan Arkin and Lee, with music by a number of people including Richard O’Brien of “Rocky Horror” fame. In it, a villainous Sir Christopher sings of a subject of my own interest — cocktails. Always, a gentleman of taste.

“This Is It” is it

This week’s box office preview is going to be pretty thin because essentially nothing is happening in the way of major new releases, except for Michael Jackson’s last hurrah, and that’s been out since Tuesday.

Michael Jackson in

This Is It” has already earned about $20 million worldwide and been declared a disappointment by Nikki Finke. She reports that most expect roughly a $50 million domestic five day total.

Overall, expectations are not too huge for this weekend and the usual trade-paper prognosticators are taking the day off. For one thing, with Halloween falling on a Saturday this year, a lot of folks we’ll be scaring themselves in places other than the multiplex, including watching scary movies at home where its cheaper and excess imbibing, etc. is less problematic.

Woody Harrelson in On the other hand, it’ll be fun to see how “Paranormal Activity,” “Zombieland” and even “Saw VI” fair over the holiday. In addition, the fun/scary sounding eighties-style horror flick, available since October 1 via video on demand, called “House of the Devil” is only going to be in three theaters according to Box Office Mojo, but still may enjoy a bit of a Halloween bump.

Other than that, the closest thing to a major new release this weekend is “The Boondock Saints II: All Saint’s Day,” which will be released into 68 theaters by Sony’s Apparition arm. A couple of weeks back, the outstanding “Black Dynamite” was released by the same outfit and it is currently teetering on the edge of complete box office oblivion (if you’re anyway near a theater showing it — go now!), so let’s say I have less than complete confidence in their releasing strategy.

With a rather crappy 23% Rotten Tomatoes rating, Troy Duffy’s “sub-Tarantino” testostafest may do better based on the cult notoriety of the original film, but it sure doesn’t sound like it will break out much beyond the hardcore fans of the original. Certainly, when the best pull quotes RT can muster is a defensive “Personally, I loved it” and a disarming “I find enough to keep me in a satiated stupor here,” enthusiasm seeems muted. On the other hand, “The Boondocks Saints” itself only has a 16% RT “fresh” rating as compared to 79% for “Overnight,” the unmaking-of documentary about it writer-director. As I’ve learned in countless video store conversations with guys under thirty, there is a market for this thing.

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Renew! Renew!

No, I’m not reminding you about your subscription to Better Homes and Gardens but merely suggesting that you check out Glenn Kenny‘s amusing post today about “Logan’s Run,” Jenny Agutter, and a certain key moment in the lives of young males in the days of a more forgiving MPAA. And, though I still a bit punchy after my epic look at the Scream Awards yesterday (which I’m still correcting punctuation errors and typos in), there is movie news to recount as second, third and fourth lives for news stories seem to be the theme of the day.

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* Setting  a movie going record shouldn’t be too hard to pull off if you’re one of the world’s most famous, talented, and bizarrely controversial pop stars and the memory of your unexpected death is still fresh in everyone’s mind. It’s even easier if you open your movie on a Tuesday. However, it sure seems that critics and audiences mostly agree that “This is It” delivers the goods and that the Jackson shows really would have been remarkable. Given all that, I think we can agree that yesterday’s $2.2. million is only the beginning.

I also want to direct your attention to Roger Ebert’s extremely positive review in which he wonders aloud about Jackson’s ability to perform on an extremely high level while apparently shot full of drugs. Frequent readers of Ebert will have long sensed that addiction is a topic he has some first-hand experience with (he confirmed it recently when he came out as a recovering alcoholic), so this is an especially poignant read.

* I meant to post this on Monday, but Joe Mozingo of the L.A. Times put together a pretty excellent run-down on the entire Roman Polanski debacle. I have some relatively minor differences with certain aspects of the article, but on the whole this is the best round-up of the actual information on the case that I’ve read and is appropriately tough and factual. One interesting fact that I’d actually forgotten in all this: the victim herself has said on television of the crime that “It wasn’t a rape.” You can speculate on her reasons for saying that, but perhaps people should have been a bit less hysterical in their criticism of Whoopi Goldberg over her notorious statement. You’d think she’d committed “rape-rape,” when a certain amount of confusion about this case is actually pretty natural. My single favorite word in this piece: “alleged.”

* Another story that keeps renewing, Variety gives us the upside of ten Best Picture nominees and a second life for lesser known classic era Univerasl horror flicks too. Very nice.

* Anne Thompson argues for a second chance and a “serious release” for “Bad Lieutenant: Port of Call New Orleans.” I’m not a fan of the original movie, but she makes Werner Herzog’s more humorous take sound infinitely preferable to the rather pretentious original by Abel Ferrara.

* Speaking of second chances, the inspired comedy of “Black Dynamite” is in bad, bad trouble. It’s not just the man keeping it down, it’s sheer ignorance. See the damn movie, folks. In any case, if you wait much longer, you might not get to see it in a theater at all. That would straight up suck. And remember, we all deserve a second chance.

I’m still not sure what a kid from Hawaii was doing in South Central that fateful night, but you get the point.

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