Tag: Overnight

“This Is It” is it

This week’s box office preview is going to be pretty thin because essentially nothing is happening in the way of major new releases, except for Michael Jackson’s last hurrah, and that’s been out since Tuesday.

Michael Jackson in

This Is It” has already earned about $20 million worldwide and been declared a disappointment by Nikki Finke. She reports that most expect roughly a $50 million domestic five day total.

Overall, expectations are not too huge for this weekend and the usual trade-paper prognosticators are taking the day off. For one thing, with Halloween falling on a Saturday this year, a lot of folks we’ll be scaring themselves in places other than the multiplex, including watching scary movies at home where its cheaper and excess imbibing, etc. is less problematic.

Woody Harrelson in On the other hand, it’ll be fun to see how “Paranormal Activity,” “Zombieland” and even “Saw VI” fair over the holiday. In addition, the fun/scary sounding eighties-style horror flick, available since October 1 via video on demand, called “House of the Devil” is only going to be in three theaters according to Box Office Mojo, but still may enjoy a bit of a Halloween bump.

Other than that, the closest thing to a major new release this weekend is “The Boondock Saints II: All Saint’s Day,” which will be released into 68 theaters by Sony’s Apparition arm. A couple of weeks back, the outstanding “Black Dynamite” was released by the same outfit and it is currently teetering on the edge of complete box office oblivion (if you’re anyway near a theater showing it — go now!), so let’s say I have less than complete confidence in their releasing strategy.

With a rather crappy 23% Rotten Tomatoes rating, Troy Duffy’s “sub-Tarantino” testostafest may do better based on the cult notoriety of the original film, but it sure doesn’t sound like it will break out much beyond the hardcore fans of the original. Certainly, when the best pull quotes RT can muster is a defensive “Personally, I loved it” and a disarming “I find enough to keep me in a satiated stupor here,” enthusiasm seeems muted. On the other hand, “The Boondocks Saints” itself only has a 16% RT “fresh” rating as compared to 79% for “Overnight,” the unmaking-of documentary about it writer-director. As I’ve learned in countless video store conversations with guys under thirty, there is a market for this thing.

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The calm after the storm

Thanks to some unusually humid weather, greater L.A. — and its air quality — is just beginning to recover from the still ongoing Station Fire. Hollywood is similarly recovering from the news of the Disney/Marvel merger. Still, there are a few items.

*  If you’re a member of the cult around 1999’s “The Boondock Saints,” you’ll be happy to hear that Troy Duffy and company are back and that “The Boondock Saints: All Saints Day” has been picked up for distribution. I missed both the original film and “Overnight,” the documentary about misbehavior and rank miscalculations of its director. Now, maybe, I should see both.

The movie has a lot of fans  of the young and male variety, and I’m one of those two things. Still, I’ve always had a sneaking suspicion I’d hate the movie and love the documentary, but we’ll see. The cast for the sequel looks very good, however. Two favorites of mine are included, stand-up genius and highly underrated thesp Billy Connolly is back from the original and the excellent Julie Benz of “Dexter” and “Angel” is featured as well.

* Guy Ritchie is apparently recreating himself as a franchise film director these days, and in the wake of his upcoming “Sherlock Holmes,” he’s been signed to do an adaptation of DC’s “Lobo,” which I take it will be some form of violent space opera. Nothing wrong with that.

* Presumably with inglourious cash in its pocket, The Weinstein Company has made an acquisition. Colin Firth will be taking the lead in an upcoming film about England’s King George IV VI, “The King’s Speech.”  Back in 1994, the very good stage adaptation, “The Madness of King George” dealt with the mental issues of George IV’s dad ancestor, George III. According to legend, the title was changed from “The Madness of George III” because of a fear that prospective filmgoers might assume it was a third sequel. They might as well re-title this one “The Speech Impediment of King George.”

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