Category: Humor (Page 34 of 74)

Sam Kinison: Wild Child

It’s unfortunate that the curators of Sam Kinison’s catalog have limited access to his best material. This two-disc set features four performances by Kinison, though three of them were filmed in 1991, when he was selling out 5,000-seat theaters but his routine was in creative freefall. (To make matters worse, two of those routines look and sound like bootleg recordings.) The 1987 show “Breaking All the Rules” is easily the best of the bunch, with a still-hungry Kinison prowling the stage like a panther. Kinison’s playful bitterness, however, turns to pure ugliness on 1991’s “Family Entertainment Hour.” Kinison’s clearly playing to his audience’s fears here (gays), and even the bits that are supposedly for the women pander to the men at the same time. The gay bashing gets worse in the other two performances, “Outlaws of Comedy” and “Live in Las Vegas” (the bootleg shows), and even his audience appears to have had enough of it. He even had a band for two of the shows. (They were terrible.) If you want to speed-watch the set, pop in “Brother Sam,” a 2002 Playboy Channel tribute that features interviews with Kinison’s brother Bill as well as Rodney Dangerfield.

The real jewel in this set is the dress rehearsal footage, shot sometime around the “Breaking All the Rules” era. They use similar material, but Kinison seems looser here, more playful. Lastly, we must discuss the packaging, a needlessly oversized jewel case containing the two DVDs in paper sleeves. It screams of ‘the plant was having a clearance sale,’ which speaks to the overall lack of quality in the set. This is currently selling for $10 at Amazon. That sounds fair to us.

Click to buy “Sam Kinison: Wild Child”

Gandhi wuz robbed!

So, in the wake of yesterday’s surprise announcement of the Nobel Peace Prize being awarded to Barack Obama, it occurs to me that while there are several movies about presidents, there are very few, if any, about Nobel Peace Prize winners. Martin Luther King was the subject of a TV movie, but that doesn’t quite cut it. Let’s face it, if there was a Nobel War Prize, there’d be tons of movies about those prize winners. War and other forms of mass murder are so full of dramatic tension! Think of how many movies there are about Hitler, General Custer, and Jack the Ripper there are…and those guys never won anything!

The one film that came immediately to mind, however, was Richard Attenborough’s 1982 “Gandhi.” It might have won some Oscars and ranked in the top 250 on IMDb, but few cinephiles types, myself included, think too highly of it, despite Ben Kingsley’s star-making performance — but it’s one. However, it turns out that despite being the 20th century’s poster boy for nonviolence, Mohandas Gandhi never actually won the famed prize.

Oh, well, as we await a movie about such heroes as Nelson Mandella (I think one may be in the works…and it’s about time), MLK, Aung San Suu Kyi, Lech Walesa or such “give them the award to help them stop it already” villains as Yassar Arafat or Henry Kissinger, here’s an idea for a movie whose time may have come.

Penn & Teller Get Killed

Most people have never heard of “Penn & Teller Get Killed,” let alone seen it. Whether or not it ever even had any sort of theatrical run I’m unsure, but it’s managed to amass a minor cult following on home video over the years, which makes it an ideal title for the Warner Brothers Archive series. Playing fictitious versions of themselves, it kicks off with Penn & Teller appearing on a late-night talk show, where Penn announces that he wishes someone were trying to kill him, as it would bring some meaning to his life. Before long, it appears that someone may be taking him up on the request, yet the pair has been playing an escalating series of practical jokes on one another. Is the death threat against Penn one of Teller’s elaborate ruses, or is it the real deal?

There isn’t much more to the plot than what’s written above, and the screenplay, which was penned (ahem…) by the duo, is mostly a showcase for their oddball talents and dark personalities. It elicits at least a handful of genuine chuckles, and in the final reel, delivers an unusual, quirky sense of dread as it lives up to its title. It’s difficult to recommend to anyone who isn’t a fan, as this isn’t going to turn you into one, and yet it’s a noteworthy minor pop culture history lesson: the Penn & Teller of the movie are far removed from the Penn & Teller of today. Yes, there actually was a time when these guys were all about having a good time and entertaining the audience, as opposed to the bloated Libertarian windbags they are today.

Click here to buy “Penn & Teller Get Killed”

Matt LeBlanc tries his hand at meta-comedy

LeBlanc

Matt LeBlanc, after living in Hollywood exile the last three years, is set to star in “Episodes,” a new comedy co-produced by the BBC and Showtime.

Matt LeBlanc is reteaming with “Friends” co-creator David Crane for “Episodes,” a Showtime/BBC comedy series spoofing the TV business.

Showtime has ordered six half-hour episode of the series, which Crane created with Jeffrey Klarik, for a 2010 premiere on Showtime and BBC Two.

“Episodes,” which will start production in January in London and Los Angeles, centers on a successful British husband-and-wife comedy team thrilled by the prospect of producing an U.S. version of their hit series. But they are soon forced to replace the erudite British lead in the original with the quintessential U.S. comedy star, Matt LeBlanc, who will be playing a version of himself. They sink deeper into the quicksand that is the Hollywood TV business, ruled by a legion of network and studio executives.

Sounds like a mixture between “The Comeback” (which starred Lisa Kudrow from “Friends), “Entourage,” and “Extras.” Since shows about shows and comedies about comedies are in at the moment, “Episodes” might have a chance. The premise sounds mildly interesting, but this will also be a test of LeBlanc’s star power. Do American (and British) audiences still have a soft spot for the guy that played “Joey Tribbiani.” They might, but it will also take a strong and hilarious supporting cast to keep viewers coming back.

“The Jay Leno Show’s” saving grace: correspondents

While “The Jay Leno Show” performed well in its second night, Tuesday’s broadcast varied a bit in format. In the show’s premiere, Leno was on camera the entire time (excluding the music act), unlike the later years of his “Tonight Show.” Given Leno’s established presence, viewers will tune in regardless. However, Leno’s well aware that producing five hours of comedy on a weekly basis is taxing, especially at this point in his career. Leno, who’s been in the business for decades, can’t and doesn’t need to get any more popular. Safe comedy simply works in America and we’ll just see how it pans out at 10 PM on weeknights. As long as Leno does his monologue and a high-profile interview, he’ll have his core audience there every night with him. Still, an hour is a long time in television and rather than cram his imposing figure into every segment, Leno’s decided to spotlight comedians he admires or who have garnered the attention of his talent scouts. Last night, comedian Jim Norton made his first appearance on the show in a segment called “Uninvited Guest.” We should see more time devoted to these “correspondents” in the near future — it’s the only reason guys like me will give the show a chance.

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