Category: External TV (Page 98 of 419)

American Idol: Orlando crushes Chicago

You surely would expect that Chicago would produce more contenders on “American Idol” than Orlando, right? Wrong. Orlando produced 31 Hollywood-bound singers than Chicago, which delivered 13 in two days. Whatever, once the Hollywood rounds begin we won’t remember where these folks auditioned unless Ryan Seacrest decides to remind us. So the guest judge was Kristin Chenoweth, at least for Day 1, and she had more spunk in her pinky than Shania Twain. Anyway, the producers showed us most of the good performances last night and not as many crappy ones, to which we say, BO-RING. Here they are…

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The Biggest Loser: how bad do they want it?

NBC’s “The Biggest Loser” consistently transforms the lives of its contestants, but that doesn’t mean every one of them really wants to be on that ranch and do the necessary work to change their bodies. Last night we saw two instances of just that, despite what those contestants would tell you.

They began by reminding us that there were two teams, blue and yellow, that had been sent home on Day 1 for 30 days. At his point, it was halfway through the 30 days, and each team was working extremely hard to earn that spot back on the ranch.

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American Idol: windy city produces very few hopefuls

You would think in pure numbers that a city like Chicago would produce the most Hollywood-bound contestants on “American Idol.” But no. Two days yielded thirteen of them, and some of those were even questionable, at least in my eyes (and ears). Guest judge Shania Twain offered some comic relief at times, and some of the singers were no doubt talented, but I know we all expected more from the windy city. Here are the highlights and lowlights….

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24 8.3-4: Baby, did you forget to take your meds?

George Harrison: “Hey guys, don’t mind me. I’m just going to slip behind this pillar to make a private phone call right in the middle of an emergency evacuation.”
Moscow Mike: “Hey guys, don’t mind me. I’m just going to speak on the phone in my native Russian accent shortly after replacing another cop on U.N. security detail.”

Jesus.

Seriously, have these people heard of text messaging? Are they worried about lingering evidence? If you’re willing to call an assassin on your phone, there’s no reason to be bashful about texting. It would have looked a lot less conspicuous for both parties. “Slumdog in 3rd car. Make boom boom.” Problem solved, and he wouldn’t have to hide behind a pillar to do it.

All right, Rule #1 for home invasions: if someone is willing to shoot your wife in the leg as the first step in the “I’m not fucking around” dance that captors and hostages take, you can safely assume that neither you nor your wife is going to live through said encounter. So why not die with your boots on? I understand the cop’s desire to protect his now-crippled wife, but he lost me the second that the phone rang, and Moscow Mike looked away to the phone…and the cop didn’t take Mike’s gun and shoot him with it. He had a good second and a half. That may not sound like much, but in TV time, it’s an eternity. It goes even slower for the viewers. Any cop worth a damn would have made a move for the gun.

Which is why, while I knew that Buffy was putting his life in grave danger by entering that evacuated building looking for Moscow Mike – and sure enough, Mike got the drop on him, but inexplicably did not shoot him in the head on sight – I was thrilled to see Buffy not make the same mistake as the cop in Queens. He knew he was doing to die either way, but if he had a chance to stop the assassin, it would be worth it. As it turned out, Jack was there to take Moscow Mike down, though I’m still a little perplexed how he was able to shoot Mike twice in the back without hitting Buffy. There were exit wounds in Mike’s chest, and from what I could tell, it looked as though any pass-through bullet would have gladly made a home in Buffy’s flesh. But still, major props to Buffy for being willing to die for the cause.

As for the vengeful cop that tied up Jack as retaliation for the dead cop and his wife: ha ha ha ha ha ha! I know you needed something to keep Jack from getting to Buffy sooner, but that was just silly. You know what would be a perfectly reasonable way to delay Jack from arriving somewhere on time? Traffic. New York has a lot of it, not that you would know from these first four episodes.

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“You can tell from the state of my room that they let me out too soon.”

Holy fucking shit, what has happened with Jacqueline Bauer? She’s positively unhinged, pulling stunts that rival Jack at his most unstable. Remember when he shot the federal witness and cut off his head to use as currency to infiltrate a weapons gang? That actually pales in comparison to what Renee pulls here. Cutting off a guy’s thumb while he was still conscious? The girl has issues, to say the least…and I love it. It’s like Jack being partnered with himself – his dark, evil self. I’m sure we’ll reach a point where Jack has to pull a gun on Jacqueline and tell her she’s Gone Too Far. But for now, I am totally loving Crazy Jackie.

Likewise, I’m loving Slumdog President, too. He isn’t at all predictable, or perhaps more accurately, he’s not playing the stereotypical slimy politician game. Of course, we still have 20 hours to go, which means there are surely some skeletons that George Harrison will gladly hurl out of the closet in order to buy either time or leverage. I’m not sure what those skeletons would be worth to the Russians – they just want George’s money – but we’ll see. It’s nice to see David Anders, a.k.a. Sark from “Alias,” on the show. Hopefully he gets to do a little more than say “Yes, sir” to the big baddie.

Oh, and I love scenes of empty restaurants at 7:00. How very “Godfather” of them. And for the record, a guy stashed away in a meat locker with the sniffles is not irrefutable proof of the possession of nuclear weapons. What a gulli-bull.

On the Starbuck front, her blackmailer Kevin dropped a line about seven years of hard time. Did he do jail time for a crime that she committed? And even if he did, he’s the convicted felon, not her, and the law favors the innocent, or at the very least those without criminal records. One anonymous call to the police should take care of him, yes? I mean, if she’s willing to work for the government despite being an alleged fugitive, why would she be afraid of the police? And doesn’t he know how bad it looks that he’s been caught on security cameras shaking down a government employee? Just rat the guy out already. He’s wasting time.

Still, for all my complaining, I just love what they’re doing with Renee. It doesn’t speak well for her long-term well-being – I’m thinking she has a tollbooth and a hailstorm of Russian bullets in her future – but it’s good to see that Jack isn’t the only good guy that’s willing to be bad. How has he not proposed to her by now? She completes you, Jack.

As for the blog’s title, Placebo, take it away.

TCA Tour: Breaking Bad

AMC may have broken its streak of perfection in late 2009 when their miniseries remake of “The Prisoner” met predominantly with either indifference or annoyance, but there’s plenty of reason to expect that the network will regain its good name in full in 2010.

For one thing, there’s the announcement that Kurt Ellis, the screenwriter behind HBO’s “John Adams,” is setting his sights on Warren Harding and developing the miniseries “Black Gold: The Teapot Dome Scandal.” Then, of course, there’s the fact that we’ve been chomping at the bit for Season 4 of “Mad Men” ever since the dissolution of Sterling-Cooper back in November, which means that we’ll pretty much forgive the network anything when the series returns later this year. Joel Stillerman, AMC’s Senior Vice President of Original Programming, Production, and Digital Content, gave us this one-liner: “Betty is off to Reno, Don is shacked up in the village, Sterling Cooper is held up in a hotel room, but maybe most importantly, Joan is back, and it should be another great season of one of the best shows ever.” Sounds good to me. More details are also emerging about the latest addition to AMC’s slate of original series, “Rubicon,” which Stillerman describes as “an incredibly compelling mystery that pays homage to the great conspiracy thrillers of the ’70s like ‘The Parallax View’ and ‘Three Days of the Condor,’” adding, “We thought, if we could find a way to take that style of storytelling that has stood the test of time so well and spin it off into a serialized drama, we would have something really great.” Let’s hope they do.

But enough about the new kid on the block. Let’s talk about the network’s other high-profile series: “Breaking Bad,” which will kick off its third season on March 21st.

It will, I’m sure, not surprise you that there will be little in the way of revelations in this piece, what with the season premiere still more than two months away as of this writing, but I can tell you that, within the first five minutes of the panel, the discussion had already veered between a religion called Santa Muerte and a teddy bear’s eyeball, so, y’know, make of that what you will.

Like many dramas on TV, the cast members of “Breaking Bad” have almost as little idea what’s going to happen next as the viewers do, rarely knowing how things are going to unfold until they get the script for the next episode.

“That’s what makes it exciting,” explained Bryan Cranston, who plays the show’s cancer-ridden meth dealer, Walter White. “Just like you watching it, we are reading it, and the feeling has the same impact, as much surprise as you have. We often comment to each other, ‘Did you read it yet? Did you read it?’ ‘Yeah, don’t tell me. Don’t tell me. Don’t tell me.’ ‘I’m only halfway through it.’ ‘Oh, yeah. Oh, my goodness. You are not going to believe it. You are not going to believe it.’ So you have that kind of anxiety and anticipation of what’s about to happen, so it’s never boring and always a surprise and a turn here and there.”

As expected, Cranston wouldn’t offer specifics about what Walt would be going through in Season 3, but he was willing to speak in general terms, at least. “There are actually a couple turns that happen emotionally, some physically,” he said. “I’m starting to completely accept the metamorphosis of my character. I’m breaking out of the cocoon and ready to become a different person, and that transition over time is one of the things that was the most compelling for me about wanting to do this show is that (creator) Vince Gilligan said he wanted to do something that he’s never seen before, and that’s, as he famously puts it, turn Mr. Chips into Scarface. And it hasn’t been done on television before unless someone can cite an occasion where you actually see a person completely change who he is by the end of the series or near the end of the series. I will be a completely different person from the milquetoast person you saw in the pilot.”

(You may recall that Cranston spoke to this issue when he chatted with Bullz-Eye in conjunction with the most recent TV Power Rankings.)

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