Category: External TV (Page 371 of 419)

Preview: “Sons of Hollywood”

We got our hands on the premiere episode of A&E’s new reality series, “Sons of Hollywood” – which begins on April 1st – and based on what we’re seeing here, we’re guessing that the network is going to have an uphill battle on its hands promoting this as a must-see show.

The series documents the lives of two famous celebrity offspring – Sean Stewart (Rod’s son) and Randy Spelling (Aaron’s son / Tori’s brother) – and their manager, David Weintraub, who’s also been their friend since childhood; basically, we watch as Sean and Randy careen through their lives of luxury, but with the exception of one subplot…and, frankly, it feels very weird referring to an actual event in someone’s life as a “subplot”…there’s very little for anyone to latch onto. Weintraub’s a professional who’s trying to keep his friends / clients on the straight and narrow, but they tend to be more interested in sleeping, golfing, drinking, and gambling. (Not necessarily in that order, you understand.) Given that the show’s slogan is “Real Life, Only Better,” one supposes that viewers are supposed to look at the goings-on and say, “Wow, I wish my dad was famous, because if he was, then my life would clearly be awesome!” But you can’t really look at these guys and imagine yourselves in their shoes. The only time you feel any sort of empathy towards either Sean or Randy is when Randy deals with the emotional turmoil of his father’s impending death; he knows he’s sick and that death is immiment, and for a few minutes, you can actually see past the spoiled rich kid exterior. But the moment is gone far too quickly…

We’re not going to completely write off “Sons of Hollywood” based on this single episode; we’ll definitely check it out and see where things go from here. After all, the show ends to the strains of The Thrills’ “Hollywood Kids” and its sarcastic lyric, “Those Hollywood kids got it made,” so maybe we’ll see David helping Sean and Randy shape up and actually do something halfway important with the power and money that’s attached to their name. But it had better happen pretty quickly.

Few surprises in ABC’s early renewal roster

Two months prior to the announcement of its official fall lineup, ABC has announced the renewal of ten primetime series — most of them thriving veterans such as “Grey’s Anatomy,” “Lost,” and “Desperate Housewives.” Also making the cut were freshman hit “Ugly Betty” and the late-blooming “Brothers and Sisters,” as well as the Anne Heche dramedy “Men in Trees.”

Reality programs back for another year include “Dancing with the Stars,” “The Bachelor,” and “Extreme Home Makeover.” Late-night talker “Jimmy Kimmel Live” will return as well.

And, in a pleasant surprise given the show’s relative lack of momentum to date, “Boston Legal” will return next season as well.

To which we say: Denny Crane!

Bullz-Eye’s Badass Bracket: Round 2

Who is the biggest badass in entertainment history? We split the 32 contestants into two brackets and seeded each bracket 1-16. Now, it’s on you. Each week, we’ll open up different portions of the bracket for voting, with the winner of each matchup moving on to the next round until we’ve crowned a badass champion.

The lone female entry in Round One fared poorly, but the two women in Round Two have a lust for revenge. Ellen Ripley, scourge of all things alien, does battle with the Sexy Beast (Don Logan), while everyone’s favorite vampire slayer Buffy Summers is up against…a man in a bat suit. How fitting.

In our “I Love the ’70s” matchup, John Shaft goes mano a mano with Lee (“Enter the Dragon”), and the Old West is represented by badasses both good (Rooster Cogburn) and evil (Al Swearengen). The ultimate battle of good versus evil, however, features Tony “Scarface” Montana taking on the man who gave baby Jesus the gift of beard: Cordell Walker, Texas Ranger. There is also dueling mobsters, dueling gun nuts, and dueling psychos. Get your freak on.

Check out our full bracket to follow along, or just click on any one of the match-ups below and vote for your favorite badass:

(#1) Dirty Harry vs. (#16) Travis Bickle
(#2) Ellen Ripley vs. (#15) Don Logan
(#3) John Rambo vs. (#14) Tommy DeVito
(#4) Cord Walker vs. (#13) Tony Montana
(#5) Jules Winnfield vs. (#12) Keyser Soze
(#6) Rooster Cogburn vs. (#11) Al Swearengen
(#7) Lee vs. (#10) John Shaft
(#8) Batman vs. (#9) Buffy Summers

If you have a half-hour to kill AND ABSOLUTELY NOTHING ELSE TO DO…

…then, say, why not consider watching this young man’s 30-minute-long monologue on the ’80s sitcom greatness that was “Gimme A Break,” which he delivers while lying on his stomach on a hardwood floor. Why is he lying on his stomach on a hardwood floor? You might as well ask why he spends 30 minutes giving such an in-depth look at a relatively pedestrian family sitcom…but, my God, it’s absurdly enthralling, particularly his renditions of the different versions of the theme song. Is it reading from a teleprompter? Does he have cue cards? Or, God forbid, can he really offer such a tremendous discourse off the top of his head…?!?

I’m sure you’ll never make it through the entire half-hour unless it just plays in the background while you’re doing something else, but every few minutes, you’ll hear something that’ll just make you go, “What the fuck…?” My favorite is his discussion of “an inside source” who knows the answer to the mystery of why the lyrics to the song were changed in a later season. I’m not exactly sure why this source chose to remain anonymous, but I’m theorizing that it’s something to do with Al-Queda…

The Man from Tallahassee

It really bugs me when an entire episode of a show is built around a single reveal, not because the particular reveal is disappointing in any way, but rather because the 40-odd minutes that take place before it are nothing more than filler material. That was the case with tonight’s episode of “Lost.” We finally found out the cause of Locke’s four-year-stint in a wheelchair, all while not discovering much else.

As is expected, the flashback of last night’s episode was dedicated to Locke (is it too late to mention that I desperately miss the old Locke from the first season?). After losing his disability pay for choosing to end rehab treatment, he receives a visit from a young man claiming that Anthony Cooper (the man who conned Locke out of a kidney) is also conning his rich mother. Locke is quick to disassociate himself with Cooper, but he visits him anyway, warning him to stop his latest scam before anyone else gets hurt. Apparently, Locke’s threat didn’t work so well, because a couple FBI agents arrive at Locke’s doorstep a few days later to question him about the young kid – who’s just been found dead. Locke goes to investigate at Cooper’s lavish apartment complex, only to be tossed out through the eight-story window by his very own father.

Fast-forward four years later, and while Kate and Sayid are busy trying to rescue Jack (actually, they get captured, and Kate learns that Jack’s going home in the morning), Locke makes a late-night visit to Ben, claiming that he’s not looking for Jack, but rather the submarine that he learned of from Mikhail. Long story short, the two have an interesting discussion about Locke’s motives to blow up the Others submarine (Ben even mentions a “magic box” that contains whatever you want), but none of it changes Locke’s mind, and just as Jack is preparing to leave, the submarine explodes.

None of this really makes Locke evil (he’s been trying to convince the other survivors that the island is a godsend ever since he first arrived), but he’s certainly prime material to accept a high-ranking position among the Others. And just after realizing that he’s made a giant mistake (you see, Ben manipulated him), he’s taken to a room holding a surprise for him straight out of the “magic box”: Cooper, bound and gagged, and looking surprised as ever to see that not only is Locke alive, but that he’s here on this island. I’m not sure I completely agree with this big reveal by the writers (does everything always have to be so conveniently connected?), but it’s ripe for potential.

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