Category: External TV (Page 370 of 419)

24, Hour 15: Nadia Yassir stars in “Kill Bill Buchanan”

Stupid TiVo. I usually plop in front of the TV around 20 minutes into each episode so we can skip the commercials, and as we did it tonight, we noticed that the record light was not on. The DVR thought it was recording the show, only…it wasn’t. “This show is not currently available,” it said. Nor will it ever be. If I were Jack, this is the moment where I’d say “Dammit,” and then torture the dog down the street.

The first thing I see is Jack talking with Brady, who has some kind of learning disability. He’s supposed to give a flash drive to Gredenko in the place of his injured turncoat brother, who’s now helping CTU. Lord have mercy, how many times have they sent newbies to do drops with the FBI’s Ten Most Wanted? For a second, I thought they were going to have Brady suffer an accidental death, but then I realized: they can’t kill the mentally challenged kid. That’s bad karma. Torturing the shit out of Arabs, that’s cool. But you can’t cap the slow guy.

They then cut to the brouhaha over the wrongfully imprisoned Nadia, whose PC was being accessed by remote, therefore absolving her of any wrongdoing. Everyone apologizes to Nadia, Milo shares a painfully awkward and forceful kiss with her, and then everyone gives Nadia her space…

…and Nadia’s about to make them pay for it. Capitalizing on the white guilt they all feel for doubting her, Nadia is in the perfect position to begin the sinister second phase of her infiltration for Fayed. No one would dare question her motives now, for fear of being branded a racist. Even better, she can manipulate Milo nine ways to Sunday for “doubting” her, even when he was absolutely right in the first place and had no idea. Oh man, is this sweet.

For the record, I don’t really think that Nadia will kill Bill Buchanan. I just couldn’t resist the tie-in.

“Let me ask you a question. If I were Commander in Chief and suffered a debilitating accident that left me borderline comatose, what would you do?”

“I’d have you removed from office on the grounds that you were unfit to run the country, then I would hire a covert ops group to have you killed and set up some Islamic extremist group for the fall. Lastly, I’d piss all over your grave and leave a flaming bag of dogshit at your sister’s front door every day for the next 20 years.”

“Congratulations, Noah, you’re my running mate.”

What, the, fuck. This is the most glaring problem with “24” this year. Never in a million, billion, bazillion years would a dove like Wayne Palmer have a warmongerer like Senator Roark as his second in command. Roark clearly doesn’t want to relinquish his authoritah, and that’s understandable. Still, he’s not as smart as Wayne, and Wayne will find a way to make him pay for his transgressions. It’s going to be sweet to watch, even if it kills my Season Five conspiracy theory once and for all.

So what did I miss in the first 20 minutes? Did former President Buck Buck Brawwwwwk bite in en route to the hospital? Did the First Lady of Crazy kill herself out of grief, or craziness posing as grief? Is Old Yeller out for revenge, dunh dunh duuuuuuuunh? Or did they do what I suspect they did, and ignore those plot threads altogether? And don’t forget that Farmer Hoggett is still in play. Did Mark work for Farmer Hoggett? I really don’t know as I’m typing this. Stupid TiVo.

Battlestar Galactica: “Crossroads, Part 2”

**WARNING: MAJOR SPOILERS AHEAD**

In the week leading up to the season finale, Sci-Fi was promoting the fact that we’d learn the identities of the final five Cylons. Prior to hearing that, I thought the show would sprinkle in the reveals to add some punch throughout next season, but they did indeed reveal four of the Cylons, and four out of five ain’t bad.

So it’s Tigh, Tyrol, Sam (Starbuck’s husband) and Tori (Roslin’s assistant). Considering that Tigh, Sam and Tori were hearing the music during last week’s episode, it’s fairly unsurprising (but powerful) that they are indeed Cylons. I don’t remember Tyrol dealing with the music last week, so his reveal was a bit more surprising, though when he started humming the music this week, it became pretty clear that he was a skinjob as well.

Two observations about the music:

1) The music was from a contemporary song, Bob Dylan’s “All Along the Watchtower.” I didn’t recognize it until the second line: There must be some kind of way out of here / said the Joker to the Thief / there’s too much confusion here / I can’t get no relief. My first reaction – WTF? Why are these four singing a Dylan song? I hope that the writers have some sort of explanation prepared for this and that they don’t just forget about it. Could the song be part of the 13th colony’s map to Earth?

2) Initially, the music was unrecognizable because it had a Middle Eastern feel to it. Given the current state of the world, is this supposed to have some sort of hidden meaning? I think we Americans have been taught over the last several years to fear all things from that part of the world, so are the creators playing on this fear, this xenophobia?

When the four met in the room, and Tigh asked them to close the doors, I kept waiting for the fifth Cylon to knock. (That would have been a very interesting cliffhanger.) There are theories flying around that Starbuck or Roslin is the fifth. Starbuck supposedly died, but there she is in the nebula, flying a nice-looking Viper.

I’ve been to Earth. I know where it is and I’m going to take us there.

Big words. So is she a Cylon? Maybe, but it’s not as clear as some fans think it is. If she were a Cylon, it would explain how she “survived” the explosion. But it seems kind of obvious to me.

Roslin is another possibility. She reacted after the jump to the nebula, but before the power went out. Coincidence? Doubtful. She definitely has ties to the Cylons (opera house dreams) so that could be why she reacted. Supposedly, she is the dying leader that guides the humans to Earth, but even that’s not for certain.

With Tyrol being a Cylon, his baby is a hybrid. They didn’t address it at all in the episode, so I just wanted to throw that out there. Hopefully, that becomes a storyline next season. Also, Tyrol had a great line when his wife asked him where the hell he was.

I’ll tell you later.

Now that conversation is going to go over like a lead balloon.

One other random observation. They made a point of developing a budding relationship between Sam and Seelix (the short-haired brunette) by having them hugging on each other in the bar last week, and it’s no coincidence that it was Seelix who discovered Sam and Tori in the (locked) barracks this week. Expect this to play out somehow next season.

Regarding Baltar’s trial, my sister pointed out something that I missed. The segment with Lee’s diatribe about how Baltar was the one we all wanted to blame, to throw out of the airlock, coupled with the doctor’s long hair and beard – that segment had some Christian overtones. Throw in the Cylons’ insistence of One God (while the humans believe in gods – plural – just like the ancient Romans did), and the references grow even stronger. Is Baltar the Messiah? The way his new “followers” whisked him off the ship would indicate that at least a few people believe he is.

I have to mention Romo’s hilarious line after Baltar goes on and on about how he knew that he’d be found innocent:

Your boundless confidence provided us with great solace throughout the proceedings.

Did anyone else notice that Romo let Lee off the hook about Bill’s prejudice of Baltar’s trial? As soon as Lee finished his speech, Romo rested his defense. Also, Romo wore sunglasses for the entire first episode, save for a scene where he had to convince Number Six not to betray Baltar. He didn’t wear them for the entire trial, but then put them back on as he said goodbye to Lee. Plus, his limp was gone. When he’s wearing the shades, he’s himself, but when he’s not wearing them, he’s playing a role. Kudos on the great acting job, Mark A. Sheppard!

But back to Starbuck’s reappearance. I think it was fairly obvious that she’d return, though not necessarily in this manner. As Lee was flying through the nebula, did anyone else see a giant ship/structure just before Starbuck’s appearance? Did Starbuck bring help?

I liked the zoom out to see the Milky Way, and then the zoom back in to see Earth. Now we know approximately where the fleet is.

Starting with the reveal of the four Cylons, I thought the ending to the episode was fantastic. They did a terrific job of incorporating some very cool guitar (with an “All Along the Watchtower” feel) to ramp up the anticipation of the Starbuck reveal. The only downer is that we have to wait until 2008 for some answers.

2008?!? That’s practically a year away!

Rome: “About Your Father”

Rome

That’s it. That’s the last episode of “Rome.”

I’ve said before, with all the jumping ahead in time, that this season felt awfully rushed, but the final episode provided a fitting conclusion to most of the show’s storylines.

It starts with a great monologue by Mark Antony as the remainder of his navy rowed its way back to Alexandria.

All my life I’ve been fearful of defeat. But now that it has come it’s not near as terrible as I’d expected. The sun still shines, water still tastes good…glory is all well and good but life is enough, nay?

Then, in contrast, we get another monologue from Atia as she laments the news of Antony’s defeat:

[Octavian] wasn’t like that as a child. He was a good, honest boy. I don’t know what happened. I’m to blame, probably.

Probably?

Antony’s meltdown in the palace is a brilliant piece of acting by James Purefoy. When Cleopatra pleads with him to come up with some military trick to win the war, Antony quips, “I’m a soldier, not a fucking magician.”

Then, he has a “GoodFellas” moment when one of his guests laughs as he gets knocked down. Antony shouts, “I’m a fucking clown?” before killing the weakling in a swordfight. (I had visions of Joe Pesci.) That moment is Antony’s “lampshade” moment. You know, that moment when a partygoer partakes a little too much and their night spins out of control. I’d like to applaud the hazy cinematography of the scene. It really adds depth to Antony’s frame of mind at the time.

He has another great line when Cleo’s slave comes to tell him of her death and to urge him to commit suicide: “Anything to cure this fucking hangover.” The suicide scene with Lucius was intense, and it was a nice gesture that Antony did not force Vorenus to follow him into death.

Then there’s the matter of Caesarion. Though there isn’t any real-world evidence of this, the show’s position is that he is the son of Titus Pullo. When Lucius offers to take Caesarion to his father, Cleopatra asks, “Is he a good man?” Lucius answers, “Define good.”

The negotiation scene between Cleo and Octavian was terrific, and I can see now why they wanted Simon Woods instead of Max Pirkis for the latter half of this season. Octavian was actually 33 when he invaded Alexandria, so casting Woods was a logical choice. Of course, Caesarion was 17 at the time, and the creators didn’t have any problem shaving seven years off of his age.

It was good to see Atia get back to her old self. That was a terrific diatribe she laid on Octavian’s wife before the triumph. Now that the series is over, it’s comforting to know that the bitch is definitely back.

Finally, there’s Titus and Lucius. Even with all its politicking and betrayal, the show is really about the friendship between these two men. It was sad to see Lucius go, but I’m glad he got his wish to see his children and that his eldest daughter decided to forgive him. Titus got his wish – a son – and appears to have finally found some happiness in his life.

And, speaking of Titus, how’s this for the last line of the series?

Listen, about your father…

All in all, the finale did an excellent job of providing fitting conclusions to virtually every major character, but in reality, the only good thing about “Rome” ending is that we’ll finally get to see the last nine episodes of “The Sopranos.”

R.I.P. “Rome.” We’re sad to see you go.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑