Category: External TV (Page 202 of 419)

Don’t write off “The United States of Tara” just yet

I don’t really know how positive or negative the reviews have been for Showtime’s new half-hour dramedy, “The United States of Tara.” The score over at TV.com is 6.5, which isn’t particularly good. (“Weeds” and “Entourage” both scored an 8.9.)

The series stars Toni Collette as Tara, a mother of two teenagers and the owner of no fewer than three other personalities. Tara and her patient husband Max (John Corbett) decided that she would no longer take Xanax to suppress the personalities. Why? We don’t really know — other than Tara’s statement that she wants to “feel something.” (I’m paraphrasing.) The series feels like it’s trying to recreate what makes “Weeds” so great — how a suburban mother’s unique characteristic/career has such a drastic effect on her family.

Anyway, the first few episodes were funny in spots, but high on the uncomfortable meter as Tara’s “alters” would emerge at inopportune times. For its comedy, the series relies too much on how Tara’s other personalities embarrass the rest of the family. And it was starting to get tiresome, especially since it could all be avoided if she only stayed on her meds.

But the sixth episode — “Transition” — was funny as hell. We saw two of Tara’s alters but it was only for a brief moment. The episode revolves around a visit by Tara’s parents for her sister’s birthday party. Her parents want the kids to live with them, and Tara just tries to get through the weekend without transitioning.

But the funniest part of the episode was the daughter’s interaction with her boss, Gene (Nathan Corddry). Gene manages an Applebee’s-type restaurant chain and his character is starting to steal the show. The writers would be wise to utilize Patton Oswalt’s comedic delivery as well. He is hilarious as Max’s co-worker and friend but he’s only appeared in two episodes.

I’m not saying that “The United States of Tara” should be renewed or that it deserves an Emmy. But I was thoroughly impressed with this episode and, unless they really drop the ball over the next couple of installments, I’m going to watch the rest of the season. Those that gave up on the series early might want to check out the sixth episode to see if it blows up their proverbial skirts.

Well, it’s about freaking time…

After months of pissing everyone off by telling reporters that he either wasn’t interested in reprising his role of George Michael Bluth or couldn’t be bothered to sign onto an “Arrested Development” movie until he’d read the script, it looks like Michael Cera has finally caved in.

According to Kristin Dos Santos over at E! Online

Inside sources close to the negotiations of the upcoming Arrested Development movie tell me that Superbad and Juno star (and before that, hello, George-Michael Bluth!) Michael Cera has finally agreed to do the feature film project. Cera had been the lone holdout among the show’s stars for several weeks. All other Bluths, including Jason Bateman, Portia de Rossi, Will Arnett, Tony Hale, Jessica Walter, Jeffrey Tambor and David Cross, are already game, according to sources.

I think we all knew this was only inevitable. Either Cera was going to sign, or Mitchell Hurwitz – who’s reportedly in the midst of writing the script – would made George Michael the brunt of more jokes than…well, George Michael.

Adam Carolla, Joel McHale to star in pilots

Los Angeles radio station 97.1 switched from an all-talk format to top 40, so Adam Corolla (who replaced Howard Stern when he moved to Sirius) was out of a job. It turns out that his unemployment only lasted about a day…

Carolla will star in CBS’ pilot Ace in the Hole as a family man who works days as a driving instructor, reports Variety. He’s re-teaming with former Man Show writer Kevin Hench on the comedy.

Joel McHale (right, host of “The Soup”) also looks to get into the sitcom game…

After being pursued by networks for some time now, McHale has finally settled on a project. He’ll star in Community, a comedy pilot over at NBC, as a lawyer who goes to community college after learning he needs more credits for a real college degree, according to The Hollywood Reporter.

As host of E!’s The Soup, McHale–a favorite around these parts–had been courted by networks as a talk-show host but instead was looking for an acting gig. If this works out, E! will have a heck of a time finding a replacement.

I’ve been watching “The Soup” for a while now, and there’s no doubt that McHale has talent. I understand the networks’ desire to give him a talk show, but he may use that as a backup plan if he can’t make it as an actor. The premise of the show — a lawyer who has to return to community college — does show some promise.

Heroes 3.17 – Let’s do right or let’s just say we’re through…

Last week’s “Heroes” ended with HRG taking a swig of his drink and, at least to the untrained eye (i.e., mine), his sudden wooziness made it appear that he’d been slipped a fast-acting mickey. Maybe he had been drugged…or, then again, maybe he was under the influence of Matt Parkman’s heavy-duty mental powers. It was hard to tell at the time. Whichever the case, the result was the same: the guy went down, and he went down hard. The next thing you know, he’s being dragged out by Parkman, Mohinder, and Peter Petrelli.

What we learn at the beginning of this week’s episode, however, is how this plan came into being. Unsurprisingly, it’s Matt who’s the mastermind of the goings-on…and, of course, I say “unsurprisingly” because he’s clearly royally pissed off about Daphne being taken down a few episodes ago. I had to laugh at how typically wishy-washy Pete was, though. First, he’s wondering about the issue of drugging him, asking Matt uncertainly, “Can’t you just read his mind and get what we need that way?” But ten seconds later, when Mohinder chimes in about his own issues with the kidnapping aspects, Pete confidently counters, “I don’t like it, either, but this way it gives us answers.” Damn, Petrelli, I’ve heard of getting with the plan, but that’s gotta be some kind of record!

In short, these three stooges (Mohinder, Larry, and Curly?) spiked HRG’s Scotch with a pharmaceutical agent that would enable Parkman’s abilities to penetrate all of Noah’s psychological training and get the answers they want about what’s going on with Nathan’s big governmental crackdown on America’s heroes.

What do they discover? Only the best chapter of the “Fugitives” saga to date…and, I feel comfortable arguing, the most impressive episode we’ve gotten in Season 3, period.

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