Fans of “Entourage” know that season premieres have never been one of the show’s strong suits (they tend to act more like a prologue than an actual part of the story), but while tonight’s episode wasn’t particularly memorable, it did set up quite a few interesting arcs for the coming season. The most obvious of the bunch is Vince’s return to the big time after the colossal failure of “Medellin” nearly ruined him for good. Granted, working with Scorsese will usually do that for you, but it’s just nice to see Vince back in his old digs worrying about things like getting his driver’s license instead of how he’s going to climb his way out of debt.
It’s a shame we didn’t actually get to see any of the footage from the film (maybe next time), but he did talk with Jay Leno on “The Tonight Show” about his new gig: a biopic about Enzo Ferrari, hence the reason why he needs to learn how to drive. The actual exam didn’t go over quite as well as Vince’s confidence would have implied (he practically ran over the entire course of traffic cones), but he was still able to earn a passing grade after bribing the instructor with premiere tickets for his new film. Not exactly a sign that Vince has matured, but with everyone else in his life doing just as good as he is, it’s probably about time he starts.
After all, with Drama constantly working and Turtle always hanging out with Jamie-Lynn, the one person Vince has always been able to rely on is Eric. That’s all about to change, however, now that Eric has agreed to sublet a house from one of Sloan’s friends. Why he’d want to live in that house for only a year is beyond me, but Eric clearly understands that if he ever hopes to get a second chance with Sloan, he’s going to have to be a little more independent. Vince doesn’t seem to have a problem with it at the time, but now that he sees just how lonely life could be without anyone there to keep him company, it might just force him to reassess his bachelor lifestyle.
Meanwhile, with Vince back in the industry’s good graces, Ari is having the time of his life alongside his new partner-in-crime, Andrew, who’s settled into the agency quite well with a string of new clients. (Of course, if the writers knew that “My Name Is Earl” would be cancelled mere months after the episode was filmed, they probably would have chosen a different client for him to sign.) Okay, so maybe business isn’t exactly booming, but that doesn’t stop Lloyd from demanding his long-awaited promotion. Ari finally gives in to Lloyd’s constant bickering and offers him a deal: do whatever he says for 100 days and he’ll make him an agent. I’m really hoping Ari doesn’t follow through, though, because while Lloyd certainly deserves the promotion, the show would be better off maintaining that dynamic. It’s worked this long, so why mess with a good thing?
