Category: External TV (Page 101 of 419)

Wes Anderson needs a shave; goodbye, Art Clokey

This video acceptance speech for a special achievement award for “Fantastic Mr. Fox” from the National Board of Review Awards has been making the rounds at a bunch of sites, so why not here, too?

Via Inside Searchlight, and thanks to Nathaniel R. for linking to this on his Facebook page. I understand an entirely human Anderson actually did show up to pick up the award as well.

By the way, we’re very late on this, but it’s probably as good a place as any to mention the passing of stop-motion animation great Art Clokey of “Gumby” fame, who died last week. As Eddie Murphy might say, RIP damnit.

“Fringe” producers, what were you thinking?

If Monday’s episode of “Fringe” is still sitting unwatched on your DVR, you may want to skip this post for now, and come back when you’re thoroughly confused. In fact, I’ll give this a good ol’ **SPOILER ALERT** for those who skim intros instead of reading them.

Anyway, Monday’s episode of “Fringe” started like any other episode of the series — with some sort of strange or creepy event. This time, it was a young girl who was considered brain dead and was about to have her organs harvested for donation when she woke up and started spewing military codes to the surgeon.

Fine, no problem. But then something strange happened — Charlie Francis appeared on screen! And it didn’t seem to be Shapeshifter Charlie (the one who looks dastardly no matter what he’s doing), it was the actual Charlie Francis. I paused the show and had the following conversation with my wife:

Me: “Wait, isn’t he dead?”
Her: “Yeah, didn’t she shoot him in the alley?”
Me: “The shapeshifter guy killed the original Charlie, right?”
Her: “I thought so.”

My guess is that some form of this conversation happened in millions of living rooms around the country during the first 15 minutes of the episode. I hit play and pulled out my trusty laptop, determined to find out what exactly was going on.

Can zombies do math? Find out on the next episode of “Fringe.”

As it turns out, this episode (“Unearthed”) was an unaired episode from Season 1, before Charlie was replaced by Shapeshifter Charlie. Why the producers would decide to air this episode as the first of 2010 is beyond me. Wouldn’t it be better not to thoroughly confuse your audience as you try to retain all those viewers that lived just fine without “Fringe” during the holiday break?

I don’t mind the unaired episode (I guess), but how about reshooting the scenes without Charlie? Or, at the very least, how about a graphic that says “15 months ago” or somesuch thing? Better yet, let’s have Kirk Acevedo (who plays Charlie) introduce the episode by telling people not to be alarmed when Zombie Charlie appears out of nowhere.

For their part, Fox put out the following press release before the episode aired:

While the girl’s mind-bending condition intensifies, Walter dusts off some old lab videos and hypothesizes the unthinkable, sending Olivia and Peter to investigate the bewildering case in an original “Unearthed” episode of FRINGE and here’s another mystery: is it an unaired episode from Season One or is it from an alternate universe?

Wait…what?

This sounds like a half-baked justification of airing an old episode in the middle of a new season. Normally, that would be somewhat acceptable, but what percentage of the audience was aware that this was an unaired episode (or one from an alternate universe–oooh) before they sat down to watch it? One percent? Two percent?

“Fringe” producers, what were you thinking?

The Biggest Loser: week 2 blues

Last night on NBC’s “The Biggest Loser,” they began with Bob Harper and Jillian Michaels talking about how Week 2 is notoriously difficult for contestants. That’s because they typically lose a lot of weight in Week 1 and then their bodies start to rebound and fight back after that.

So Bob went to work with Michael, who came in at 526 pounds, the heaviest contestant ever on the show. Then they showed Dr. Huizenga lecturing the group and discussing how unhealthy they all were. But before he got to the dirty scoop on exactly how unhealthy they were, he had Michael and his mom Maria meet with Bob…and they put weights on Bob that were equivalent to Michael’s excess “baggage.” Then seeing how Bob was practically immobile, it hit Michael how hard just how obese he was and how much he needed to be on this show.

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American Idol: more of the same

Fox’s “American Idol” returned last night for the start of its ninth season, and while they can rotate judges and air this show right after Simon Cowell announced he is leaving the show, they can’t change the fact that the talent or lack thereof ultimately drives this thing. Last night was no exception, as we had to endure the first of seven or eight episodes of those initial auditions, showing us the very polarizing best and worst of the lot.

The first auditions were in Boston, and along with Cowell, the other judges were the returning Randy Jackson and Kara DioGuardi, with Victoria Beckham, a.k.a. Posh Spice, as a guest judge. As we do each season at this time, we’ll try to briefly summarize by separating the best and the worst.

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TCA Tour: Lost

Let us begin our coverage of ABC’s “Lost” panel by giving all due props to Jonathan Storm, TV critic for the Philadelphia Inquirer, who kicked things off with the following statement: “Hello, I’d like to ask each one of you to tell exactly what happens in the final season.”

Nice try, Mr. Storm.

Fortunately, Storm had a back-up question ready to ask of the panel – which consisted of Emilie de Ravin (Claire), Daniel Dae Kim (Jin), Josh Holloway (Sawyer), Evangeline Lilly (Kate), executive producers Damon Lindelof and Carlton Cuse, Terry O’Quinn (Locke), Michael Emerson (Ben), and Jorge Garcia (Hurley) – once the laughter stopped: how are you feeling as this comes to an end?

“As we were walking out onto the stage and this montage was playing, I was whispering to my cast members, ‘I am going to cry like a baby when this show ends,'” said Lilly. “It’s become so nostalgic for us to look back over six years and have grown up together and grown up in front of all of you together. It’s been so intense that for it to come to an end is going to be life-changing.”

Garcia instantly agreed. “Certain places that we shoot, it’s, like, ‘Wow, I haven’t been here since season three,'” he said. “Right now, it’s very appreciative and precious.”

“There’s a lot of camaraderie on set now,” acknowledged Holloway. “It feels…a lot of magic, like the first season. It was an incredibly magical year, and the whole experience, of course, has been incredible, but this last year, everyone’s really getting that sense of camaraderie and nostalgia, and it’s just been fabulous.”

“You know, personally, I’m just feeling a tremendous amount of gratitude,” said Lindelof, “and the idea that we’re getting to end something while anybody still cares and while we still kind of love each other, as opposed to everybody saying, ‘It’s about time.’ This is sort of a once-in-a-lifetime or once-in-a-career experience, for a show that’s still performing, for the network to allow us to end it, is a tremendous gift. As Evangeline was saying, as I was walking onto the stage, I was sort of experiencing a sense of, ‘I can’t believe they’re going to actually let us get away with this.'”

When asked how long the conclusion of “Lost” had been determined, Cuse acknowledged that there really wasn’t a definitive answer to that question. “We came up with the final image of the show a long time ago back when we were first plotting out the mythology in the first season, then we started adding elements to that as we went along…and, really, between the first and the second season is when we cooked the mythology,” he said. “We kind of knew what the end point was, but as you move towards the end point, you add elements. Obviously, the end is not yet written, and there are certain sort of mythological, architectural elements that are intact for that ending, but a lot of character stuff will get worked out as we go along. I mean, that’s part of the discovery process of writing. For instance, Michael Emerson wasn’t on the show at that point. It’s a fun process because we sort of have a concept of where we’re going to end the show, but there is still the process of actually executing it and there still is the process of discovery, particularly on a character level, that will come into play as we finish the show.”

“So if you guys have any ideas,” said Lindelof, “we’re open-minded.”

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