Category: External Movies (Page 202 of 336)

Martin & Baldwin to host Oscars

Sometimes a story is just simple enough for a blogger with no time and a brain full of mush from a long day of nonwriting related mishegas. So, courtesy of Anne Thompson and THR, comes the news that this year’s Oscar hosts will be Steve Martin and Alec Baldwin.

Do I think this will be good? Well, I’ve always thought Martin was the funniest, classiest host in my entire lifetime of Oscar watching. And, like pretty much everyone else on the planet, I laugh pretty much just looking at Baldwin. I should add however, that this has been the kind of day that, when I saw the name’s “Martin and Baldwin” leap out at me from some place, my first thoughts were of Martin Lawrence and Stephen Baldwin. They, too, would make an interesting team, but I think these two will do better.

A movie moment for the Siren

The Empress of Cinephile Bloggers has some great news thanks in part to the good folks over at Turner Classic Movies. As far as I know, she’ll be the first film blogger to help program a series on the network, or any network, which she’ll be doing with Lou Lumenick of The New York Post. As far as I’m concerned, it couldn’t happen to a nicer or more thoughtful and talented member of our film-crazed clan.

This scene from one of the series selections, directed by Joseph von Sternberg and featuring the wonder that was Marlene Dietrich, seems as appropriate a clip as any to help her celebrate.

Serious offers and old gossip

Just another sane Monday in movieland.

A robot* Halcyon, a somewhat odd firm with an all but empty website, has officially put its one and only asset and reason for being, the rights to “The Terminator” franchise, on the auction block. So reports Variety and Nikki Finke. Suddenly, over at Whedonesque — yes, the Joss Whedon fansite where the beloved cult TV and occasional film creator occasionally postsĀ  — Whedon links to it and posts a very serious offer. So serious, in fact, that Finke — who occasionally claims she “doesn’t do geek” runs the item. Meanwhile, back at Whedonesque, the Whe-man and a commenter who appears to be both a fan of the Joss and the late singer-songwriter Warren Zevon (some folks are just blessed with too much taste) note an earlier serious offer.

Quote of the week (probably):

Well, here’s what I have to say to Nikki Finke: you are a fine journalist and please don’t ever notice me.

* Sony Classic has picked up the rights to “Mother and Child,” the latest film from arthouse/cable director Rodrigo Garcia, still probably best known to a lot of people as the son of Columbian literary great Gabriel Garcia Marquez. It’s not too surprising a pick-up, even in this tough market, given that the cast includes Annette Bening, Naomi Watts, up-and-comer Kerry Washington (“Ray,” “The Fantastic Four”), and Samuel L. Jackson.

* The box office “actuals” for most of the big releases turned out to be a couple of million higher than the estimates I reported yesterday. Sorry MJ’s ghost.

* Thinking about “The Men Who Stare at Goats” which comes out this Friday, Jeff Bridges gets appropriately trippy but not in too dudish a way.

* This is a few days old, but for those of us who find ourselves unduly fascinating by the Church of Scientology, via Kim Masters, here’s an interesting new story opened up last week. Writer-director Paul Haggis (“Crash”) announced he’s leaving the church.

Continue reading »

Chris Farley’s family OK’d DirecTV ad

Chris Farley and David Spade

As a huge (no pun intended) fan of Chris Farley in general and “Tommy Boy” in particular — there weren’t many more popular or quotable movies on campus during my college days — I wasn’t sure what to think about the new DirecTV ad featuring the late comedian’s classic “Fat Guy in a Little Coat” scene from the 1995 movie (watch it below). DirecTV has been running similar commercials for a while now, recreating iconic movie moments from films like “Aliens,” “Back to the Future” and “King Kong” to help illustrate why DirecTV is (allegedly) so much better than cable. I had enjoyed the other spots I saw but, for some reason, watching a re-dubbed David Spade in the “Tommy Boy” commercial with the original footage of Farley seemed…strange. “Tasteless, insensitive or just plain weird” is how the guys at Asylum.com described some of the public reaction to the commercials, which prompted Asylum to contact Spade’s publicist in search of a statement. Here is Spade’s response:

“When DIRECT TV came to me and the Farley family with this idea about ‘Tommy Boy,’ we talked and thought it would be a cool way to remind people just how funny Chris was. It is a clever homage to my friend and a movie that we loved doing.”

Spade said the commercial reminds people how funny Farley was, but it hit me that there may very well be hordes of college kids who have never even known how funny Farley was (he died in 1997) and have never seen “Tommy Boy” or “Black Sheep.” (We can only hope they haven’t been exposed to “Beverly Hills Ninja.”) Will “Fat Guy in a Little Coat” prompt some of them to download rent “Tommy Boy”? Absolutely.

Asylum also heard from a DirecTV spokesperson:

“We should look to Chris’ family and friends for the ultimate opinion on this subject. They were involved from the beginning of this project and felt that the spot was a great tribute to Chris.”

Talk about hitting the nail on the head. If Farley’s family was comfortable with the commercial, shouldn’t we all be? What is there to be offended by, anyway? Considering Farley’s short life was all about making other people laugh, he certainly wouldn’t want people to take this commercial — or his legacy — so seriously.

A Chat with Dolph Lundgren (“Command Performance,” “The Expendables”)

When we last chatted with Dolph Lundgren, the topic at hand was “Missionary Man,” a film where he served up a triple threat writer, director, and leading man. One can only presume that he didn’t find the experience too overwhelming, since he’s performing the same duties on his latest picture, “Command Performance.” This time, though, he’s playing a rock and roll drummer from L.A. named Joe…just Joe…who’s sitting behind the kit for a Moscow-based band that’s opening for an American pop star named Venus. You may not be surprised to learn that things go horrible wrong, leading Joe – who’s surprisingly good with firearms for a percussionist – to save the day. Last time around, we quizzed Dolph left and right about his body of work, so this time we decided to stick mostly to current topics like his new flick, his upcoming reunion with Sylvester Stallone in “The Expendables,” and…wow, another “Universal Soldier” movie? Really?

Join us for…

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑