Tag: Kerry Washington

Weekend box office preview — how high will “Iron Man 2” fly?

“Pretty high” is the obvious answer. As I write this, the first midnight shows are just finishing up the trailers on the East Coast, fanboys are queuing up in the Midwest, and their West Coast brethren are enjoying their pre-film burgers and Red Bull, but as far as everyone seems to be concerned, the sequel to the surprise “four quadrant” mega-blockbuster of 2008 is already a massive hit.¬† “Iron Man 2” has been booked into a record number of theaters, 4,380 according to Box Office Mojo.

Robert Downey Jr. in

Moreover, Nikki Finke is reporting that the film has already earned $132 million from 53 assorted countries where it has already opened. The summer solstice is more than six weeks away, but summer-time film madness is, we are informed, very much upon us. (Just btw, Anthony D’Alessandro offers a brief historical look at the outward creep of the summer movie season over the last couple of decades.)

So, the question remains, just how many millions will the second film about billionaire Tony Stark (Robert Downey, Jr.) fetch. Will it beat the record $158.4 million opening of “The Dark Knight” and crack $160 mill? Or, will it get a mere $140 million or so and send everyone to the immensely well appointed and hugely relative poor house? That seems to be the floor being offered up by the various gurus, including Ben Fritz of the L.A. Times‘ Company Town blog and THR’s jolly Carl DiOrio, who characteristically seems to be leaning slightly towards the possibility of a huge opening for Marvel and Paramount.

Nevertheless, there is a small dark cloud here and that’s the general perception, at least among us press types — who are, I remind you again, people too — that “Iron Man 2” is, while not at all bad, also not as good as the first one. This is a rare case where I’ve actually seen the week’s big movie in advance myself and, quality wise, I’m seeing this one as a glass-half-empty. For me, the story simply fails to find a strong emotional connection between Tony Stark’s troubles and the various threats he’s facing. It all feels a bit vague and disconnected despite director Jon Favreau’s way with humor, mostly good acting, and some very decent action scenes.

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Serious offers and old gossip

Just another sane Monday in movieland.

A robot* Halcyon, a somewhat odd firm with an all but empty website, has officially put its one and only asset and reason for being, the rights to “The Terminator” franchise, on the auction block. So reports Variety and Nikki Finke. Suddenly, over at Whedonesque — yes, the Joss Whedon fansite where the beloved cult TV and occasional film creator occasionally posts¬† — Whedon links to it and posts a very serious offer. So serious, in fact, that Finke — who occasionally claims she “doesn’t do geek” runs the item. Meanwhile, back at Whedonesque, the Whe-man and a commenter who appears to be both a fan of the Joss and the late singer-songwriter Warren Zevon (some folks are just blessed with too much taste) note an earlier serious offer.

Quote of the week (probably):

Well, here’s what I have to say to Nikki Finke: you are a fine journalist and please don’t ever notice me.

* Sony Classic has picked up the rights to “Mother and Child,” the latest film from arthouse/cable director Rodrigo Garcia, still probably best known to a lot of people as the son of Columbian literary great Gabriel Garcia Marquez. It’s not too surprising a pick-up, even in this tough market, given that the cast includes Annette Bening, Naomi Watts, up-and-comer Kerry Washington (“Ray,” “The Fantastic Four”), and Samuel L. Jackson.

* The box office “actuals” for most of the big releases turned out to be a couple of million higher than the estimates I reported yesterday. Sorry MJ’s ghost.

* Thinking about “The Men Who Stare at Goats” which comes out this Friday, Jeff Bridges gets appropriately trippy but not in too dudish a way.

* This is a few days old, but for those of us who find ourselves unduly fascinating by the Church of Scientology, via Kim Masters, here’s an interesting new story opened up last week. Writer-director Paul Haggis (“Crash”) announced he’s leaving the church.

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