Category: External Entertainment (Page 19 of 513)

A Chat with Ben Rappaport (“Outsourced”)

The last time I was out at the TCA tour, I talked to Lucas Neff, the star of Fox’s “Raising Hope,” and I was surprised to find that he was fronting a prime-time comedy when his only prior TV experience involved a couple of scenes in A&E’s “The Beast.” Little did I realize at the time that Ben Rappaport, the star of NBC’s “Outsourced,” was coming in with even less of a television background. I mean, literally, it’s “Outsourced,” and that’s it. When I was in Pasadena earlier this month, I managed to meet and chat with Rappaport for a few minutes about the way his series has been coming along and found out his feelings on the change in the show’s timeslot. Fortunately, it sounds like tonight’s 10:30 PM debut is the perfect way to show newcomers to “Outsourced” just how far it’s come since its debut.

Outsourced - Ben Rappaport

Bullz-Eye: I was actually a fan of the show as soon as I heard about the concept: I used to work in a call center myself.

Ben Rappaport: (Laughs) That’s so great!

BE: Did you have any call center experience yourself?

BR: I did not! My aunt works in a call center, but that’s it. I knew nothing about them…aside from, y’know, occasionally contacting one. (Laughs) But, you know, I didn’t know what was behind them, what was on the other end of that phone. It’s an office, and they have their own office politics and culture there.

BE: When the pilot came out, I know a lot of people kind of bashed it, but how do you think the show has evolved since then?

BR: I think it’s evolved big time! I mean, you know, the term “outsourced” was a way for us to get to India, and now I think everybody’s gotten to know our characters and the relationships and the dynamics. It’s stories about what’s happening between these characters. It’s not political. There’s no agenda there. It’s not sarcastic in any way. We’re just telling a story of people in India.

BE: I was impressed with the direction that it took as far as your romantic storyline. I didn’t expect you to hook up with either of your potential romantic interests quite as quickly as you did.

BR: (Laughs) It was kind of quick, wasn’t it?

BE: Yeah. It’s not bad. It was just surprising.

BR: Yeah, but while it was quick, I think there’s still lots of places to go with it. I mean, I think part of the story might be that it was too quick.

BE: I considered that. Just how long-term is the relationship going to be if they’re willing to jump into the physical side of it that quickly?

BR: (Grins) My point exactly! So we’ll see. We have a long way to go, in terms of fleshing out that whole situation.

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Pretty pictures for Anne Hathaway, aka the next Selina Kyle

Time is still an issue for this blogger, even after taking yesterday off to meet deadlines and handle a number of matters, so I’ll just have to ignore such genuinely important issues as the Comcast/NBC-Universal merger. Instead, I’ll concentrate on some much more pleasant news that, as we’ve all long suspected, the next top-tier villain in the Christopher Nolan/Christian Bale “Batman” franchise will be Catwoman. The better knews is that Anne Hathaway has the gig and I think she’ll be great. (Tom Hardy will be second banana Bat-villain, Bane.)  Even so, She’ll have some big shows to fill. Specifically, the mighty Michelle Pfeiffer and the delightfully underrated Lee Meriwether.

I was going to show you some clips of each but suddenly YouTube is going insane tonight — holy crappy timing, ‘Net 2.0! — and embedding from there suddenly doesn’t seem to work for me. So, instead, you’ll have to make due with the enticing images below.

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A roundtable chat with Paul Giamatti and Rosamund Pike, of “Barney’s Version”

If you’re going to be shallow about it, Paul Giamatti and Rosamund Pike might seem like a slightly odd pair of movie lovebirds. However, the love affair between their characters in “Barney’s Version” hasn’t aroused any of the complaints Seth Rogen regularly gets when his movie character gets lucky with a beautiful woman. No offense to Rogen, but maybe that’s because Giamatti gets a pass for being an extraordinarily brilliant actor — who, as it happens, just picked up a well-deserved Golden Globe for his performance in this very film — and Pike gets points for having the sense to work with him, not to mention for being rather extraordinary herself.

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In fact, the pair have some things in common. Pike’s parents are accomplished serious musicians and she is an Oxford Graduate. Paul Giamatti’s father was the noted Yale University President and Commissioner of Baseball, A. Bartlett Giamatti. Naturally, the younger Giamatti is himself a graduate of Yale. Both have also been busy working actors for some time. After “American Splendor,” “Sideways,” and — on a more heroic level — the miniseries “John Adams,” not to mention innumerable outstanding supporting roles, Giamatti is a bonafide star. The sky is the limit for Ms. Pike, a vastly-above average “Bond girl” opposite Pierce Brosnan in 2002’s “Die Another Day,” who more recently has received a lot of notice for her very diverse roles as a less than brilliant conman’s girlfriend in “An Education” and, more under the radar but no less brilliant, as a highly educated but frustrated housewife and mother in “Made in Dagenham.”

When I and a bunch of other junket journos encountered Giamatti and Pike, they were promoting the new adaptation of Mordecai Richler’s tragicomic final novel about the life and loves of a youthful hustler and bohemian turned aging Montreal television producer and crank. For us shallow types, Giamatti bats 1000 well out of his league with three wives in the course of “Barney’s Version,” played by the lovely Rachelle Lefevre, Minnie Driver, and Pike as Miriam Grant-Panofsky, whom he actually loves. If you read my review, you’ll see that I think the film is a very mixed bag, but the performances are first rate throughout. In addition to that Golden Globe, Giamatti’s performance was praised by his colleague Ron Perlman, and easily deserves whatever accolades it may find. Pike is, as the cliche goes, luminous in a role as a really good person that a lesser actress would have rendered merely saintly and dull.

Rosamund Pike arrived first, but in a moment Paul Giamatti entered, bantering with a female reporter. “She forced me to proclaim myself an ‘indie darling’ yesterday,” Giamatti said.

“Nobody forced you to do anything,” the reporter remonstrated.

“Yes, you did,” he argued. “You tricked me into saying it on camera. She said, ‘When you became an indie darling,’ and I went ‘Well, when I became an indie darling…'” and I thought, ‘I just said those words! Goddammit, that’s on film now, forever.'”

Giamatti, a born comedian as well as a master thesp, was already breaking up the room.

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A Richard Pryor movie moment for Martin Luther King Day

On a day where a lot of people are talking about where the proper lines are in humor that also happens to be the birthday of one of this nations’ greatest figures, this clip of Richard Pryor from “Live on the Sunset Strip” involving the worst racial epithet most of us know seems more apt than ever. I think this is a great moment that gets more moving every time I see it, but it may not be appropriate for work or around kids, for obvious reasons.

I think this moment changed the way a lot of people talk.

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