Category: External Entertainment (Page 101 of 513)

A Chat With Producer and E-Commerce Pioneer Christopher Mallick of “Middle Men”

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He’s definitely not a household name, but if you’ve ever bought anything over the Internet, Christopher Mallick has had an impact on your household. If your purchases include an occasional picture of illicit sex or gratuitously naked people, that goes double.

Mallick is the producer and inspiration for the highly fictionalized new film, “Middle Men,” which covers the early days of Internet porn as seen through the eyes of businessman Jack Harris (Luke Wilson). Harris makes millions and gets in way over his head after meeting up with a couple of drug addled fools and geniuses (Giovanni Ribisi and Gabriel Macht), who, in the process of selling dirty pictures, have developed a way to safely and securely collect credit card numbers over the Internet so they can sell dirty pictures.

In real life, the one-time chief executive of Paycom pioneered the technology that makes buying anything from a DVD to a raincoat to a monthly membership in ButtBusters.com easy, safe, and more or less confidential. He is said to have many outrageous and hilarious behind-the-scenes tales that provided background for the fictional film.

“Middle Men” is actually just the start as Mallick appears to be very serious about the film industry. He’s got more projects coming along the way including films with writer/director George Gallo and a documentary about former porn people, “Exxxit: Life After Porn,” directed by Bryce Wagoner and written and produced by “Middle Men” co-writer Andy Weiss.

Christopher MallickI met Mallick during a recent press day at the L.A. Four Seasons. There was a last minute change in the planned location of the room, from the second floor to the first floor, where we were to talk. When I arrived, I found Mallick — who is apparently slightly camera shy (that little picture to the right is it as far as available online photos are concerned) — in a wheel chair, wearing a leg brace, and, I am told, the company of a bodyguard, who apparently was so good at his job I didn’t even notice he was there.

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While I’m trying to decide…

For various reasons I really don’t care to run any of the trailers currently making the blog circuit. Besides, the issue on my mind right now is, given a number of things I need to do and watch, whether or not I have time tonight to go to a vintage drive-in movie theater tonight some 30+ miles away from my house.

As I ponder, let’s enjoy these vintage intermission promos from mid-century drive-ins. After we get past the ads touting buttery popcorn (more like butter-soaked popcorn), coffee (always good thinking at the movies, if  you ask me), and, of course,  cigarettes (hey, they were outside anyway). Also check out the ads touting the new rating system and the evils of daylight savings! (I and Jason Zingale agree with drive-in owners on that.)

Who knew that 16 and 17 year-olds could watch X-rated movies between 1968 and 1970, at least in some areas. Must have been interesting.

A trailer to watch, or not watch: “Catfish”

Since this movie is one that people who’ve seen seem to not want to talk about, because of all of its apparently very surprising twists and turns, I’m at a bit of a loss at just what “Catfish” is. I gather that it’s a legitimate documentary and not a mock-doc (I guess). And that what starts out like a fairly lighthearted film about the director’s brother corresponding with an eight year-old painter, and developing an online flirtation with her grown-up older sister, turns into something darker — just what that is or how much darker,  I have no clue.

I also know that this one really blew peoples’ minds at Sundance and that trying to preserve that special fun of festival screenings when you can see a movie knowing next to nothing about it is a fool’s gig. I also understand that, as per Jay Fernandez, this trailer may be a bit misleading and that Katey Rich of Cinemablend suggests not watching it all, just seeing the movie, which she loves.

Well, here it is anyway. I’ve watched it. Maybe I’ll forget most of it by the time I’ve actually seen it.

By the way, this movie was picked up by Brett Ratner working with Relativity Media’s Rogue Pictures. I’m getting the idea that it might be the only outstanding movie he’s touched so far.

TCA Press Tour, Summer 2010: Day 7

Day 7 of the TCA Press Tour technically began on Day 6: just as the ABC all-star party wrapped up, Fox hosted a cocktail party which doubled as an early check-in for their day of the tour…and, better yet, it was hosted by Will Arnett and Keri Russell, the stars of one of Fox’s upcoming new sitcoms, “Running Wilde.”

You’ll get more details about the show in due time, since there was a “Running Wilde” panel as well, but for now, I’ll just mention that two other individuals affiliated with the show made unexpected appearances at the early check-in: executive producer / co-creator Jim Vallely and co-star Peter Serafinowicz.

I didn’t really get a chance to chat with Russell (she was pretty well surrounded from the moment she arrived), but I did talk to Arnett for a few minutes. Thanks to my wife, though, I ended up having a relatively lengthy conversation with Serafinowicz and Vallely. I knew I’d recognized Serafinowicz, and he quickly reminded me why: he had his own series in the UK, one which many YouTube clips reveal to be extremely hilarious. Indeed, he’s the one who told me I should check them out, particularly his Beatles-related parodies, of which he’s quite proud. No wonder he was cast to play Paul in Robert Zemeckis’s “Yellow Submarine” remake.

In a strange “small world” moment, I also learned that Jim Vallely is the father of Tannis Vallely, the actress who played Janice, the glasses-wearing, cello-playing prodigy on “Head of the Class.” She’s now on the casting side of the business, having worked on such films as “X-Men Origins: Wolverine,” “Indiana Jones and the Kingdom of the Crystal Skull,” “Oceans’ Thirteen,” and “It’s Complicated.” Eventually, my wife and I grew tired and retreated for the evening, but it would only be a few hours until we were back in the thick of it again, this time for the real beginning of Day 7.

Breakfast was brought to us by the casts of “Human Target” and “The Good Guys,” shows which, back in the days when the networks weren’t too cheap to spread their series across a two-day period, would’ve earned their own panels. Instead, we had to settle for chatting with them over bacon and eggs, bagels or donuts, and that sort of thing. In truth, the only person I really had the chance to speak with was Jackie Earle Haley on “Human Target,” and that was mostly because I feel like I kinda sorta know him (he’s friends with Bullz-Eye’s own Ross Ruediger and, as a result, has come to recognize me on sight as “Ross’s friend”), but as you can see, everyone was in the house from both series.

Soon enough, the actors headed out to start their own days, and having finished our breakfast, we took our seats and prepared for the first panel of the morning to begin.

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Another trailer: “Unstoppable”: If at first you don’t succeed…

In the wake of their blandly received remake, “The Taking of Pelham 1 2 3” Tony Scott and Denzel Washington are hopping right back on the runaway train with “Unstoppable” with Chris Pine in tow for the youngsters. This time, however, the premise is apparently based on a real incident and as simple as, yes, a runaway train…filled with toxic chemicals…on a collision course with another train filled with schoolchildren…and nuns blessing a cross-state shipment of puppies and kittens. (Okay, I think they cut out that last part.)


Just another meditative arthouse flick from Mr. Scott. H/t /Film.

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