Category: TV Action (Page 72 of 145)

Heroes 3.11 – Hope Will Fall Tonight with Broken Wings

Sylar and Elle had a bad case of coitus interruptus, huh? Well, if you’re gonna be shooting up HRG’s little girl, you’ve got to be willing to pay the price. The cat-and-mouse game between HRG and Sylar and Elle was pretty cool, particularly when Sylar threw the money at the guy in the drugstore in the most pitiful attempt ever at buying time, but, wow, I totally did not expect HRG to slit his throat like that.

Claire, meanwhile, was having trouble dealing with her gunshot wound because her body is reacting to infection as if she’s never been sick before…which, given that her healing abilities would’ve kept her in top-notch condition, makes sense. But, wow, I didn’t quite expect her condition to go into as much of a tailspin as it did, nor did I expect them to actually kill her. Granted, it’s not like you didn’t know that both she and Sylar were gonna come back when the eclipse ended, but even so, I was impressed with the way they took both storylines to the edge like that.

I wouldn’t have thought that Peter and Brother Voodoo would make a good team, but I liked Peter’s comment about wanting to prove to his father that he could be a hero even without his powers. Hey, that’s what Papa gets for shrugging off his son just because he wanted to be a nurse! You know, I was actually more intrigued by this storyline than anyone else’s, possibly because it seemed so unlike anything else that’s gone on before, what with the Haitian general and everything; with Pete turning into a gun-toting Rambo and Brother Voodoo cracking heads and then going all apeshit on his brother, I was not disappointed. Nathan’s change in attitude was an unexpected one, but it’s a fascinating one which has a lot of potential.

Mohinder’s stuck in the lab, trying to figure out the connection between the eclipse and the loss of the abilities of the heroes and villains. The good news is that he’s under the watchful eye of Flint, who’s about as much of a dumb lackey as you could hope for, and although he might still be a tough guy even without his powers, he proves to be no match for Mohinder. Well, actually, it looked pretty close there for a second; at first punch, I wasn’t entirely sure that Mohinder’s attack plan was going to succeed. But, hey, he pulled it out, and that’s what counts. Surely I’m not the only one who cringed, however, when he picked up that post-it with Maya’s name and address on it. Thank goodness for the small blessing that his “curse” came back before she had a chance to drag the episode down. I also appreciated the fact that Mohinder’s fly-ish tendencies are downplayed when he’s in the lab.

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A Chat with Robert Fuller (“Laramie,” “Wagon Train,” “Emergency”)

If you’re a Western fan, then you know him from his work on “Laramie” and “Wagon Train,” but if you grew up in the ’70s, then you’re more likely to recall him as Dr. Kelly Brackett on “Emergency.” Either way, you have to give it to Robert Fuller: the man had some of the best sideburns in the business. Although he’s since retired from acting in favor of a life of leisure, Fuller is hopping back on the publicity trail to offer his praise for the release of “Wagon Train: The Complete Color Season,” which gave us the opportunity to chat with him about the various films and television series he’s worked on throughout his career.

Get ready for…

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Dragon Ball Z: Season Seven

The seventh season of “Dragon Ball Z” is a bit of an odd duck compared to the rest of the series, as the lack of a major villain makes it seem like nothing happens. In fact, some have even compared it to the mini-arc of filler episodes better known as the Garlic Jr. Saga, but whereas those episodes did little to further the story, Season Seven serves as the buildup to the big finale. It’s also a nice break from the exhausting Cell Games, and it makes some great strides in the development of the Z Fighters along the way. For starters, Gohan has finally become a teenager, and when he’s not getting into trouble with classmate Videl (AKA Mr. Satan’s daughter), he’s moonlighting as the superhero called Great Saiyaman. Goku, meanwhile, takes part in an Other World Tournament for the chance to train with the Grand Kai, and when he finally returns to Earth to fight in the upcoming World Martial Arts Tournament, he discovers that he also has a new son named Goten. Though it may seem a bit counterproductive to age Gohan and then create a brand new character who’s just like him, this time around, they’ve given the little tyke someone to play with (young Trunks), making them both that much less annoying from the get-go. Plus, with two tournaments worth of fighting and the hilarious return of Mr. Satan, how could anyone call Season Seven filler? It might not be as epic as past sagas, but you better believe it’s just as good.

Click to buy “Dragon Ball Z: Season Seven”

Prison Break 4.12: “Selfless”

Sometimes this show is a victim of its own format.

We’re just past the midpoint of the season, so once the gang passed Scylla off to Don and started in with all the premature celebration, it was obvious that something was going to happen to Don and/or Scylla before it reached the FBI’s (or the Senator’s) hands.

Honestly, when I saw the title of this episode, I thought Don was going to die trying to keep Scylla out of Company hands. Considering the way that Don’s boss was acting, he looked like he might very well be a Company mole. But when the General threw up his hands after being asked what his orders were, it sure seemed like he was out of options, FBI moles included. As soon as Don rendezvoused with Trish Ann – she will always, always be Trish Ann to me – I finally figured out that he was going to go rogue and try to sell Scylla on his own. The writers deserve credit for keeping things fairly unclear that long.

“Did you have onions for lunch?”

Every so often this series has an episode that spins it off into a completely new direction. Sooooooo much happened this week that it’s hard to keep track of it all. And anytime the writers try to cram this many plot points into one hour, there is bound to be some oversights.

For example, why in the world would Gretchen insist that the she and T-Bag wait in his office for Michael and the gang to emerge from the basement with Scylla? T-Bag’s office has glass walls – wouldn’t it be a little conspicuous to try to force them to give up the hardware at gunpoint when everyone at Gate could see them? Why not just wait in the closet? I’ve said before on this blog that I hate it when (supposedly) smart characters do dumb things and this is a great example. These two probably have a combined IQ of 260 and their decision to wait in T-Bag’s office created the situation with his boss, which created the hostage standoff. That is “manufactured conflict” at its very best.

Next, it was Trish Ann’s decision to yell “drop your weapons!” after Gretchen had already killed T-Bag’s boss. Did Trish really think that Gretchen was going to lay her weapons down and surrender? By yelling out, she gave up the only advantage she had – surprise.

And then there was the moment in the garage where Gretchen pulled a gun on T-Bag. A real mercenary would just shoot the guy in the back of the head and run off. Gretchen is supposed to be a major hard ass; she wouldn’t stand there and explain why she’s about to shoot him, allowing for some external event to interrupt the little chat. What does it matter to Gretchen if T-Bag knows why he’s dead?

Of course, we know that “Prison Break” isn’t going to kill off one of its most beloved characters mid-season, so even when someone is holding him at gunpoint and is telling him that they’re going to shoot him, we know that T-Bag is going to escape somehow. (By the way, I wouldn’t consider Bellick to be “beloved” – not like Theodore Bagwell.)

I have to applaud much of the interaction between the General and the gang. The hatred that Michael and Co. had for the General was palpable and it was nice to see the General get his smugness thrown back in his face on several different occasions. The twist with his daughter was a strong plot point, and Sarah Wayne Callies pulled off another nice bit of acting as her character held the daughter at gunpoint.

But I don’t understand why the gang wouldn’t take the General with them as insurance as they went to deliver Scylla. That seems like a no-brainer.

Regular readers know that I have a love/hate relationship with the ol’ switcheroo, and “Prison Break” uses that plot device early and often. When Michael put Scylla into the backpack, I smelled this week’s switcheroo coming a mile away. He took a big risk by giving Scylla to Sucre. Why would the all-powerful company only have enough manpower to follow Michael and Linc? They sent four men to follow the two brothers, not even allowing for the possibility that Sucre or Mahone might have what they want. Don’t they read this blog?!?

“Hold on. I have to stare at this backpack for a while to set up the ol’ switcheroo that I’m going to pull on you later in the episode.”

Lastly, it was kind of goofy that Don’s number would be disconnected so quickly. Why wouldn’t he just toss the phone in the garbage and buy himself more time? Because we needed to have the scene where Michael and the gang realize that they’ve been duped, that’s why. I’d rather have seen Michael put two and two together when the call to Don went to voicemail.

So now Don has Scylla and he’s going to try to use T-Bag to find another buyer. The gang is still on the run and it’s not entirely clear whether or not they should go after Don (because isn’t he the one with all the FBI contacts?) or flee to Mexico. Then there’s the matter of the $125 million that was loaded up into Feng’s truck – what are the odds that we never hear about that again? And how about that million-plus that is sitting at the bottom of the bay in Panama?

The possibilities are endless. Hopefully, the series won’t be.

Terminator: The Sarah Connor Chronicles 2.10 – I am trying to break your heart

It’s one of those moves that we felt like we should have seen coming, though we had no way of knowing, because the writers were holding all the cards. And what few cards they played before tonight’s Big Reveal were blatant misdirections that make no sense in retrospect. You know, kind of like a “Saw” movie.

Jesse finally, allegedly, comes clean to Derek. She claims to be working for the resistance to keep John on the righteous path; Future John is apparently getting too close to Cameron, and behaving erratically. Jesse’s mission: seduce Present John into taking out Cameron with live bait…live bait named Riley. Of course. That’s why we never her saw her family before now – so we wouldn’t know she was a “foster child.” Pretty sneaky, sis.

Credit must be given to genius “Terminator” commenter Eddie Offerman – seriously, read his blog on transform matrices, it’ll make your head spin – who laid out his “splintered universe” theory of time travel as an explanation for Reese not remembering Charles Fischer while Jesse did. I wasn’t convinced at first (I’m a fan of Occam’s Razor, myself), but after Jesse’s comments to Derek this week, it makes sense. Take Cameron out in the past, and get your savior back. This assumes, of course, that Jesse is telling the truth about anything, which is a bet that I’m reluctant to take at the moment.

“Hey robot, is it possible to get a blood stain out of silk?”

But now I have a new question: if Jesse and Riley’s mission is successful, what happens when Future John meets Allison, the girl that the machines duplicated and then killed to create Cameron in the first place? Personally, I’m betting that Future John locks her away the second he meets her so that she never gets caught, since she would literally be his lost childhood in the flesh. Man, what kind of splinter in time would that create, and wouldn’t that screw up Future John even worse than having Cameron around? Also, what happens to the people in the future when one of their own is sent back to change an event? How is reality altered for them? Will John just suddenly start acting differently right before their eyes? Would Future Cameron disappear if she’s terminated in our time? Help us, Obi Wan Ken-Eddie. You’re our only hope.

I’m suddenly thinking of the episode where the Connors were robbed, and it was because Riley forgot to set the alarm. Did she really forget, or was that by design? Will they even make a mention of that incident once John discovers who she really is? And if Jesse is really still working for the resistance, then I’m still perplexed why Jesse killed Future Charlie last week instead of Present Charlie. She could have undone all kinds of hurt by letting Derek kill Present Charlie (or as my wife calls him, Warren, from his days on “Buffy the Vampire Slayer”) while he was young. She put on this big dog and pony show for Derek by kidnapping both Charlies, but in the end it looks as though she was protecting a bad guy. Hmmm.

Meanwhile, in Weaverville, our child psychiatrist is found dead after Babylon, renamed John Henry by Dr. Sherman, needed the alternate power during a blackout and inadvertently killed him. To me, Ellison’s comment that “something killed Dr. Sherman but it wasn’t John Henry” could be taken two ways. The obvious answer is that he meant that John Henry just wasn’t properly coded with ethics and morals – best line in the episode: “It runs on commands. Start with the first ten.” – but with the way that Catherine was detailing Dr. Sherman’s death as Ellison was watching the video, I couldn’t help but think that the lady doth protest too much. Maybe the camera footage is bogus, and Catherine killed him with her magic tongue of death, who knows. The important takeaway from Weaverville is that a resurrected Cromartie is now the spokesperson for John Henry. That’s just all kinds of wrong, right there.

Oh, one other thing: Sarah is losing her mind down a paranoid, “Beautiful Mind”-type rabbit hole. Do the three dots mean something, or were they just the last act of a man who was bleeding to death? The Connor’s bathroom mirror hopes they find the answer to that one sooner than later. And God only knows what Sarah would do to Riley if she were to discover Riley’s true intentions while in this “heightened” state. I’m not 100% sure how she’d react, but I’m betting it would look an awful lot like a “Saw” movie.

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