Category: TV Action (Page 52 of 145)

“Dollhouse” finally flicks the Awesome switch

I completely understand why my colleague John Paulsen bailed on “Dollhouse” earlier in the season. The show was running in place, a series of self-contained episodes with nothing hanging in the balance. The only takeaway from a couple of the shows was that the dolls were still remembering things after they had been wiped, and were keeping this a secret from their handlers and Topher. The subplot involving FBI Agent Paul Ballard seemed stuck as well. He knows the Dollhouse exists, but has neither the proof nor the support of the agency to pursue it. Yawn.

Then came last Friday’s episode, where “Dollhouse” creator Joss Whedon launched the show into space.

He first played with the idea that Echo, Victor and Sierra were engaged in a secret alliance with the news that Sierra had been having sex and was suddenly terrified of Victor. It doesn’t take long for Boyd, the Dixon to Echo’s Sydney Bristow, to realize that the perp is a fellow handler, and DeWitt gives the handler a choice: take out Mellie, the nosy neighbor of Agent Ballard who Knows Too Much, or get sent to the Attic. (Man, I can’t wait until they finally show us what that place looks like.) Ballard, who’s out getting takeout and realizes that Mellie is in danger, races back while making a call. We see Mellie’s phone ringing as the handler is slowly choking the life out of her. Then the answering machine picks up, and we hear…DeWitt. “There are three flowers in a vase. The third one is green.” Ta-da, instant can of whoopass. Mellie beats the snot out of the handler, killing him in seconds. Then DeWitt says, “There are three flowers in a vase. The third one is yellow.” Poof, she’s back to being “normal” Mellie.

Holy crap.

“Don’t arrest me yet. She hasn’t heard my bit about the KFC bowls, it kills ’em every time.”

This was awesome on a number of levels. For starters, I never suspected that Mellie was a doll. She doesn’t quite have the body type that the other dolls have, though that actually makes her a perfect choice for a role like this. Second of all, the dolls can be activated and deactivated by remote voice command? Again, holy crap. I’m assuming that the third flower in that metaphorical vase is red. What happens to a doll when she uses that line? Does it make them catatonic?

Whedon also pulled another neat trick in doing a story where someone uses the Dollhouse for harmless, and rather sweet, purposes. Patton Oswalt guest starred as an Internet millionaire who planned on surprising his wife with a brand new house, but she was killed in a car accident on her way to see it. So every year on the day of her death, he hires a doll to relive that moment that he never had with his wife. Awwwww, isn’t that cute? Gee, maybe the Dollhouse isn’t so bad after all, right? Mmmmm, wouldn’t go that far, but it does make the ethical aspects of programmable people slightly grayer than it would appear on the surface.

The episode’s Big Reveal, though, was the fact that there is a mole in the Dollhouse, and they used Echo to send a message to Agent Ballard that he has an ally on the inside. On the surface, it would appear that the only person with the ability to slip that kind of thing under Topher’s nose would be his underutilized assistant Ivy, but does she have access to enough information to bring the Dollhouse down, and would she have known that there are over 20 Dollhouses around the world? Doubtful, which is why my money is on Dr. Claire Saunders (my beloved Amy Acker) as the mole. She was horribly disfigured by Alpha, which gives her motive, and as their medical chief of staff, she would have access to lots of data. Plus, you have to know that Whedon isn’t going to recruit Acker for the show and then have her spend most of the time on the bench.

The problem with all this, of course, is that it’s possible Whedon waited too long to get the show rolling. The show isn’t cheap, and Fox certainly has it in its sights when time comes to trim the budget. It needs a huge spike in ratings — it actually needs a better time slot, but that’s another story — but will they get one? If Whedon delivers another episode as great as this one, that should be enough to rally the Browncoats into action. Stay tuned.

Battlestar Galactica: What the frak happened in the series finale?

I thought about posting last night, but I’ve gotten into a rhythm this season with letting the episode marinate in my brain overnight and then posting on Saturday morning. I know a lot of people TiVo shows nowadays (myself included) and end up watching the episode later that night, the next day or the next week, so there isn’t a huge rush to get something up.

Was it a great finale? Absolutely. Was I blown away? Not entirely.

Let’s start at the beginning (which is always a good place to start) — more flashbacks of life on Caprica. Bill is thinking about retiring and entering the private sector, Roslin has a blind date with a former student, Lee gets to know Kara. Great, let’s move on.

Back in the future, Baltar’s vision tells him that he will “take mankind’s remnants and guide them to their end.” Last week, after watching him struggle with the decision in the hanger, I wondered whether or not Gaius would in fact volunteer to go along with the rescue mission. The truth is that it should have been obvious that he would. Creator Ronald D. Moore wasn’t about to take one of the main players out of the game in crunch time.

After an emotional scene between Roslin and Doc Coddle, Laura had a great line:

“Don’t spoil your image. Just light a cigarette and go and grumble.”

Then the planning began for the assault on the colony — that’s when the episode really got going. The final four move Sam to the CIC (more on this later) and Galactica prepares to jump.

Like just about every battle scene in the entire series, this one rocked. Galactica jumps in and immediately starts to get pummeled by the colony’s weapons. After the terrific rescue mission on New Caprica, the show had a lot to live up to, and once the birds were away and Bill ordered his crew to ram the colony, Moore and Co. had cleared the bar. It was very cool to see Lee leading a group of Centurions into the colony. Even when they’re on “our” side, they still scare the ever-loving crap out of me.

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24 7.14: And you will know us by the trail of dead

Terrorism, thy name is Starkwood. Sounds more like a country club, doesn’t it?

With ten hours to go, “24” finally gives up the name and occupation of Jonas Brother’s company, and I feel like a complete idiot for not guessing that they were a private army. What other organization would have a trained killer like Quinn on payroll, not to mention do business with the Butcher of Sangala? God, it was right there in front of me. (*slaps forehead*)

I like how they’re writing characters’ absences from the screen with the ‘put ’em in holding’ trick. Chloe is finally sprung from the writers’ purgatory – and sorry, babe, but if we were Morris, we would have given up Jack’s location in order to secure your freedom too – but now Jacqueline is being put away for aiding Jack in acquiring Quinn’s identity and giving him Senator Dumbass’ address. I was a bit puzzled, though, that Jackie has better hacking skills than Janis, but I’m sure that’s just me.

“Tell me, Dudley, have you been in a ‘Saw’ movie? Then you don’t really know the meaning of the word ‘terror,’ now, do you?”

Chloe wasn’t the only character sprung from ‘holding’ this week. Tony’s back in play after Jack calls him and gives him orders to assemble a bunch of gear and meet at Alexandria Port to stop Starkwood from acquiring their Candyman-tested bio weapon. God help the show if Jack and Tony try to take Starkwood down – a private military, mind you – by themselves. Come on, really? I know that Jack looks guilty as sin right now after he was the last person seen in the company of Dumbasses Senator and Lil (a moment of silence for the former, please), but the first thing he should do after hanging up with Tony is call Dudley Do-Right, and explain everything to him. “Larry, bomb, Starkwood, Alexandria Port. See you in 20 minutes.” That should do it, right? The Feds see what’s going down, problem solved. Ah, who am I kidding, that makes too much sense. I also wouldn’t rule out the possibility that Tony’s in bed with Starkwood, that his connection to them is just one of those “bad things” he alluded to earlier. I hope that isn’t the case, but we do have ten more hours left. Lots of time for an obstacle or three.

How, exactly, did Quinn get to Senator Dumbass’ house ahead of the police? Were we supposed to think that he got there by monitoring the police band, or was he already planning on killing the Senator as a means of covering their tracks? For their sake, I hope it’s the latter.

And even though we got a glimpse of what mayhem Jonas Brother has planned, it turns out that the show’s deadliest character is in the freaking White House, baby! The ink is still wet on the paperwork that brought the First Daughter onto her mother’s staff, and Olivia has already set Ethan up to take the fall for Lil Dumbass’ death and Jack’s subsequent escape from custody. Kitten doesn’t just have claws; she has machetes. The pieces are clearly in place for Olivia to be the new Sherry Palmer, though at present, Olivia isn’t nearly as interesting (or fun) as Sherry was. But let’s get to the important part: we have a female character who a) resides in the White House, b) has no ethical standards, and c) will lie to anyone and everyone if it meets her needs. Gosh, her ideal nickname seems too obvious, doesn’t it? Do I dare christen her Hillary Clinton?

Battlestar Galactica: Daybreak

The name of this episode was “Daybreak,” so it’s not surprising that the fleet turned a corner of sorts this week. Specifically, Bill finished mourning for the Galactica and made a major decision — that he would lead a rescue mission for Hera. This started when he saw that picture of Hera and Athena was left on the Galactica bulletin board, and I think he took it as a sign that he had to do something. We didn’t see Sam provide the location of the colony, but that’s the assumption.

I’m not clear on why we spent much of the episode back in Caprica City before the attack. The first scene was with Bill talking to someone about something that he did not want to do. After just meeting Gaius, Caprica Six met his elderly dad. She set him up in a nursing home, so maybe that’s how she earned Gaius’s trust, eventually leading to his betrayal of his fellow humans. We saw Kara and Lee’s first meeting, though she was his brother’s girlfriend at the time. And then there was Roslin — after losing her entire family in a car accident, she had a bit of a mental breakdown.

One of the last flashbacks was of a drunk Lee having an encounter with a pigeon.

What’s the point?

I have no idea.

Back in the present, Kara continues to work on the meaning of her song, even trying to turn it into some mathematical formula, but she’s not having much luck. Gaius pleads with Lee to give his “people” representation in the government and Lee asks him if he’s ever made a single selfless act in his life. Later on, when Bill asks for volunteers, it looks for a moment that Gaius is conflicted and may join them, but when we cut to the final shot of the hanger, I didn’t see where he was. My guess is that he’s ultimately going to stick with the fleet.

That’s about it. Not a whole hell of a lot happened this week, save for Bill’s decision to go after Hera. Based on the reconnaissance, it’s going to be tough to get close to the colony…

Next week should be interesting.

Simon & Simon: Season Two

It’s been so long since the first season of “Simon & Simon” hit stores – we’ve passed the two-year mark and we’re heading for three – that fans of the series may have feared that they’d never see any more of the adventures of private detectives Rick and A.J. Simon (Gerald McRaney and Jameson Parker) released onto DVD. Fortunately, Shout! Factory has picked up the torch that Universal dropped. While it’s unfortunate that there aren’t any special features on the set, the packaging reminds us that it is indeed a bonus that Shout opted to spend the coin to include the “Magnum, PI” crossover episode that kicked off the second season of “Simon & Simon.” As far as the show itself goes, it’s relatively pedestrian as detective shows go, but it does manage to rise above its one-liner concept – “They’re detectives and they’re brothers!” – thanks to the performances of McRaney and Parker as well as Mary Carver, who plays the boys’ mother, Cecilia Simon. Guest stars this season include Ray Walton (“My Favorite Martian”), Eddie Albert (“Green Acres”), Richard Anderson (“The Six Million Dollar Man”), Dean Stockwell (“Quantum Leap”), and Richard Kiel, a.k.a. Jaws in the Bond flicks, but don’t go looking for Downtown Brown to rear his head. Alas, Tim Reid didn’t become a regular cast member ’til Season 3…and as it stands right now, there’s no word on whether Shout has plans to release that or not.

Click to buy “Simon and Simon: Season Two”

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