Category: TV Action (Page 27 of 145)

Battlestar Galactica: The Plan

“Battlestar Galactica” is the gift that keeps on giving. First, we learned that its prequel/spinoff, “Caprica,” will debut on Syfy in 2010, and this Tuesday “Battlestar Galactica: The Plan” hits the shelves. It’s a 110-minute look at the planning, execution and aftermath of the Cylon attack on the colonies, completely from the Cylon point of view.

The film’s timeline spans from about two weeks before the attacks all the way through the initiation of the human-Cylon truce. It revolves around two copies of Number One that develop two very different perspectives. The original plan was to annihilate the human race completely, but when that plan fails, “Brother Cavil” orchestrates a Plan B as part of the fleet, interacting with and directing Leoben, Doral, Boomer, a couple of Sixes and a Four. The film re-visits a few key moments of the series, including the initial attacks, Boomer’s failed assassination attempt and subsequent murder, as well as Kara’s visit, incarceration, escape and return to Caprica.

The story jumps ahead and around, and it takes a good understanding of the “Battlestar Galactica” mythology to keep up. Newbies who are considering jumping into the series should not — I repeat SHOULD NOT — start with “The Plan,” for three major reasons: 1) this was meant as an epilogue, not a prologue, 2) it could be extremely confusing, and 3) there are way too many secrets that would be revealed in one fell swoop. Don’t do it.

Since the Number Ones really came up with the plan, Dean Stockwell sees a ton of screen time and carries it beautifully. It’s interesting to watch the embedded Cylons, sleeper agents and Final Five interact when only the embedded Cylons really know what’s going on. They try to manipulate the humans and Final Five, with varying degrees of success. The straight-to-DVD version is uncensored so there is some gratuitous nudity and a sex scene. It’s so gratuitous that it feels completely out of place.

Qualms aside, “The Plan” is a compelling look at a big part of the series run and is a must-watch for those fans who want to see some of their old friends once again.

In addition to filmmaker commentary, special features include a featurette that follows director Edward James-Olmos around for a day, a series of interviews with the actors who play the key Cylons, a behind-the-scenes look at the planning and execution of the special effects behind the Cylon attack on the colonies, and a featurette that explores some of the visual effects added during post-production of “The Plan.”

Click here to buy “Battlestar Galactica: The Plan” on DVD
Click here to buy “Battlestar Galactica: The Plan” on Blu-ray

The Unit: Season Four

“The Unit” focuses on a clandestine group of highly-trained soldiers as they execute military missions all around the world. Those that gave the show a try in its first season might want to take another look. “The Unit” struggled early on to find a balance between the intense and compelling military missions (that made male viewers happy) and the sometimes mundane home-front storylines (that kept the female viewers happy). Over its last two or three seasons, the missions have been its focus, and the series has thrived because of it. Season Four is no different.

The soldiers’ families are still a big part of the season-long storyline, but now those families are peripherally to heavily involved in the soldiers’ actual missions. The season starts off with a bang when someone tries to execute the President, Vice President, President-Elect and Vice President-Elect at the same time. The unit is tasked with investigating this conspiracy and bringing the wrongdoers to justice. Since this mission is executed in country, the soldiers’ wives and families become involved.

While the writers didn’t know until the very end that the show would be canceled, they did a pretty nice job of wrapping up several series-long storylines. For example, in the two-part episode, “Into Hell,” Col. Ryan (Robert Patrick) has to answer for having affair with one of his subordinate’s wives. Also, the team leader, Jonas (Dennis Haysbert), sees his marriage falls apart as he faces his own future (and mortality) with the unit.

Special features include a few deleted scenes and three featurettes. “Into Hell: A Brotherhood Divided” focuses on the aforementioned two-episode finale to the Col. Ryan affair story arc. “Shadow Riders: A Western Come Undone” reveals how the show used the California desert as an Afghanistan-like backdrop. And “Snake Doctor: A Leader Among Us” follows Dennis Haysbert as he directs an episode.

During its last two or three seasons, “The Unit” was one of the best shows on television, and the 22-episode Season Four provides a satisfying ending to the series run.

Click here to buy “The Unit: Season Four”

Jackass: The Lost Tapes

We’re going to assume that by “lost,” they mean “originally rejected by Standards and Practices, retrofitted as a DVD-only, warehouse-clearing cash grab.” And as these things go, it’s pretty entertaining. Some of these skits have appeared on other “Jackass” sets – Johnny Knoxville subjects himself to pepper spray, a taser and a stun gun, while Dave Englund makes the appropriately named vomelet – but there are some bits that were too good to hit the cutting room floor, namely “Cowboy Skatepark” and “Wakeboarding.” They weren’t stingy either, compiling 93 scenes, though several of those scenes are five seconds or less. How much you enjoy “Jackass: The Lost Tapes” depends greatly on how much bathroom humor you can handle; seemingly every third skit involves poo of some kind, and just listening to Englund regurgitating a gallon of milk is graphic enough to elicit the same response in the viewer. None of it is necessarily essential – though Steve-O is surely glad to see that the scene where he was branded on the heart made the cut, after complaining to us about its exclusion from the broadcast – but it would make a nice stocking stuffer for the jackass in your life.

Click to buy “Jackass: The Lost Tapes”

A visit with “Brothers”

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I’m no Hollywood insider. Nikki Finke does not rely on me for her tips and I don’t ever expect to attend the Vanity Fair Oscar after party. Nevertheless, there’s one thing I do know about show business: personality goes a very long way in “this town.” And so a few of us press people recently found ourselves the subject of a 50 megaton charm offensive by the four stars of the new Fox sitcom, “Brothers” — C.C.H. Pounder, Carl Weathers, and Daryl “Chill” Mitchell, and one extremely enthusiastic newbie, former New York Giants Defensive End and Fox Sports commentator Michael Strahan. I haven’t seen the show itself yet, which premieres tonight at 8 p.m./7 central, but the visit was certainly a performance I won’t be forgetting.

From long-time writer-producer Don Reo, whose credits run from “M*A*S*H” to “Blossom” and “Everybody Hates Chris,” “Brothers” stars Strahan as a former NFL star who winds up moving in to the house he bought for his parents when a financial reversal puts him in the metaphorical poorhouse. Since this is a sitcom, naturally there will be conflict with his brother, played by Mitchell, and the usual issues with parents Weathers and Pounder. One ace the show will be playing will be guest appearances by some fairly big names playing themselves, including former heavyweight champion Mike Tyson, hip-hop star T-Pain, celubutante Kim Kardashian, and the great Clarence Clemons of the E Street Band. Also appearing will be well actress Tichina Arnold from “Chris” and, not playing himself, rap superstar Snoop Dog. Stand-up comic Lenny Clarke will be playing a neighbor on the show.

The show has been getting some additional attention for a perhaps less fortunate reason, in that while African-American actors are featured in more diverse roles these days, it’s the only current show on the networks schedules with a predominantly black cast. That’s largely a reversal of the trend of the past when the vast bulk of decent TV parts for nonwhite actors were on shows like “The Jeffersons” and “Good Times” as well as some of the later, more controversial shows aimed at black audiences like “Martin.”

The first to meet the press were Carl Weathers, perhaps still most famed as Rocky Balboa’s venerable opponent, Apollo Creed, and C.C.H. Pounder, who is taking a break from her usual intense, gravitas-laden, roles on shows like “The Shield” and seems to be enjoying every minute of it. In fact, I’m here to tell you that extremely skilled Ms. Pounder is downright bubbly in person. You heard me, “bubbly” — but in a very smart sort of way.

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The mood was light right off the bat with more than one of us entertainment journos confessing a complete lack of knowledge of sports and Ms. Pounder joining in. Weathers was the exception. “Well, I played for the Oakland Raiders so I hope I know a little bit about football.” And that somehow prompted an impersonation of Butterfly McQueen from “Gone with the Wind” from Pounder. I guess you had to be there.

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