Category: TV Action (Page 23 of 145)

10 “New” TV Series Which In No Way Matched The Shows That Inspired Them

Since we offered up a “New”-themed movie list to kick off the new year, it seemed like a reasonable idea to put together a TV-related list as well, but when we looked back and saw the number of series which featured the word “new” in their title, we noticed a recurring theme: many of the “new” series didn’t come anywhere close to living up to the standards set by the shows which inspired them. These are but ten examples, but rest assured that there are many more which could’ve made the cut.

10. The New Leave It To Beaver (1985): You may recall that this show was entitled “Still the Beaver” when it premiered as a Disney Channel original series, but when it transitioned over to TBS for its second season, that’s when the “New” title kicked in. It’s possible that it doesn’t really belong here, since it’s been ages since I last saw it (the rights to the series are sitting in limbo at the moment, which means that we won’t be seeing it in syndication anytime soon, let alone on DVD), but my recollection is that, although the TV movie that inspired the show was pretty great, the show itself often wasn’t. Still, while “The New Leave It To Beaver” may not come anywhere close to matching the perfection of the original series, it deserves a certain amount of credit for being the most successful series revival / sequel of all time, bringing back virtually every single surviving member of the cast: Tony Dow (Wally Cleaver), Barbara Billingsley (June Cleaver), Ken Osmond (Eddie Haskell), Frank Bank (Lumpy Rutherford), and, of course, Jerry Mathers as the Beaver.

9. The New WKRP in Cincinnati (1991): Given the success of the original “WKRP” in syndication, it’s no wonder that someone had the idea of bringing the show back, but while the new version did manage to corral a few of the old cast members – Gordon Jump (Mr. Carlson), Frank Bonner (Herb Tarlek), and Richard Sanders (Les Nessman) all came back – the folks who opted out of the series were replaced by tepid new characters who couldn’t hold a candle to those whose shoes they were filling. Given how disappointing “The New WKRP” was, it really should be higher on this list, but I’m keeping in this slot because the show did manage to convince Loni Anderson (Jennifer Marlowe), Tim Reid (Venus Flytrap), and Howard Hessman (Dr. Johnny Fever) to make guest appearances at various points.

8. The New Avengers (1976): Fans tend to be split about the merits of the return of John Steed with two new partners, Mike Gambit (Gareth Hunt) and Purdey (Joanna Lumley), but you can hardly blame them, given how iconic a figure Emma Peel was. It’s said that the reason Steed had a pair of partners this go-round was that producers weren’t entirely confident that 54-year-old Patrick Macnee could hack the work regiment anymore, but he managed to pull it off pretty well, all things considered. Nowadays, it’s no wonder that the original series is the one which stands the test of time best: “The Avengers” had a look which helped define a decade, whereas “The New Avengers” has a look which is defined by its decade. Mind you, it doesn’t exactly help that you can’t look at Purdey without thinking, “Hey, it’s Patsy from ‘Absolutely Fabulous’!”

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2009: A Year’s Worth of Interviews – The Top 100 Quotes

Some people think that the life of a work-at-home entertainment writer is one of the most lax jobs out there, since the perception is generally is that all you do is sit around and watch DVDs, occasionally venture out of the house to see movies or concerts, and then sit in front of the computer and write about them. Okay, it’s a fair cop. But when you throw interviews into the mix, there’s a bit more work involved. First, you’ve got to get the interview (they aren’t always handed to you on a silver platter), then you’ve got to do the research to make sure that you can ask some halfway knowledgeable questions, and after you conduct the interview, let’s not forget that you’ve got to transcribe it, too. In other words, yes, there really is work involved…and when I went back and discovered that I’d done well over 130 interviews during the course of 2009, I suddenly realized why I’m so tired all the time.

For your reading enjoyment, I’ve pulled together a list of 100 of my favorite quotes from the various interviews I conducted for Premium Hollywood, Bullz-Eye, Popdose, and The Virginian-Pilot this year, along with the links to the original pieces where available. As you can see, I had some extremely interesting conversations in 2009. Let us all keep our fingers crossed that I’m able to chat with just as many fascinating individuals in 2010…

1. Pamela Adlon: “In the first season (of ‘Californication’), when we had the threesome with the nipple clamps, I was, like, ‘I don’t get this, I don’t know how you’re gonna do it.’ And then, all of a sudden, there’s a crane with a camera hanging over our heads, and you’re, like, ‘Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?’ And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.”

2. Jonathan Ames: “After my first novel, my mother said to me, ‘Why don’t you make your writing more funny? You’re so funny in person.’ Because my first novel was rather dark. And I don’t know, but something about what she said was true. ‘Yes, why don’t I?’ Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I’ve done has a comedic edge to it.”

3. Ed Asner: “I loved journalism until the day my journalism teacher, a man I revered, came by my desk and said, ‘Are you planning on going into journalism?’ I said, ‘Yeah.’ He said, ‘I wouldn’t.’ I said, ‘Well, why not?’ He said, ‘You can’t make a living.’”

4. Sean Astin: “When somebody brings up a movie (of mine) that I haven’t heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, ‘Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.’ It’s real. I really did do that, because someone today remembers it.”

5. Darryl Bell: “The legend of ‘Homeboys in Outer Space’ has become much more incendiary than the actual show. It’s funny how I usually challenge most people who talk about how much they disliked ‘Homeboys’ to name me five episodes. Most of them can’t, because they just bought into the ‘oh, it’s awful, just the title. Oh, it’s terrible.’ What’s interesting is that I had a great conversation with Chi McBride, who was doing ‘The Secret Diary of Desmond Pfeiffer,’ which, if you want to talk about in terms of the imagery of what was wrong, that show was much more infamous than ‘Homeboys.’ Yet it’s not remembered in the same way because the title didn’t grab you in the same way. I remember Chi pulled me aside and he was, like, ‘Look, everyone who is criticizing what you’re doing would take your job from you in two seconds. All of them. So all I can tell you is that this is one blip on both of our careers, and we are moving on.’”

6. Adam Campbell: “For some reason, people always pick on the British sensibility, and we always come across as stupid, but remember: we used to run this country!”

7. Nestor Carbonell: “Let me make this perfectly clear: I do not wear make-up, and I do not wear eye-liner. This is something I’ve had to deal with my whole life. I remember I was in college in Boston, I had a commercial agent, and they sent me out for some print commercial stuff. And they called me into the office and said, ‘Look, we called you in to talk to you because we just want you to know that…well, we don’t think you need to wear eyeliner.’ And I’m, like, ‘What?’ ‘Yeah, it’s okay, you don’t have to wear it for print ads.’ ‘No, I’m not wearing eyeliner!’ And I kept dabbing my eyes and saying, ‘Look! No eyeliner! I’m not wearing any!’”

8. Elaine Cassidy: “The last two days of shooting (‘Harper’s Island’) was probably the most hardcore, the coldest anyone has ever been. It was like your head was freezing, and my motivation for most scenes was, ‘The minute this scene is over, I’m heading straight over to that heater to get warm.’”

9. Chris Cornell: “I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I’d been in, and I’d gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, ‘Hey, I could be in a band and be the singer, and it would be a lot easier!’”

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TV/media in the 2000s: 10 (or so) key voices in left/right political media

Politically speaking, the aughts have been one long, strange trip. Just think about what we’ve seen this decade: a disputed presidential election in 2000, the largest terrorist attack in world history occurring on U.S. soil in 2001, followed by two wars, the partial erasure of New Orleans and much of the Gulf Coast, a congressional changing of the guard, the election of the first African-American president as well as the first with a foreign-sounding name, and the probable passage of a health care package which, depending on your point of view, is either historic, a mystery, a bit of a sham, or the first step on the road to a Stalinist U.S. of A.

Bubbling beneath all of this has been a series of remarkable changes in the world of media — television, movies, radio, and this thing we call the Internet — that have had a fairly profound impact on politics and, therefore, on real life. What follows are my choices for the ten most interesting and/or influential figures in the realm of political media. To try and slightly compensate for my obvious liberal bias (my side is far more facty, I tell ya!), I’ve got five spots each for conservative and liberal media figures respectively and I’ll be alternating and counting down from the bottom.

#5 Conservative

Trey Parker and Matt Stone — It’s possible that most regular viewers of “South Park” have little idea that Parker and Stone are self-described Republicans and I’m sure most of you don’t think of it as that much of a political show, even though rather subtle and often quite penetrating and/or infuriating thoughts about politics run through many, if not most, episodes. That’s because, like all great satirists, they are just as good at poking holes in the pretensions of their own side as that of the opposition, and their social liberalism puts them so at odds with the increasingly extremist faction that now controls much of the Republican party that some could easily mistake them for liberals. Actually, right now it’s easy to imagine them ditching the party indefinitely, along with any number of smart fellow conservatives who have already done so publicly.

parker-stone

Still, conservative and/or anti-liberal messages are often found on episodes of “South Park,” including attacks on such personal friends of the pair as George Clooney. Indeed, as early as 2001, famed blogger Andrew Sullivan described himself as a “South Park Republican.” (Sullivan is now one of those smart conservative ex-Republicans I mentioned above.) And, of course, there was no stronger, and certainly no funnier, attack on the antiwar efforts of the American left than “Team America: World Police” which had marionette versions of Michael Moore, Alec Baldwin, Matt Damon, and Janeane Garofalo working in tandem with North Korean madman Kim Jong-il in his plans to destroy Western civilization.

Since the film’s release in 2004, more doctrinaire conservatives have tried to follow suit with such liberal-bashing comedies as “An American Carol” and “The 1/2 Hour News Hour,” a truly wretched attempt to craft a conservative alternative to “The Daily Show,” but only Parker and Stone have been able to bash liberals and their ideas and make targets like Alec Baldwin love it.

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“Inglourious Basterds” DVD launch: A less deadly Operation Kino kicks some Nazi ass

So, while I was procrastinating conducting in-depth research for this post, covering a promotional screening for the rather glorious “Inglourious Basterds,” I found myself going over numerous reviews and think pieces. One piece for a very respectable and staid looking website started out normally enough but, while praising “Pulp Fiction” and other older films in the Quentin Tarantino catalogue, it quickly became unusually vicious. Tarantino is a filmmaker who has a special gift for generating a certain degree of critical anger, the cinephile hubbub kicked up by critic and film historian Jonathan Rosenbaum over the film’s non-portrayal of the Holocaust being one prominent example, but this was different.

As I noted the attention this particular review seemed to be paying to the ancestry of the cast, crew, and characters, I realized that the hate was not over anything so conventional as concerns that “Basterds” might be trivializing the Holocaust or World War II. I was reading a “white nationalist” web site. Yes, even more than some overly sensitive liberals, Nazis hate “Inglourious Basterds.” Considering it’s a movie in which a bunch of Jews, a part Cherokee good ol’ boy lieutenant, an African-French projectionist, a traitorous movie star, and a few odd others defeat the Third Reich in a painful and fiery manner, displeasing Nazis is kind of the whole idea.

IB Cast LR

Certainly, no one was feeling conciliatory towards facists or racists of any stripe as a good portion of the “Basterds” cast and crew turned up at the last of L.A.’s revival houses, the legendary New Beverly Cinema, to celebrate the DVD/Blu-Ray release of the the award-winning, genre-blending war flick. Indeed, as neighbors from the heavily Hasidic West Hollywood-adjacent neighborhood ignored the commotion, a few of us less observant entertainment scribes got the chance to talk to a select group of not-quite superstar basterds, including players in two of the more acclaimed sitcoms of all time, a personable musician and Tarantino-buddy turned actor, and a passionate producer who is not about to let any conservative climate deniers take away his Oscar…but that’s all ahead.

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Let’s Have a Ball Down at the Globes (TV Edition)

The announcements have been made, and the nominations for the 67th Golden Globe Awards are now officially a matter of public record, but just in case you haven’t caught them elsewhere (which, to be fair, is highly possible), here’s my look at the TV series, mini-series, and movies which received nods, along with my personal picks for who should take home the win for each category.

Best Television Series – Drama

• Big Love (HBO)
• Dexter (Showtime)
• House (Fox)
• Mad Men (AMC)
• True Blood (HBO)

My pick: “Mad Men.” Regular readers of Premium Hollywood had probably already narrowed my pick down to two entries, anyway, since I’m the designated blogger for both “True Blood” and “Mad Men,” but while “True Blood” had a strong season that was tarnished slightly by an unsatisfying finale, “Mad Men” offered up a full-fledged game-changer for the conclusion of their third year. The most notable omission from this list, however, is “Sons of Anarchy,” which you could almost write off as being too harsh for the voters if you didn’t have a drama about a serial killer in the mix.

Best Performance by an Actress in a Television Series – Drama

• Glenn Close, “Damages” (FX)
• January Jones, “Mad Men” (AMC)
• Julianna Marguiles, “The Good Wife” (CBS)
• Anna Paquin, “True Blood” (HBO)
• Kyra Sedgwick, “The Closer” (TNT)

My pick: Julianna Marguiles. I know full well that it’s a dark horse pick that almost certainly won’t pay off, but “The Good Wife” has been my favorite drama of the new season, and Marguiles offers a multi-layered performance as Alicia Florrick, a woman having to struggle with the media shining the spotlight on her husband’s infidelity and political and legal misdealings while she’s trying to return to a career as a litigator. And am I the only one who scoffed somewhat at January Jones’ nomination? Of the three primary “Mad Men” actresses, she’s the last I would’ve nominated, and this is one case where I think most would agree with me.

Best Performance by an Actor in a Television Series – Drama

• Simon Baker, “The Mentalist” (CBS)
• Michael C. Hall, “Dexter” (Showtime)
• Jon Hamm, “Mad Men” (AMC)
• Hugh Laurie, “House” (Fox)
• Bill Paxton, “Big Love” (HBO)

My pick: Hugh Laurie, “House.” God love Jon Hamm, but I said of the “House” season premiere back in September that it was “strong enough to warrant giving Hugh Laurie an Emmy nomination no matter what else he may do on the show during the course of the season’s subsequent episodes,” and I stand by that.

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