Category: TV Action (Page 18 of 145)

24 8.9: I’m not the man I used to be

All season, I’ve been looking forward to the episode where Dana Walsh kicks some felon dirtbag butt, just so I could name one of these entries “And if you don’t look now, then you’re gonna get Starbucked,” which is a lyric from a great little pop tune by the little-heard UK band Bond. Tonight, the moment finally came…and it was Buffy pulling the trigger. Damn. Worse, there is no video for “Starbucked” on YouTube. It clearly wasn’t meant to be.

Ah, but what a small price to pay to have this year’s most annoying subplot vanquished. Yes, Starbuck and Buffy will have some ‘splaining to do, but so what? I’m just glad the rednecks are gone.

Which gets us to this blog’s actual title. Man, they just don’t make those organized crime figures like they used to. Sark betrays father Wolfhausen by stealing the nuclear rods, and killing the two men charged with guarding them in order to do it, and then minutes later he agrees to bring the rods to the authorities. Granted, they portrayed Sark as more of a lover than a fighter from the beginning, but for God’s sake, man, do you have a cause or what? That’s just wishy-washy. Likewise, Jason Schwartzman is willing to knife one of his government’s security guards in the neck in order to escape and launch his insurrection, and have Sark killed in order to keep from having to pay for the rods, but using the rods against the Americans is suddenly a deal-breaker? Who did he think he was going to use them on?

24-Ep808_Sc813_0056

“So tell me how this process works.” “Well, you lie down in front of the bus, and then we run you over with it. We may even back over your lifeless body and run it over again, just to be sure. Any questions?”

Personally, I just don’t think the writers thought this part through very well. They start with CTU picking up Jason Schwartzman’s voice on Sark’s cell phone, despite the phone not being on speaker and a good ten feet away from Schwartzman when he spoke. (They had to have a reason to confirm that it was really Schwartzman when he called later asking for help, I know, but ugh.) Then they have Schwartzman meet up with the people who helped him get this far, and only then does he realize that they are waaaaaaaay more committed to the cause than he is, to the point where they don’t care if their home country gets bombed back to the Stone Age in retaliation for the crimes they intend to put into motion. By my reasoning, that’s counter-productive to their ultimate goal, since their country wouldn’t really exist anymore. “You can’t turn us into an American-run police state!” “Oh, don’t worry, that’s not really much of an option anymore. We hope you find clean drinking water soon. ”

The big takeaway from this episode has to be that Bubba got the CTU gig because Chris Something Really Greek (real actor’s name, not his character’s) appointed him, and each of them understood that if they want to survive politically, they need to be willing to sacrifice the careers of anyone who does their bidding. Bubba obviously didn’t want to leave his comfy perch so soon, so he found Greek Boy’s suggestion agreeable. But now he has a much bigger problem; Bubba made a deal with Jack in order to keep Crazy Jackie out of trouble, and you just know that he’s going to try and weasel out of that later. I’m guessing this is the part where Chloe helps Jack set a trap, thus sending Bubba packing, proving Chloe’s worth and netting herself Starbuck’s spot as head analyst, since Starbuck will finish the season behind bars and Merv the Perv doesn’t have the career ambition to aspire to a spot like that. And this will pave the way for Jack and Jackie to walk into the proverbial sunset together like we thought they ultimately would a few episodes into last season.

Until, of course, Jackie is killed. And you know that is going to happen before the final clock tick. Especially now that Jack is luring her in as a life partner. Big Dick Heller once told Jack that he’s a curse, and he’s right. Jackie, of all people, should know this, but we’ll grant her a temporary pass because, well, she’s nuts. Having said that, she’s bar none my favorite character on the show at the moment, so I do not take her imminent death lightly. Still, bitch is going down. And I’ll pour out a 40 in her honor on the eve of her death for every year that I take a breath.

Even though I couldn’t use the Bond lyric as a title, here’s the tune, anyway. And here is the video for this week’s real title. Look closely, and you’ll see Sean “Puff Daddy Diddy” Combs. Seriously.

“Human Target” is a fun ride

Based loosely on a comic book of the same name, Fox’s “Human Target” stars Jack Deveraux Mark Valley as Christopher Chance, a private bodyguard/security expert who is hired to protect his rich and/or important clients. The series also stars Chi McBride (“Boston Public,” “Pushing Daises”) and Jackie Earle Haley (who played Rorschach in “Watchmen”) as Chance’s colleague (Winston) and technical expert (Guerrero), respectively.

Even though the series is heavy on action, it has a lighthearted, fun feel to it — think Jack Bauer with a sense of humor — which is underlined by Chance’s charm (with his usually female clientele) and the dynamic between Winston and Guerrero, who do not particularly like each other. To this point, the show hasn’t done much in the way of a serialized plot, so new viewers could pick it up without missing much. Chance’s background is a bit of a mystery, but the series hasn’t delved into it at all.

Thus far, ratings have been decent (~2.1 to 2.9 in recent weeks) even against the Olympics. It has been reasonably well-reviewed as well, garnering a 70 at Metacritic and a 7.0 (“good”) at TV.com.

24 8.8: Honesty is such a lonely word

Faithful “24” blog readers, I am in need of some clarification. Tonight’s entire episode revolved around the mysterious whereabouts of Wolfhausen, to the point where Jack volunteered to be kidnapped in order to pinpoint his location. Meanwhile, Mrs. “24” blogger and I are thinking:

Why not check Vladimir’s cell phone?

Hastings focused repeatedly on the fact that Crazy Jackie gutted Vladimir Guerrero like a salmon before they had a chance to interrogate him, and yes, it’s true that dead men tell no tales. As the same time, cell phones do not lie. Find his phone, look up the most recent calls made, and go from there. Boom, problem solved. Did they address the issue of the phone in the previous hour? Did the Russian goons take Vlad’s phone or at least destroy it? If so, then fine, I’ll quit bellyaching. No, you know what, I won’t quit bellyaching. Jack and Renee discussed it all before anyone else arrived on the scene. They could have taken his phone right then and there. That’s it: I’m applying for the job of director of CTU. Someone has to stop the madness.

24-Ep807_Sc709_0356

“Aw, you’re going to torture me? That’s so cute! I just want to pinch your cheeks for not knowing how this will end.”

There was something about Sark that was throwing me off this entire episode. Previously, he appeared to be a sniveling wimp. In tonight’s episode, he’s Wolfhausen’s Luca Brasi, putting a gun to Jason Schwartzman’s head and talking the talk like a true “family man.” I should have known that he had a hidden agenda. What will be interesting to learn, should they reveal it, is which one of them initiated the backup plan. I have to think it was Sark, because if Jason Schwartzman does it, he looks desperate. If Sark does it, he looks cunning. But there I go again, getting all rational.

In Hour 5, I said:

“…no good will come from trying to make [Kevin] disappear. Guys like that, they don’t disappear. It’s like feeding a cat.”

Fast-forward three hours, and Kevin is making it rain at a strip club with his ill-gotten gains, telling Starbuck that he plans on holding her big secret over her head for as long as he can. Surprise! Yes, we all saw this coming down Broadway, but here is my big question: I’m no gangster, but I’m pretty sure that New York strip clubs know who the real players are, both above the table and otherwise, and who the two-bit, illiterate degenerate scumbags are. When a halfwit like Kevin comes in with obscene amounts of cash, odds are he’s stolen it from another one of the club’s more loyal patrons, at which point the halfwits are escorted out the back door, chopped to bits, stuffed in a duffel bag and thrown in the Hudson. In the “24” universe, however, they live la vida loca. Fugh.

And to think, Starbuck had the perfect chance to come clean…and didn’t do it. Granted, I’m not a con artist like Kate or Sawyer from “Lost,” so I don’t think about potential ways out of a predicament like your typical con, but I have to think that Starbuck is so far against the wall that she feels her shoulder blades coming through her chest. But nope, she still doesn’t come clean, choosing instead to fix it herself. I am predicting that this will result in the death of Kevin but not his idiot sidekick Nick, who will then put even more pressure on Starbuck using…wait for it…Kevin’s cell phone.

Quick note on Jack’s footwork while tortured: at least it was more believable than last week’s knife toss.

On the Presidential front – this is, after all, President’s Day – our Madame President was shortchanged. Even Jack upstaged her conference call with Bubba. Ah, but Slumdog President continued on his path to full-blown paranoia, even telling his daughter Princess Jasmine that the love of her life, who has served her father loyally for ages, is probably a plant and working for Jason Schwartzman instead. See, this is why good people don’t get into politics. Not worth the trouble. And we wonder why things are so fucked up.

And on that note, I’ll let Billy Joel take us home. Think about it, Starbuck. Please.

Happy (Fake) Presidents Day! – A Collection of U.S. Presidents from TV and Film

Once upon a time, the third Monday in February was designated as a day to celebrate George Washington’s birthday. These days, however, although it varies from state to state, it tends to be known less specifically as Presidents Day, which means that we can ostensibly celebrate everyone who’s ever been the President of the United States. Here at Premium Hollywood, we’d also like to extend that to those who’ve served as our nation’s commander-in-chief on television and the silver screen.

Now, granted, that’s a lot of people…more, in fact, than we could possibly give shout-outs to in a single piece. As such, we decided to pare it down to the same number of individuals as have held the highest office in our land since its inception. Forty-four folks is still nothing to sneeze at, but we’re betting that we’ll still end up having left out someone’s favorite son (or daughter). To paraphrase one of our real presidents, you can please some of the people all of the time, and all of the people some of the time, but you can’t please all of the people all of the time. With that said, however, we still think we did a pretty solid job of picking the best candidates for the piece.

1. President Dwayne Elizondo Mountain Dew Herbert Camacho (Terry Crews), “Idiocracy”: Why are we leading off with President Camacho? Because, really, when you’ve got a fake President on your list who’s also a porn superstar and a five-time ultimate smackdown wrestling champion, why in God’s name would you wait any longer than necessary to trumpet his inclusion? Clearly, this man is the fake President to end all fake Presidents, and he’s #1 with a bullet. It’s all going to be downhill from here.

2. President Andrew Shepherd (Michael Douglas), “The American President”: President Shepherd is a widower who pursues a relationship with an attractive lobbyist — Sydney Ellen Wade, played by Annette Bening — while at the same time attempting to win passage of a crime control bill. Although the film was mostly ignored by the Oscars, it racked up several Golden Globe nominations and has since found its way into the #75 spot on the American Film Institute’s list of America’s Greatest Love Stories. Plus, its screenwriter managed to find a good use for the excess material that he didn’t have room to fit into the script…but we’ll get to that in our next entry.

3. President Josiah Bartlet (Martin Sheen), “The West Wing”: Yes, if you hadn’t figured it out already, “The American President” was written by Aaron Sorkin, which is why you may notice a resemblance between the mannerisms of Presidents Shepherd and Bartlet. Ironically, though, Sorkin had originally envisioned the series as revolving so much around the White House senior staff that viewers would rarely, if ever, see the president. Instead, what the nation got was an idealized leader, one who – in A Novel Approach to Politics, by Douglas A. Van Belle and Kenneth M. Mash – is referred to as the “most popular Democratic president in recent memory.” The book was written pre-Obama, mind you, but we’re pretty sure the title still stands.

4. President William Harrison Mitchell (Kevin Kline), “Dave”: Given the vaguely “The Prince and the Pauper”-esque premise of the film, which involes a guy who makes a few bucks on the side as a Presidential impersonator being asked to play the part for real when the actual President suffers an incapacitating stroke, there was every reason to believe that “Dave” would’ve been a trifle at best, but between Kline’s imminent likability and a fantastic supporting cast (Sigourney Weaver as the First Lady, Ben Kingsley as the Vice President, Frank Langella as Chief of Staff, and Charles Grodin as Dave’s accountant buddy, Murray), it often comes close to – even though it doesn’t quite reach – the heights of “The American President.”

5 – 8. President Thomas J. Whitmore (Bill Pullman), “Independence Day” / President Blake (Perry King) and President Becker (Kenneth Welsh), “The Day After Tomorrow” / President Thomas Wilson (Danny Glover), “2012”: As soon as you see the credit “directed by Roland Emmerich” on a disaster flick, you just know things are going to reach a point where the President of the United States is going to be brought into the discussion about whatever imminent danger may be about to thrust itself onto our planet.

There’s also a very good possibility that the ol’ rite of succession may come into play during the course of the film, such as it did in “The Day After Tomorrow,” when we lost President Blake after the blades of his helicopter froze. Say hello, President Becker! The same thing happened in “2012,” too, but we were so in awe of President Wilson’s selfless sacrifice – he stayed behind to help survivors in need, only to meet his death when the tidal wave struck the White House – that we’ve made an executive decision not to include Wilson’s successor, President Anheuser (Oliver Platt) in the list. Why? Because he’s a dick.

The definitive Emmerich-flick president, of course, is President Whitmore. During the course of “Independence Day,” he sees the White House blown up, loses his wife, fights off a psychic attack from an alien, and flies a goddamned jet fighter into battle to help save the day. Plus, he gives the most stirring speech this side of “Patton.” Hell, I’d vote for him.

Continue reading »

A Chat with Paterson Joseph (“Survivors”)

Paterson Joseph is the sort of actor whose face tends to be familiar more to the Anglophiles who frequent BBC America than to the average Stateside viewer, a fate owed to the fact that the majority of his projects – such as “Casualty,” “William and Mary,” “Peepshow,” and “Hyperdrive,” to name a few – have had highly limited screenings on our shores. They’ll soon see him, however, as one of the stars of BBC America’s latest import, “Survivors,” which premieres on Saturday, Feb. 13th. I was able to catch up with Joseph a few hours after he’d done the TCA panel for the series, but the start of our conversation was delayed momentarily by the fact that he popped into the bar just at the moment that I was saying good night to my daughter on the phone. Thankfully, however, he was quite tolerant of my family matters, and we soon settled in to talk about “Survivors,” though not until after I let him know why I recognized him.

Bullz-Eye: When I first started watching “Survivors,” I saw you and I kept thinking, “I know this guy. I know I know this guy.”

Paterson Joseph: Oh, really? (Laughs)

BE: And then I suddenly realized, “It’s the Marquis!”

PJ: Ah, yes: the Marquis De Carabas! (Smiles) I loved “Neverwhere.” Absolutely loved it. And I wish…see, if the “Doctor Who” we have now had happened that same year, before we did “Neverwhere,” then “Neverwhere” would’ve worked like a dream, because it would’ve had all the money that it needed. Unfortunately, at that point, the only proper sci-fi that we had was “Blake’s 7,” which had not gone down well at all…and I suspect you know exactly what I mean by your expression.

BE: I don’t know what you’re talking about. (Laughs)

PJ: (Laughs) And, so, sci-fi was persona non grata until “Doctor Who,” but then “Doctor Who” happened, and…well, you know all this, but now fantasy drama, sci-fi, has got lots of money. It’s a damned shame. But Neil Gaiman, I think, is still trying to get a movie done here. He’s working on it.

BE: I’m ready for it. I’m ready for “Neverwhere,” “American Gods,” and anything else of his that they want to adapt.

PJ: Yeah, he’s great, man. Great.

BE: So what was your familiarity with the original version of “Survivors”?

PJ: I probably saw the opening sequence when I was about 10…and then was told to go to bed. (Laughs) So I had never really seen it, but I did remember the opening sequence when I saw it on YouTube. It’s quite striking. And then I watched the first three episodes when I got this job, and…I might as well have done in some ways, because it’s so vastly different.

BE: Yeah, Adrian (Hodges) was just saying about how he made a point of changing a key moment in the first episode, just to keep people on their toes.

PJ: That’s right!

BE: So how developed was the character of Greg Preston when you first came aboard? Did he evolve at all once you got into the role?

PJ: He was always…I mean, I described it in my interview when I read it as…he seems a bit like a guy who’s basically walking on water. Everything seems fine, he’s walking away, everything’s very serene. But underneath is a sea of shit. That’s how I described it to them in the interview, and I think that’s right. I think Adrian always had that in mind, that there was a world of pain under Greg’s easygoing persona. Even in his sort of dismissive “I don’t need people” persona, there was a world of pain and desperation, and you see that in…well, for you guys, it’s in Episode 7. It all comes out. Literally. You see everything.

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑