Category: Movies (Page 39 of 498)

Is ‘The Master’ overrated?

“The Master” is getting a ton of buzz. It has a phenomenal cast with Philip Seymour Hoffman and Joaquin Phoenix, and director Paul Thomas Anderson is the new darling of Hollywood. As you can see from the photo is has a very cool movie poster as well, so you can see people grabbing movie poster frames to showcase this poster on their walls.

The critics love the film as well, as you can see from the 85% rating from Rotten Tomatoes. Yet the audience rating is only 62%, so this is one of those films that impresses the critics with its artistic achievement but doesn’t entertain as many fans.

Perhaps the film is misunderstood by some, but after having seen it, it strikes me as grossly overrated. Frankly the film is boring as hell. The acting is superb, particularly the performance of Joaquin Phoenix, but Philip Seymour Hoffman‘s talent is wasted here. His character, Lancaster Dodd, is supposed to be the master, yet his appeal as a cult leader isn’t convincing. It’s not because Hoffman can’t pull off the role. It’s just that Anderson gives him absolutely nothing interesting to say. It’s all gibberish, and thus the entire premise of the film falls apart.

You have to see it for yourself to make up your mind, but I suggest you save your self the money. Save your money on the poster as well. Perhaps you can watch the film later on HBO. At least you won’t feel like you got ripped off.

Hidden Netflix Gems – Everything Must Go

Hollywood has a rich history of well-known comic actors taking on more serious and weighty roles, from Robin Williams to Ben Stiller to Jim Carrey, and now Will Ferrell, in what is probably his very best performance to date. Everything Must Go bears a strong resemblance to Stiller’s work in Noah Baumbach‘s Greenberg, or Adam Sandler‘s in Paul Thomas Anderson‘s Punch-Drunk Love, in its portrayal of a flawed but basically good-hearted man going through difficult times and coming out better for it. The difference between Ferrell and Sandler, of course, is that Ferrell’s comedies generally don’t suck.

Ferrell plays Nick Halsey, an alcoholic who loses his job at the beginning of the film and, after an ill-advised revenge against his boss, Gary (Glenn Howerton), returns home to discover that his wife has left him. Not only that, she has locked him out of the house, frozen their joint bank account, and left all of his possessions out on the front lawn. Nick is understandably upset, and reacts in the defeated way that has apparently become his life’s standard recourse: he buys a lot of beer and camps out in his La-Z-Boy on the lawn for the night. In the morning, having exhausted his beer supply and unable to find his car keys, he borrows a bicycle from his twelve-year-old neighbor, Kenny Loftus (Christopher Jordan Wallace), and heads down to the convenience store for more beer while Kenny keeps an eye on his stuff.

Continue reading »

Hidden Netflix Gems – Southland Tales

Most viewers, even those who eventually became its biggest fans, initially found Richard Kelly‘s debut feature, Donnie Darko, to be strange, convoluted and challenging to fully comprehend on a single viewing. However, compared to his 2006 follow-up, Southland Tales, Darko now seems like Where’s Waldo? Perhaps the absolute craziest film ever made, Southland Tales is a wild ride through pre-apocalyptic paranoia, fevered hallucinations and madness that really defies any kind of classification. It is pulpy, surreal, funny, political and, above all, very weird. I won’t try to convince anyone that this film is a success, per se, but its wild ambition and complete originality make it well worth a look.

Continue reading »

Hidden Netflix Gems – I’m Still Here

Joaquin Phoenix‘s much-publicized retirement from acting in order to pursue his burgeoning career as a rapper had cries of “Hoax!” surrounding it from the very beginning, and its subsequent critical and audience response was mostly negative. However, despite the apparent trend of people upset at being duped, Casey Affleck’s I’m Still Here is a fascinating and frequently hilarious send-up of celebrity culture anchored by an amazingly committed performance from Phoenix. In the film, as in reality, this is the kind of thing that could potentially end a career and forever ruin a reputation, and the courage he displays in sticking to it is very impressive.

Continue reading »

Hidden Netflix Gems – The Toxic Avenger

If you’ve never heard of Troma Entertainment, there is no better place to start than their 1984 masterpiece, The Toxic Avenger. Though at first glance, this may seem like a terrible movie, it is actually that rarest of all “so bad it’s good” movies: the kind that is simultaneously self-aware and very sincere. Sure, it’s filled with cheesy puns and one-liners, and the performances are uniformly over-the-top and cartoonish, but that’s all part of director Lloyd Kaufman‘s unique, immediately recognizable style. Kaufman may be a trash filmmaker, but he has embraced sleaze so fully that he almost transcends it. He is truly the greatest trash auteur since Roger Corman; in fact, he’s greater, because his films are even trashier than Corman’s ever were.

The Toxic Avenger takes place, as all canon Troma films do, in the fictional town of Tromaville, New Jersey, “the toxic waste dumping capital of the world.” Melvin Ferd (Mark Torgl) is a scrawny, awkward nerd who works as a janitor at a local health club, where he is perpetually tormented by a quartet of bullies. Bozo (Gary Schneider) and Slug (Robert Prichard) are a couple of meat-head juvenile delinquents who spend their free time either working out or going on vehicular homicide sprees with their equally unredeemable girlfriends, Wanda (Jennifer Babtist) and Julie (Cindy Manion). Early on in the film, we see them run over an innocent boy on a bicycle (D.J. Calvitto) in an obscenely graphic shot gloriously preserved on Netflix in the original unrated version. When Wanda later pleasures herself to a photo of the messy murder, it’s almost as if the film is commenting on the exact kind of repugnant titillation it so gleefully provides.

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑