Category: Animation (Page 8 of 16)

Der Glenn Beck’s Face — a mash-up for a Sunday morning

Glenn Beck, Donald Duck — one is a brainless cartoon character who’s always in the wrong and had wacky misadventures, and the other is Donald Duck. (Bet you saw that one coming a mile away.)

I was going to post this later, but as my source for this, Roger Ebert, tweets, better to put it up sooner before the Disney lawyers get to it — though I guess some believe there may be possible extra added first amendment protection as it’s overtly political speech. Anyhow, nice use of some great classic-era cartoons from the Walt Disney factory at its peak. You knew “The Three Caballeros” had to get in there at some point. Wonder what they’ll make of this at Breitbart’s Big Hollywood?

Because WW II is getting a bit old now…

The new trend is to rewrite it. Deadline’s Tim Adler featured another trailer, presumably for English audiences, for “Jackboots Over Whitehalll,” but this one explains what’s going on so that even we dumb Americans can understand it.

So, I understand that this is being touted as “Team America” meets “Inglourious Basterds.” I’d throw in “Robot Chicken” as well. Except, of course that all of those were funny. And while “Team America” and “Robot Chicken” revel in their primitive technology which often makes the jokes all the funnier, here, the characters seem completely inert. I’m frankly surprised this is getting a theatrical in the U.K. or any first world nation. I know British humor doesn’t always translate, even for someone like me who adores Monty Python and British cinema in general. This just looks kind of weak.

One fun casting note. The voice of Winston Churchill is provided by one of my favorite British character actors, Timothy Spall, who is also playing Churchill in “The King’s Speech,” which I highlighted yesterday.

Weekend box office: greed is still pretty good

Things turned out at this weekend’s box office more or less as predicted on Thursday. “Wall Street: Money Never Sleeps” came in on top at an estimated $19 million for Fox, according to the Box Office Mojo chart, about a million or two shy of the figures being bandied about, but close enough for an adult skewing film expected to have decent legs. Nikki Finke thinks it may have missed it’s moment in terms of being a topical must-see and also avoiding some bad press provided by the mouthy Oliver Stone. Maybe. She also points out that Fox hasn’t exactly been on a hot streak this summer. Still, this is actually a career high, raw cash wise, for Stone and not too bad a showing for the longest break between an original and a sequel since Martin Scorsese and Paul Newman dared to follow-up the genuine classic, “The Hustler,” with his underrated non-classic, “The Color of Money,” a quarter century after the fact.

Following not so far behind, really, is Warners’ “Legend of the Guardians: The Owls of Ga’Hoole” which earned an estimated $16.3 million. Anthony D’Allesandro is calling the film a “bomb” along the lines of the recent “Cats and Dogs” sequel. That may be accurate compared to what family films like this usually make and in light an as yet unspecified large budget but it’s still within a couple of million of this weekend’s $50-70 million live-action hit.

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While the books might have had an audience, something just seemed generally awry and the film lacked a clear premise for non-fans other than “owls fighting.” Whether or not Zack Snyder, whose early hits are receding in the memory of Hollywood, no doubt, gets to remain in the high end movie big leagues may now be largely dependent on what happens when his strange and zany looking action fantasy, “Sucker Punch,” comes out on 3/25/11.

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Weekend box office never sleeps, does it?

It’s certainly not resting this very busy weekend when the return of Mr. “Greed is Good” himself and a bunch of 3-D fantasy owls will battle for the #1 spot, with any number of other interesting things happening on the sidelines.

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The smart money seems to be pretty positive that “Wall Street: Money Never Sleeps” will earn in the neighborhood of $20 million and so may end up winning the weekend. At least that’s what I’m reading via jolly Carl DiOrio and the more circumspect Ben Fritz.

The audience for the latest from Oliver Stone skews fairly older, not only because it’s a topical thriller from the bombastic but literate Stone, but because it’s a sequel to a hit movie that is — shockingly for some of us — old enough that 24 year-old co-star Shia LaBeouf was barely a toddler when it first came out. That may help with the film’s longevity since older audiences tend to take their time seeing a new movie. Also, a bit of extra publicity from Gekko-man Michael Douglas‘s well-publicized upbeat battle with cancer might add to awareness over the long term. The reviews, which also have a somewhat stronger effect on older viewers, are only meh-to-okay with somewhat better response from more blue-state-centric “top critics.”

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The battle you’ve been waiting to see: garden gnomes vs. Vegas showgirls!

Okay, I’m feeling perverse and just putting two more or less completely random trailers together for entirely different reasons.

First, a new CGI animation from Disney is called “Gnomeo and Juliet,” which pretty much tells you the story, except the amazing cast which Pajiba was kind enough to list and the fact that there’s a lot of classic Elton John music in, for some reason.

Ugh. Not very promising. Well, since Dennis Cozzalio reminds us that today is the 15th birthday of Paul Verhoeven and Joe Eszterhas’s legendary “Showgirls,” as a cine-palette cleanser please enjoy this delightfully NSFW bare-breasted trailer. Enjoy.

I gather Dennis — whose never afraid to defend orphaned movies — thinks “Showgirls” is actually good. I don’t know because I’m embarrassed to admit I’ve never actually seen it. I’m not a fan of anything post-“Robocop” by Verhoeven or pretty much anything by Eszterhas, but still, I guess I should correct that. Besides, underclothed (naked?) Gina Gershon is enough reason to see any movie.

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