Category: Actresses (Page 77 of 258)

Filmgoing young females end the reign of the Na’vi, finally

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Yes, so for those who read Friday’s post, The Hollywood Reporter‘s Carl DiOrio was wrong and Nikki Finke was more right than even she knew on her first, non-updated, version of her weekend box office post. The Nicholas Sparks adaptation starring Amanda Seyfried and Channing Tatum, “Dear John,” seriously exceeded even the most optimistic expectations this Superbowl weekend and took down, at last, the seven-weekend long domestic box office “Avatar”  juggernaut. The make-up of the audience that generated $32.4 million for Sony and Relativity Media according to Box Office Mojo was not surprising. As per Finke:

Females made up 84% of the opening weekend audience, while 64% of the moviegoers were under age 21.

Still, I should add that this was definitely a case of “Dear John” winning, not so much “Avatar” losing. James Cameron‘s science fiction spectacle from Fox is still holding remarkably well, dropping less than 25% this week and netting some $23.6 million. The distinctly shorter length of “Dear John” is another obvious advantage.

John Travolta in On the other hand, Pierre Morel’s all-out action picture, “From Paris with Love,” starring John Travolta and Jonathan Rhys Meyers is shorter still, but it’s possible this was just the wrong weekend to release that kind of a movie with male fans of balls-out action distracted by the year’s #1 sports event. The film came in a very poor third with only a bit over $8.12 million for Lionsgate. C’est la vie. And here’s one more plug for the Bullz-Eye feature on Parisian-based films of all genres, “We’ll Always Have Paris,” which I say completely without bias or pride of co-authorship.

In other news, “Crazy Heart,” the country music drama featuring a nearly certain Oscar-winning performance from Jeff Bridges, was not a tale of Americana-style heartbreak. It nailed a very respectable $3.65 million in 819 theaters, which got it into this week’s #8 position. The week’s biggest per-screen was for a movie that is technically a television miniseries. The “Red Riding” Trilogy, which originally aired on English television, nailed a per screen average of $15,500 thousand. Of course, that’s in exactly one theater. Still, not bad considering it’s actually three films.

Big Pumps to Fill

Yesterday I mentioned an upcoming new film version of “Damn Yankees!” with the part of demonic pro-temptress Lola currently left uncast. Just to show you how that role can be played, here’s a lengthy clip — my favorite scene from my dad’s favorite movie — that shows you just how great Gwen Verdon was in the role she created on Broadway. The first part shows you her touch with the dramatic scenes that underscores what a loss it was to the movies that she starred in only one film, and the second part shows you the dancing abilities for which she was legendary.

And here’s a peak into the collaboration between Verdon and her then husband, Bob Fosse and lifelong friend and work partner, Bob Fosse.

If this appeals to you, you might want to take a look at the Fossethon I organized at my own site a few years back.

Friday night movie news dump

Because I will it to be so…

* It’s getting mighty meta here. Via Anne Thompson, will show biz blogger/reporter Nikki Finke be in any position to sue HBO over their series about a presumably fictional entertainment blogger/reporter with a “no-holds-barred” attitude? asks THR, esq. She’s apparently already threatened to sue the Gawker. And here’s a quote for you:

So we were delighted when she acknowledged, fully aware that she would be quoted, that in our last off the record conversation she threatened to sue your blogger personally and Gawker corporately for “unfair business practices” related to our coverage of her. When we explained that the lawsuit threat was the reason we refused to speak off the record, she said, “How do you know I won’t? I’d love to own your house and your kids.”

Nikki Finke owning another blogger’s kids? Now there’s a Dickensian tale for you.

And that’s just the beginning of tonight’s useless blogging.

* Another superhero reboot. This time, it’s “Daredevil.” While writer David Scarpa’s resume doesn’t inspire great confidence, it shouldn’t be too hard to top the last attempt.

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* The Weinstein Company has picked up “The Tillman Story,” which is likely to be one of the year’s hotter documentaries.

* Sony has entered the bidding for the “The Terminator” franchise. Joss Whedon’s attempt at snapping up the franchise looking less likely every day. <Sigh>

* Speaking of Mr. Whedon, from time to time someone among his fans suggests some kind of fan donation and/or investment set-up to fund those ongoing “Buffy” or “Firefly” related projects they so crave. The idea is routinely shoot down as unrealistic. Kevin Smith works on a somewhat smaller canvas, but it’s interesting to see him apparently taking the idea seriously.

* James Cameron will presumably be betting against himself in Oscar pools.

* Many reasons to be slightly bummed that I decided not to take the SXSW plunge this year.

* One more Deadline|Hollywood item for the week from Mike “the sane one” Fleming. It’s about the movie moguls taking chances on less well-known directors (as if they aren’t always taking chances regardless, even if they’re trying not to), but all I can get my head around tonight is the idea of remaking “Damn Yankees” with Jake Gyllenhaal and Jim Carrey. I’m not Carrey’s biggest fan, but that could actually work. As for the part of the lovable Satanic temptress, Lola, I’m sure there are many great possibilities, but there’s one actress whose proven she’s got the stuff for Fosse-esque choreography.

Will “Avatar” become the Octo-b.o. king?

HmmmYes, folks, at last we have a teeny-tiny bit of suspense and disagreement among the prognosticators of b.o. (that’s “box office” for those who’ve never read Variety).  Hot off the news that’s she stands to be mythologized by HBO — and make no mistake, the “no-holds-barred” fictional film blogger “Tilda” will be inspired primarily by Finke and not Sharon Waxman or especially Anne Thompson — she most definitely bars certain holds, including insulting people for sport — Nikki Finke writes that it’s just possible that “Avatar” could be knocked off its perch by a movie that few males will see except under the most extreme forms of feminine duress.

The kicker here, of course, is Superbowl Sunday, when a large majority of the male public will be obsessed with the game as well as the beer and fat-heavy snacks that go with the event. Of course, some women like football, some men lack the sports-obsession gene (that’s me), and lots of people who really don’t follow football at all will still be watching the game with friends and family. But many females will still be flocking to our nation’s cinemas, and the younger ones especially may be attracted to “Dear John.”

The wartime love story is currently at 30% on Rotten Tomatoes and directed by Lasse Hallström,who is a long way from his “My Life as a Dog” days as an arthouse favorite. La Finke notes that Sony and Relativity Media’s sentimental romance starring Amanda Seyfried and Channing Tatum was defeating the mighty Na’vi on Fandango by a margin of 20 percent. Even rival Fox execs concede re: Sony executives’ hopes for an upset: “They are not suckin’ on a crack pipe.”

Still, the more establishment voice of The Hollywood Reporter‘s jolly Carl DiOrio states fairly unequivocally that James Cameron will, in fact, reign for one more week — though that may well be it. Still, I wonder just what kind of pipe he and his editors might have been smoking that allows him to describe the violent action thriller-comedy, “From Paris with Love” as another female skewing movie — it’s certainly not a traditional romance.

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Okay, the title might skew could be misleading to some (at least those who don’t know their early James Bond), and women certainly won’t mind looking at “The Tudors” star Jonathan Rhys Meyers.  However, take one look at the trailers and clips and it’s clear this is a real testosterone-fest of an over-the-top action film, embodied by a goateed, shaven-headed John Travolta as a brutal CIA agent and Finke is probably right that it could steal some of the male thunder of “Avatar.” Well, everyone’s allowed the occasional foul-up and jolly Carl certainly is part of “everyone.”

The consensus seems to be that the film from future “Dune” director Pierre Morel will perform below the numbers for “Dear John,” especially given a male-drained Sunday. Its reviews, by the way, are about equally underwhelming. On the other hand, this highly biased critic definitely recommends you take a look at “We’ll Always Have Paris”  — a Bullz-Eye feature on Paris-based movies that I had, of course, absolutely nothing to do with.

That’s pretty much all the news that fits save for noteable Oscar-nomination driven expansions in terms of theater count of “Crazy Heart,” the very good “An Education,” and “Precious.”  Those latter two-films especially might also not be harmed by the big game.

Gabourey Sidibe in

TCA Tour: A Chat with Temple Grandin

Temple Grandin is a Doctor of Animal Science at Colorado State University, a consultant to the livestock industry in animal behavior, and a best-selling author. She’s also autistic, a fact which you may have already known if you happen to have a connection to someone with autism, be it first-hand or indirectly. For instance, I came to know about her, as you’ll soon read, through my wife, who works with autistic students and is the proud owner of a copy of one of Grandin’s books, The Way I See It: A Personal Look at Autism and Asperger’s.

When an advance screener of the new HBO movie based on her life – entitled, appropriately enough, “Temple Grandin” – landed on our doorstep in advance of the TCA press tour, you can imagine that we popped it into the player post-haste, and I’ll tell you right now, I was blown away: Claire Danes gives a phenomenal performance as Grandin, but director Mick Jackson ties for MVP with his visual presentation of how Grandin’s mind works. I immediately went about trying to set up interviews in connection with the tour, and although Danes was unavailable, when HBO asked if I’d like to chat with Grandin herself, you’d better believe that I didn’t hesitate for a moment before saying, “You bet!”

Bullz-Eye: I just wanted to start off by telling you that my wife works with autistic children.

Temple Grandin: Oh, okay.

BE: She hadn’t actually trained in the field, but she ended up stepping into a job as a substitute teacher in a special education classroom, and she had such aptitude that the teacher gave her a gift: a copy of your book. She basically said, “Not everyone has the heart and the temperament to work with children who need a little extra effort, but I really think you do, and I think you’d get a lot out of reading this.”

TG: Which book was it?

BE: “The Way I See it.”

TG: All right.

BE: So as soon as she found out that I was going to be speaking with you, she immediately passed it on to me and said, “You’ll be wanting to read this.” (Laughs) But we also watched the movie together, and I thought it was fantastic. How did that first come about? Did someone read your book, then come to you and pitch the idea of making it into a movie?

TG: Well, that’s actually been going on for a good long time. Emily Gerson Saines started working on this about nine years ago and went to, like, two different directors and writers. Then, finally, it came together with the right people.

BE: Did you get final say about who would play you in the film?

TG: Well, that was just decided. Claire Danes did an absolutely brilliant job. Absolutely brilliant. I met with her for about six hours, and I gave her the oldest VHS tapes I could find of me, where I’d be more autistic-acting. Like, in old programs from the late ‘80s, where I was on a TV show, and some lectures from the early ‘90s. We dubbed those over onto DVDs, and she had those to practice with. I didn’t have any video older than that. Or movies. We didn’t do movies as a family, so I didn’t have that.

BE: I thought the visual aspects of the film, which try to give the viewer an understanding of how your mind works, were outstanding. I guess that was Mick’s idea…?

TG: I thought that was absolutely brilliant, the way Mick showed all of that. Wonderful. Like, the scene where it shows all of the shoes coming up…? That’s exactly how I think. Mick was absolutely brilliant with that.

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