Category: Actresses (Page 19 of 258)

A roundtable chat with Topher Grace and Teresa Palmer of “Take Me Home Tonight”

TAKE ME HOME TONIGHT

Usually, I start roundtable interview pieces with a rather large amount of biographical information about whoever’s involved. In the case of Topher Grace, former star of “That 70’s Show” as well as movies like “In Good Company” and “Predators,” I’ve already covered him pretty thoroughly in my one-on-one interview with him over at Bullz-Eye.com. Nevertheless, it’s worth noting that as a hands-on executive producer and coauthor of the film’s story, he has a lot riding on the profitability of “Take Me Home Tonight,” a comedy about post-collegiate growing pains in the 1980s. Although I liked the film quite a bit, my review is but one, and to be honest, I appear to be something of an outlier. The good news for actor-producer Grace is that reviews mean next to nothing commercially for youth comedies, and people are laughing in screenings.

As for the striking, Australian-born Teresa Palmer, she’s still something of a newcomer to the American screen, having gotten good notices in the otherwise critically bashed, “I Am Number 4,” as well as Disney’s “The Sorcerer’s Apprentice” and “Bedtime Stories.” She shows every sign of becoming a more familiar face to audiences — and her face is definitely one of the prettier ones you’re likely to see right now.

While one journo tried to use a then-upcoming holiday to pull some personal info out of Palmer and Grace — at more than one point in the past, the pair have been rumored to be dating — the business and pleasure of making a youth oriented comedy was the chief topic during this mass interview from the “Take Me Home Tonight” junket.

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Pick the Oscar winners with Richard Roeper

If you’re entering an Oscars pool, you probably want to watch this video and get Richard Roeper’s picks, as his track record is pretty good. He picks the 24 main categories.


The Social Network | Toy Story 3 | Inception | Black Swan | Winter’s Bone | The King’s Speech | Richard Roeper | Awards Watch | Richard Roeper’s Movie Reviews | Movie Trailer | Review

Eric Hynes has a good article in Slate celebrating the quiet performances that make loud, Oscar-winning ones possible. Meanwhile, Bullz-Eye covers Academy Award upsets they’d like to see along with 10 movies the Oscar nominees don’t want you to see.

Five 2011 Academy Award Upsets We’d Like to See

It should be stated for the record that while the editorial ‘we’ was used for the title of this column, the truth is that these are my picks and solely my picks. Let the first person speak begin.

The Academy Awards have become a bit of a bore in the last few years. There have been next to no surprises in the major categories, except for perhaps Marion Cotillard winning Best Actress in 2008 for “La Vie en Rose” or Alan Arkin winning Best Supporting actor in 2007 for “Little Miss Sunshine.” For the most part, it’s decided pretty early who’s going to win, which totally sucks, if you ask me. Of course, there are categories where there is a performance that clearly stands out above the others, but in many instances, people win their Oscars not because they’ve delivered something otherworldly, but because it’s their time, and they’re due, or other such nonsense. These aren’t lifetime achievement awards, and this isn’t a welfare system. If you give the award to the worthy party the first time around, there will be no need to “pay them back” later (cough, Al Pacino and Denzel Washington).

Take Tilda Swinton, for example. Do you know why she won the Academy Award for Supporting Actress? It’s because the voters knew that “Michael Clayton” was going to be shut out in every other category, so they threw Swinton a bone just so the movie walked away with at least one award. What the hell kind of logic is that? Did she really give the best performance or not? She was perfectly fine in the movie, but there was nothing extraordinary about it, certainly not compared to her hilariously stone-hearted harpy in “Burn After Reading.” Needless to say, the Academy’s predictability of late has led me to rebel, which is why on Sunday, I’d love nothing more than to hear the following five names be read instead of what we will probably hear.

Best Original Screenplay: Christopher Nolan, “Inception

Current Frontrunner: David Seidler, “The King’s Speech”

“The King’s Speech” is a wonderful little film. It was #7 on my list of top movies of 2010. But that story has been done many, many times before, while “Inception” was so layered that it took 10 years for Christopher Nolan to finish it. Small stories are good stories, but when someone dares to, pardon the pun, dream like Nolan did here – and better yet, pull it off, which he does in spades – that should be rewarded. It would also serve as a warning shot across the bows of every action movie director that story matters, damn it, and to get rid of the jive-talking robots.

To read the rest of the article, click here.

True Sh*t: Ten Movies the 2011 Academy Award Nominees Don’t Want You to See

Everyone has taken that soul-sucking job in order to pay the bills. And while we proles may tease them for living the glamorous life, actors probably take that job more often than anyone, since they never know when the next job is going to come. (Case in point: Michael Madsen told us that he categorizes the movies he’s made as “good,” “bad,” and “unwatchable.”) Putting this theory to the test, we scoured the filmographies of this year’s nominees in the acting categories, looking for movie titles that screamed ‘bad idea.,’ and we were not disappointed with what we found. Jesse Eisenberg, for example, did a TV movie called “Lightning: Fire from the Sky,” which will be the main feature at our next Bad Movie night. Here are ten other films that this year’s candidates would probably prefer remained unseen.

Colin Firth (Best Actor, “The King’s Speech”)

Movie: Femme Fatale (1991)
IMDb rating: 4.6
The plot: An English artist-turned park ranger falls for and marries a stranger, only for her to disappear days later. As he learns more about his wife, he gets deeper and deeper into the Los Angeles underworld looking for clues that will lead him to her.
Firth’s character: Joe Prince, the aforementioned artist/ranger.
How bad is it?: You may not see the ending coming, but that is about the only thing this movie has going for it. Armed with one of the most awkward love scenes we’ve seen in ages, this movie does not gel on any level, using mental illness as a means of providing psychological depth, not to mention Acting!, with that last word ideally spoken like Jon Lovitz. Firth is actually passable here, given the material, and Danny Trejo pops up as a tattoo artist. But you can bet that when someone assembles a clip show of Firth’s finest moments, this movie will not make the cut.

To read the rest of the article, click here.

Surprise! It’s the return of the end of week movie news dump.

I thought I’d shock everyone and do a post that’s not built around a trailer — there’ll be time enough for that on the weekend.

* Tom Cruise may or may not be many things, but I’ve never really thought of him as a rocker. Yet, that’s exactly what he will be in the promised film version of “Rock of Ages.” I’ve long had mixed feelings about Cruise as an actor — he can be very good in some things and disastrous in others — and I have mixed feelings about this project, too. To be specific, I like good movie musicals but strongly dislike eighties hair bands and what some of us used to call “corporate rock.”

On the other hand, Mike Fleming touts Anne Hathaway, who I have few or no mixed feelings about, as a possible costar. I wonder what she’d look like as a glam rocker…

anne_hathaway

* A star has been set — or at least gotten to the serious negotiation stage — for the long discussed “Jack the Giant Killer” coming from Bryan Singer and his old screenwriting cohort, Christopher McQuarrie, writes Mike Fleming. He’s that kid who was so great in 2002’s “About a Boy” grown-up into 20-something Nicolas Hoult. Hoult has also appeared on the UK “Skins” and will be turning up in the upcoming “Mad Max” reboot/sequel or whatever.

Mike Fleming, however, is not correct when he describes the tale as a “scary” variation on “Jack and the Beanstalk.” It’s an entirely different, far less commonly told, fairy tale. As Wikipedia tells us:

Jack the Giant Killer is a British fairy tale about a plucky Cornish lad who slays a number of giants during King Arthur’s reign. The tale is characterized by violence, gore, and blood-letting.

No wonder they’re making a movie of it.

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