Category: Actresses (Page 137 of 258)

Old Show, New Season (sort of): “The Closer”

Man, I love “The Closer.”

This should be already be evident to anyone who’s read my reviews of the show’s previous DVD sets over on Bullz-Eye, but even as the show continues onward through its fourth season (tonight brings us the mid-season premiere), it continues to produce episodes which are just as strong now as when it originally premiered. Part of that comes from the fact that its structure feels a bit more free-flowing than your average drama, moving in and out of both the professional and the personal lives of Deputy Police Chief Brenda Johnson – played with a it-grows-on-you Southern drawl by the lovely Kyra Sedgwick – and her fiance, FBI Special Agent Fritz Howard (Jon Tenney). Mostly, though, it’s the combination of a diverse ensemble of actors and a writing team that makes sure to spread the storylines around the offices of the Priority Homicide Division of the LAPD.

As we return to “The Closer,” the wedding of Brenda and Fritz is coming ever closer, so Brenda’s parents – played in their usual fantastic form by Frances Sternhagen and Barry Corbin – have stopped off on their way to Hawaii to help their daughter get fitted for her dress…and find a venue for the ceremony…and pick out the cake. (If you’re surprised by Brenda’s procrastination, you clearly haven’t been watching the show enough.) As ever, however, Brenda finds herself caught up in a case, this time one with a suicide that possibly isn’t a suicide, and it takes up so much of her time that she ends up having to tell one of her patented well-intentioned lies to keep her mama and daddy in the dark. The episode features a horrifying moment that will chill longtime fans of the series to the bone, but it’s one which nonetheless manages to inspire Brenda to follow her intuition toward a break in the case that hadn’t occurred to her before.

Good stuff, as usual, which is no doubt why TNT so readily sent out an advance screener of the episode, but let me tell you in advance that you really, really don’t want to miss the February 9th episode, “Power of Attorney,” which offers an ending that will blow your freaking mind.

You have been warned.

TCA Tour, Jan. 2009: “Osbournes: Reloaded”

Oh, this looks so bad. So very, very, very bad. Like, “Rosie Live” bad.

The idea of giving the Osbournes their own comedy-variety show is not in and of itself a bad idea. When I first heard about “Osbournes: Reloaded,” I immediately had thoughts of my favorite cheesy, kitschy variety shows from the ’70s – see the collected works of Sonny & Cher, Donny & Marie, and, of course, “The Brady Bunch Hour” – and could totally imagine Ozzy, Sharon, Jack, and Kelly either turning the genre on its head or totally and utterly camping it up. Either way, I was actually kind of excited to see what might evolve out of this concept. But when they showed us clips from the show, I was horrified to see a mixture of in-studio shenanigans with audience members (they blindfold a guy, tell him he’s going to kiss the beautiful girl in front of him, then switch her out with a wrinkled old woman) and hidden-camera hijinks (the Osbournes working at a fast-food drive-thru). There was a sketch with little kids playing Sharon and Ozzy (cue the cursing 5-year-old), plus a brief clip of the Osbournes trying to guess who their mystery special guest for the week was. The one lone humorous concept came from a bit called “The Osbournes Meet The Osbournes,” where the gang goes around the country to meet other families who share their last name, but even that seems like it would get old really quickly.

More disappointing than this footage, however, was the fact that, as a family unit, the Osbournes remain just as entertaining and charismatic as they were in the days of their then-groundbreaking MTV reality series.

What a waste. What a bloody waste.

And, yet, I guess it was too hopeful to expect something like that from the Osbournes in the first place, particularly when you could see Kelly bristle at the mere mention of the term “variety show.”

“See, that frightens us,” she said. “The way that we see that it’s a variety show is that there’s a variety of different things. And with no disrespect to other variety shows from the past because, I mean, they made the TV of today. It’s just not what we do. We’re not going to be Sonny-and-Chering it.”

Continue reading »

Bullz-Eye’s TCA 2009 Winter Press Tour Recap

Wait, didn’t I just go to one of these press tours…?

Actually, that was back in July, when the networks were busy pimping their new fall schedules; this time, they were presenting us with an idea of what we can expect to see on our favorite broadcast and cable channels from now until they premiere their next fall schedule.

Going out to L.A. in January was a new thing for me, though. It was my first winter tour since becoming a member of the Television Critics Association in 2007 – last year’s was canceled due to the writers’ strike – and, if the rumblings throughout the ballrooms at the Universal Hilton were any indication, it may well prove to be my last January tour. I’m hopeful that this presumption turns out to be inaccurate, but given the current economic climate and an increasing tendency for newspapers and publications to only send their TV critics out for one tour per year, there’s every reason to suspect that the networks will join suit and only be willing to pamper those critics once per year.

Sorry, did I say “pamper”? Of course, I meant, “Treat with the utmost respect.”

It feels a bit odd to be doing a wrap-up of my experiences at the tour before I’ve even had a chance to write up all of the panels I attended while I was out there, but, hey, when you get a good spot on the calendar, you make it work however you can. So still keep your eyes open for my ongoing pieces on the various shows you can expect to find on the broadcast networks during the next few months, but in the meantime, here’s a look at some of the best and worst bits from the January ’09 tour as a whole.

Most enjoyable panel by a cable network: “Rescue Me,” FX.

I’ve been a big Denis Leary fan every since No Cure for Cancer, so I knew the guy was inevitably going to go off on a profanity-filled rant before the end of the panel. What I didn’t expect, however, was that Peter Tolan – who co-created the show with Leary – would start the proceedings by telling Leary to watch his mouth, adding, “If you were going to say ‘cunt,’ don’t.”

From there, the two of them seemingly battled each other in an attempt to offer up the most memorable line. Leary complained about his salary. (“I had a crazy idea of getting paid, like, $250,000 an episode. They put limits on that, let me tell you. That’s Kiefer Sutherland money right there.”) Then Tolan claimed that he was at fault for the show’s fourth-season slump, blaming it on a drug problem and that “I was heavy into a kazillion hookers that year.” Then Leary bitched about how Michael J. Fox was going to guest on “Rescue Me” and get the Emmy that Leary himself has yet to earn. (“Five fucking episodes, he comes in. God damn, $700 million from ‘Spin City.’ He never asked me to do the show. He’s going to walk away with the fucking Emmy. That son of a bitch.”) Then Tolan started mocking Hugh Laurie’s American accent by talking about how he could do a British accent. (“Aye, pip, pip, mate, aye! ‘Allo, Mary Poppins!”) And…well, as you can see, there was really no contest: this may well have been the greatest panel ever.

Continue reading »

Academy Awards recap: Oscar loves Nazis, hates robots, superheroes

Wow. Just…wow. Do you ever wonder just what movies the Academy voters are watching, and if they’re seeing the same movies the rest of us are? I certainly had that thought after scouring through the list of nominees for the 81st Academy Awards, when I saw that most of my favorite movies – one of which made over half a billion dollars – were discarded in favor of an overripe Nazi legal drama. And, just to have some fun with how far off some of these selections are, I’m going to include the Rotten Tomatoes freshness ratings. Let’s start at the top:

Best Picture
The Curious Case of Benjamin Button (72%)
Frost/Nixon (91%)
Milk (92%)
The Reader (60%)
Slumdog Millionaire (95%)

Now, fellow BE movie critic Jason Zingale and I admit that we are in the minority on “Milk” – it’s a fine movie, but neither of us understands what people think is so wonderful about it – but I’m not surprised to see it here. It’s about a gay California poilitician in the year that Prop 8 passed. Of course Hollywood’s going to get behind this one. But “The Reader” for Best Picture? You have got to be kidding me. Look again at that freshness rating. Sixty percent, which means only three out of every five people liked it. Granted, “Benjamin Button” isn’t rated much higher, but movies with that kind of scope and reach always have their detractors. (Indeed, in our local film critics’ poll, “Benjamin Button” finished ninth.) Simply put, “The Reader” has no business whatsoever being nominated for Best Picture, not in the same year that saw the release of “The Dark Knight” (94%) and “WALL-E” (96%).

So why is it here? My personal theory: because Hollywood’s liberal populace sees Kate Winslet’s character getting tried for war crimes, and fantasizes about doing the same to George W. Bush. Get over yourselves, people. “The Reader” isn’t about you, or us, or now. It’s overdone melodrama, nothing more.

Best Actor
Richard Jenkins, The Visitor
Frank Langella, Frost/Nixon
Sean Penn, Milk
Brad Pitt, The Curious Case of Benjamin Button
Mickey Rourke, The Wrestler

Man, I’m torn here. On the one hand, I’m thrilled for Richard Jenkins that he finally got a lead role, and earned an Oscar nomination for his efforts. On the other hand, Clint freaking Eastwood just gave his final acting performance, and it was unforgettable. Again, I don’t think Sean Penn belongs here, but I’m starting to think Jason is right when he says he’s going to win. Damn. I’m totally pulling for Mickey Rourke.

Best Actress
Anne Hathaway, Rachel Getting Married
Angelina Jolie, Changeling
Melissa Leo, Frozen River
Meryl Streep, Doubt
Kate Winslet, The Reader

Kate was far better in “Revolutionary Road,” for my money, and for the life of me I can’t understand why the Academy is throwing that movie under the bus. This is not a strong list of nominees, if you ask me. My money’s on Melissa Leo to surprise the world.

Best Supporting Actor
Please. Does it even matter who else is nominated here? This is Heath Ledger’s to lose, and he’s not going to lose. Bonus points for nominating Robert Downey Jr. for “Tropic Thunder,” though.

Best Supporting Actress
Both Amy Adams and Viola Davis from “Doubt” were nominated, and will surely split the vote. I’d like to see Marisa Tomei (“The Wrestler”) or Taraji P. Henson (“Benjamin Button”) win, but my gut tells me Penelope Cruz (“Vicky Cristina Barcelona”) will be the winner.

Best Director
Danny Boyle, Danny Boyle, Danny Boyle. Again, Stephen Daldry is here for “The Reader,” while Christopher Nolan (“Dark Knight”) and Andrew Stanton (“WALL-E”) watch from the cheap seats. Absurd.

Best Animated Feature
Here’s your bone, “WALL-E.”

Best Foreign Language Film
Where the hell is “Let the Right One In”? Inexcusable oversight, that.

Best Song
Where the hell is “The Wrestler”? They know that Springsteen wrote it, right? Wouldn’t that alone guarantee it a nod? Ugh.

Best Documentary
God help them if something other than “Man on Wire” wins this.

Come Oscar night, I’m going to make sure I don’t have anything heavy in my hands when they announce the Best Picture winner. Because, if for some ungodly reason “The Reader” wins, I will kill my television, then fly to Hollywood and burn the place to the ground. Academy, you’ve been warned. Do the right thing.

TCA Tour, Jan. 2009: “Sit Down, Shut Up”

Need a good reason to watch Fox’s upcoming new animated series, “Sit Down, Shut Up”? Hell, I’ll give you ten good reasons…with resumes that include “Pushing Daisies,” “SpongeBob Squarepants,” “Saturday Night Live,” “The Simpsons,” “Futurama,” “Arrested Development,” “Two and a Half Men,” and, uh, “Cavemen”…and they’re all labeled by name in the photograph below.

(L-R) Kristin Chenoweth, Tom Kenney, Nick Kroll, Will Arnett (who is standing in front of Cheri Oteri), Jason Bateman, and executive producers Josh Weinstein, Eric and Kim Tannenbaum and Mitch Hurwitz

Now, I ask you: how can you not want to watch “Sit Down, Shut Up”?

If you aren’t familiar with the concept of the show, it’s based on a live-action Australian sitcom about a bunch of cranky, obnoxious, irresponsible teachers but has, over the course of several years of evolution, found its way into an animated adaptation instead, albeit one with live-action backgrounds.

“It’s changed so much, I guess we’re really wondering why we are still paying royalties to Australia,” admitted Hurwitz. “But we’re in over our heads at this point. There is no getting out of it.”

But why did they decide to switch it from live-action to animated in the first place?

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑