Category: Actresses (Page 128 of 258)

Old Show, New Season: “My Boys”

March 31, 2009 /

As you may recall, Season 2 of “My Boys” ended with Bobby running to PJ’s room to tell her, “I think I’m marrying the wrong woman,” only for him to see his brother standing behind her, his shirt half-unbuttoned. Unfortunately, when it comes to previewing the Season 3 premiere, TBS has put TV critics in a bit of a difficult spot by offering the following request at the beginning of the episode:

“We respectfully ask that you refrain from mentioning the outcome of the wedding and the last scene of the episode. We hope that you agree that this is the best way for the audience to experience the full impact of the moment in this episode.”

Well, of course it is. But given that the outcome of the wedding is determined well before the halfway point of the episode, it also makes it a little bit difficult to tell you too much about what to expect from the proceedings. Fortunately, there is no such embargo on the other key part of the episode, so here are the three words which will demand that you tune in:

MUSTACHE GROWING CONTEST.

There are a few other tidbits to be had throughout the episode that longtime viewers will enjoy, including Mike’s ongoing chatter about Maggie and a quicker dismissal of Andy’s newborn child than anyone could’ve imagined. (Seriously, as a sitcom geek, I almost felt like I should applaud. The writers aren’t pretending for a second that it’s going to impact the show.) And, yes, TBS is right: it’s a fine ending, indeed. But years from now, when you consider your favorite “My Boys” moments of all time, you won’t be picturing the ending. You’ll be picturing the boys sitting around the poker table, sporting some of the greatest facial hair you can imagine, and you’ll be hearing the various new nicknames they have for each other.

Oh, and you also might still be laughing at Reid Scott’s impression of Burt Reynolds’ laugh, which is uncanny in its precision.

Tune in to TBS tonight at 10:30 PM EST and get your first “My Boys” fix of 2009…and if you need to play catch-up before then, just look below:

Actors, Actresses, External Entertainment, External TV, News, TV, TV Comedies

Heroes 3.20 – Welcome Back, Bryan

March 23, 2009 /

Cue up the John Sebastian, people, ’cause it’s time to formally offer a hearty “welcome back” to Bryan Fuller. Tonight’s episode is the first time we’ve seen the man’s name in the writing credits since the glory days of “Heroes,” i.e. Season 1, and although his return comes at the expense of “Pushing Daisies,” you have to respect the guy for trying to do his part of save the series that he helped to make. And, yeah, I know, it’s not like he created the show, but given how many times Fuller’s “Company Man” has been held up as the series’ definitive episode, you can’t deny that his contributions helped make “Heroes” appointment television during the 2007 – 2008 TV season.

It was clear from the opening sequence, with Zeljko literally being handed a gift-wrapped Puppet Master, that we were finally going to get something we hadn’t seen in forever: a “Heroes” episode that actually felt like it was taken from a comic book. You wouldn’t think it’d be so hard to accomplish that in a show about people with superhuman abilities…and, apparently, it isn’t hard for Fuller, since he’s proven time and time again that he can manage it. Watching Zeljko turn the tables on Mohinder was awesome (“Why did you bring me here?” “I thought it’d be a whole lot easier than carrying you.”), and his typically tense conversations with HRG were typically solid, as was the HRG / Mama Petrelli chat at the beginning.

I don’t think there was anything that came out of Hiro’s mouth tonight that wasn’t genius, whether it was his addressing of Matt Parkman, Jr. (“Baby Matt Parkman, we will save you; if you understand, shake rattle once for ‘yes’ and twice for ‘no'”), his using a “Star Trek: The Next Generation” episode to rationalize how a de-aging process might’ve occurred and offering up a “Wrath of Khan” reference (“Life from lifelessness!”), or his asking Ando, “What are we saving the baby from? Lead-based toys?” I thought it was a great touch that, despite the TV being turned on and off repeatedly, Hiro and Ando still never once noticed that it was actually the baby’s daddy on the screen. The sequence where Hiro finally addressed having witnessed his mother’s death in the past and had an emotional bonding moment with Ando was unexpectedly effective (sometimes you forget that those guys can work together in drama as well as comedy), but then it was back to the comedy with the “E.T.” homage. And once the men in black busted in to take Li’l Parkman and Matt’s ex into custody…words fail me. Hiro’s powers are back! Thank you, Toddler Touch and Go! Except they’re not entirely, which means he can stop time again but still can’t teleport. Oh, well, so the kid’s not perfect. Anyone else do a spit take when Hiro rolled Ando out in a wheelbarrow?

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Actors, Actresses, External Entertainment, External TV, Heroes, Reviews, TV, TV Action, TV Dramas, TV Sci-Fi

Watch NBC’s “Kings,” Or I’ll Shoot This Dog

March 22, 2009 /

Last Sunday, I pleaded with you, the readers of Premium Hollywood, to watch the premiere of NBC’s “Kings,” describing it as “an epic drama with the kind of scope that you rarely see on television in series form” and assuring you that “it needs to be a hit right out of the box, lest it be canceled without ever having a chance to build on its concept.”

How did that request pan out?

Well, I think the opening sentence of the Hollywood Reporter’s piece – “NBC’s ‘Kings’ had a devastating premiere Sunday night.” – says it all, doesn’t it? (Actually, the headline did a pretty good job in its own right: “NBC’s ‘Kings’ dethroned in ratings.”) To borrow a line from another great yet under-appreciated series, the facts were these: the premiere of “Kings” drew only 6 million viewers and was the lowest-rated program between 8 and 11 p.m. on a major broadcast network.

The ever-snarky but nonetheless generally well-informed Nikki Finke over at L.A. Weekly‘s Deadline Hollywood Daily wasn’t afraid to lay the blame for the series at the feet of NBC’s long-suffering executive, Ben Silverman:

I’m told NBC Universal spent a whopping $10 million on Sunday’s two-hour opener for ‘Kings’ and another $4 million per episode. That’s a staggering amount of money to lavish on any drama series, especially one that’s a bomb. Nor does Jeff Zucker have anyone to blame but himself for this disaster. Because I hear that Ben Silverman was hands-on. ‘Kings’ was supposed to move into the Thursday 10 PM ‘ER’ slot (once coveted when the network was still Must-See TV) but has now been banished to Sunday at 8 PM where it can’t do any harm since no one is watching NBC that night anyway. This latest failure follows NBC’s derivative restaurant reality series ‘The Chopping Block,’ also receiving a pathetic 4 share in 18-to-49 demos for its debut Wednesday. No wonder Ben has less and less to do with programming — which was why he was hired in the first place — and more and more to do with liaising with advertisers.

Y’know, I’d say, “Ouch,” but it’s not like this is anything even remotely close to the worst thing Ms. Frinke has had to say about Mr. Silverman.

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Actors, Actresses, External Entertainment, External TV, TV, TV Dramas

Welcome to the Concession Stand

March 17, 2009 /

Welcome to a new feature here on Premium Hollywood…and, believe me, it’s one I’ve been wanting to premiere for quite some time. I’m someone who enjoys trying new foods and new beverages, and I’ve often thought it would be fun to write a column which gave me the opportunity to write about the experience. Unfortunately, I’m forever buried in DVDs that need to be reviewed. Finally, I had an epiphany: why don’t I figure out a way to combine the two?

And, thus, “Concession Stand” was born.

The beverage: Mountain Dew Voltage.

Last year, over a quarter million votes helped Voltage win the so-called “DEWmocracy” election, with the taste, name and color of the product all developed by the customers themselves…well, y’know, with a little help from the folks at PepsiCo. (What, like they’re gonna give the yokels all the power?) As the bottle proudly trumpets, it’s your standard Dew brew, but charged with raspberry citrus flavor and ginseng. The color of the beverage is a slightly disconcerting shade of blue, but the raspberry mixes with the traditional Dew flavor rather well, making the taste not so far removed from a Sweet Tart. If it’s icy cold, it goes down fast and smooth…which is good, since it’s so sweet that drinking it slowly may result in you taking awhile to finish the bottle, but caffeine fiends with a sweet tooth will have no problem chugging it down to score the inevitable rush.

When I was pitched the opportunity to check out Voltage, they sent me three bottles of the stuff, so I scoured my to-be-reviewed pile to see if I had three DVDs featuring the same person in some role or other. Lo and behold, I did…and that person’s name was Lea Thompson.

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Action Movies, Actors, Actresses, Celebrities, External Entertainment, External Movie DVDs, External Movies, External TV, Movie Comedies, Movie Dramas, Movie DVDs, Movies, Reviews, TV, TV Comedies, TV DVDs, Video

Greetings to the New Show: “Kings”

March 15, 2009 /

Mark my words: you need to tune in for the premiere of “Kings” tonight. It’s an epic drama with the kind of scope that you rarely see on television in series form – executive producers Michael Green, Francis Lawrence, and Erwin Stoff have literally created a new world, one which provides them with the opportunity to offer tales of war and love without offending any existing countries – and it needs to be a hit right out of the box, lest it be canceled without ever having a chance to build on its concept.

If you’ve seen the commercials for the series (and if you’ve watched NBC for more than about fifteen minutes at any point in the last few months, you surely must’ve caught at least one), then it’s probable that at least one familiar face has leapt out at you: Ian McShane, late of HBO’s “Deadwood.” McShane plays King Silas Benjamin, leader of a land known as Gilboa, which, despite being an obvious monarchy, looks suspiciously like America. When “Kings” opens, Silas is preparing to address his subjects, and when he embarks upon his speech, we’re introduced to some of those who are watching it at home, including a young man named David Shepherd (Chris Egan). Unfortunately, despite the optimism within Silas’s speech, we soon fast-forward to two years later, when David and many other men of Gilboa are in the midst of fighting in Gilboa’s war against the neighboring nation of Gath.

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Actors, Actresses, External Entertainment, External TV, News, Pilots, Reviews, TV, TV Dramas

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