Category: Actors (Page 21 of 343)

Denis Leary and Friends Present: Douchebags and Donuts

Well, this isn’t going to help Denis Leary’s reputation when it comes to stealing other people’s jokes.

Here’s a little back story: According to the biography American Scream, Leary used to do chunks of the routines of the late, great Bill Hicks. Hicks was aware of this, but since Leary played parts of the country that Hicks seldom visited, he let it go. Then Leary made No Cure for Cancer in 1992, where he committed the unpardonable sin of recording Hicks’ material, and taking credit for it. Louis C.K. later claimed that Leary’s song “Asshole” was based on a bit that he used to do. Leary has denied stealing from anyone because, well, what else is he supposed to do? Fortunately, we were able to ask Leary about Hicks directly, to which he gives a lengthy, thoughtful reply. (You can read it here.)

Now comes “Douchebags and Donuts,” a comedy show Leary organized with a few friends as a fundraiser for his charity. It’s a great cause, and it’s great that the show was a success. But the first word in that title has already invoked the ire of one Jay Louis, editor in chief of the sublimely funny site Hot Chicks with Douchebags. Louis went on a long and unusually pointed rant about Leary’s thievery, and how he’s been championing the mock of the douchebag for five years, building a mini-empire out of it. And that’s fine, but it’s not as if Louis created these goofy-haired halfwits – he was just the first to dedicate a site to mocking them, and in fact should be honored that his efforts have created such a groundswell that the phrase is slowly working its way into the pop lexicon with his definition as the #1 description. Before Jay, calling someone a douchebag just meant they were a jerk; now, it defines a very specific kind of jerk. Well done.

Having said that, Louis should have waited to see “Douchebags and Donuts” before criticizing it, since doing so makes him like those Republicans who call out movies they’ve never seen. If he had waited, he would have realized that the ‘douche signifier’ portion of Leary’s routine is pretty small, though it’s hard not to think of either Louis, Jay or C.K., when Leary performs his new song “Douchebag.” The rest of Leary’s routine is pretty tame, though, showing mug shots of Nick Nolte and James Brown and dissecting the side effects to popular medications (side effect for Viagara: Death). It’s no Cure for Cancer, or even Lock and Load, but it definitely looks better compared to the routines of his friends Lenny Clarke and Adam Ferrera, who come off like blue-rated Blue Collar guys. The star of the show, without question, is Whitney Cummings, who rips her mostly male audience to shreds while having fun with the idea of women as crazy bitches.

Some might point to the infrequency of comedy routines from Leary as an indictment that he is indeed a thief. That’s faulty reasoning, but Leary isn’t helping his case with “Douchebags and Donuts.” He’s clearly a funny guy, but one gets the sense that he was too busy with his myriad of other projects to work very hard on his own routine for this show.

Click to buy “Denis Leary and Friends Present: Douchebags and Donuts”

Box office preview: Will “The Green Hornet” sting? Will anyone want to solve “The Dilemma”?

Time is at a total premium tonight, so I’ll be keeping the bad puns and what not brief.

There’s some disagreement about whether it’ll make an amount in the $30 millions or $40 millions at my usual sources. However, I don’t think there’s any way around the likelihood that this will be the weekend in which Seth Rogen, co-writer Evan Goldberg, and director Michel Gondry’s take on “The Green Hornet” will dominate things.

Seth Green and Jay Chou lose their cool in

If only because the trollish fanboys who pre-decided to hate this movie irritate me no end, I’ve been rooting for this action comedy approach to the masked hero of old-time radio and a short-lived sixties TV program, remembered today mainly for the presence of Bruce Lee. In fact, there’s been some positive buzz on it lately and our own Jason Zingale mostly likes it. Overall, however, the overall critical reaction is disappointing, with top critics being significantly harsher. Even the usually rather gentle Roger Ebert calls it “almost unendurable” and gives it the one-star rating qualifying it for his next edition of Your Movie Sucks.

Still, I’ll probably check this one out eventually, if only to see new-Kato Jay Chou, who I really think might be a very big U.S. star in the making (he’s already huge in Asia), do his stuff. I’ll probably avoid the extra price tag for an extra dimension, however. The 3D on this is getting a negative reaction from at least some. It’ll be interesting to see whether audiences who’ve been stung by sub-par 3D before steer more towards the 2D “Hornet.”

Vince Vaughn, Kevin James, Jennifer Connelly and Winona Ryder think about their odds in With Vince Vaughn, Kevin James, Jennifer Connelly, and Winona Ryder starring and Ron Howard directing and a easily understandable premise, you might expect big things from a comedy like “The Dilemma.” However, the box office gurus tell us that not a gigantic people will actually go to see it this weekend. The critics mostly tell us they shouldn’t.

Maybe see one of those potential Oscar nominees you’ve missed so far this weekend. Perhaps “Black Swan,” which is still expanding several weeks into it’s run and expected to continue its strong run. That’s what I’ll do if I can find the time. If you’ve seen all of those and live in New York or L.A., there’s “Barney’s Version” featuring a great lead performance by Paul Giamatti and an outstanding supporting cast and getting mostly good reviews, if only for the great acting. Of course, I didn’t think even the cast made up for the drab second half of the film. Still, you could easily do worse in this or any January.

“Carancho” meets Spiderman

I generally don’t like to do “first look” posts (the first still released from some putatively highly anticipated new flick). I only do two of these a day and, really, I just don’t give a flying whatever nearly all of the time. Stills are fine, but the ones they release early usually tell you next to nothing are nothing more than a way to try to ignite some buzz based on next to no information. However, I do post trailers extremely often if they’re interesting, even for movies I was barely aware of prior. They’re like stills, only 24 times a second. Today, because the trailer is genuinely enticing and I know at least some of you probably can’t wait to see Andrew Garfield as Spidey, I’ll do both.

First, of course, the trailer. In this case it’s for an Argentinian thriller which looks exciting and sexy — especially if you happen to be an ugly middle-aged guy. (H/t to Brian Clark at MovieLine.)

And now that Garfield/Spiderman picture — after the flip!

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Bryan Cranston’s Back to “Breaking Bad” in Albuquerque

This morning, Bullz-Eye had a chance to chat with Bryan Cranston – oh, sorry, I think we’re now required to refer to him as three-time-Emmy-Award-winning Bryan Cranston – about his new Atom.com series, “The Handlers,” and rest assured you’ll learn all about it when the full interview turns up in the very near future. For the moment, however, we can’t resist shining the spotlight on our beloved “Breaking Bad,” which, as we learned in AMC’s panel during the winter TCA press tour, starts production on its fourth season on January 13.

Cranston, God bless him, opened our conversation by asking, “How are you? When are you coming back to the set?” (My answer: I’m ready when he is, since God knows I had a blast last time.) This is kind of a funny question for him to ask, though, given that he himself hasn’t even made it back to the set yet, having literally only arrived back in Albuquerque last night. Still, given that we talked to him at 6:30 AM PST, he’s clearly raring to go when the time comes.

That doesn’t mean, however, that he’s looking to get too far ahead of the game when it comes to finding out what’s next for Walter White.

Bryan Cranston

“I’ve only read the first script so far,” said Cranston. “I have the second one ready to read. I like to keep it like that, where it doesn’t get too far ahead of me. Walt is on this journey, and I like the fact that he doesn’t know where he’s going, so why should Bryan know where it’s going? It doesn’t help me. In fact, if there’s any kind of subliminal preparation, then it could hurt the character. I want to keep it as fresh as possible for as long as possible, so that I feel that one-foot-in-front-of-the-other tension that Walt has.”

As a result, Cranston’s obviously not in much of a position to offer up hints of what we can expect from the season…not that anyone from this show has ever gone out of their way to provide spoilers.

“I can’t!” he apologized. “I don’t even know anything, except that the first episode picks up right where the last episode left off. The tension was wound pretty tight, so we just have to wind ourselves back up to that level, and away we go, spinning like a top!”

Having only just returned to Albuquerque, Cranston’s big post-interview plans were to get settled back into his townhouse and get himself unpacked, then head over to “Breaking Bad” HQ for a fitting and to pick up some paperwork.

But we know what you’re really wondering: has he shaved his head yet?

“No, actually, and here’s an exclusive for you,” said Cranston. “Steven Michael Quezada, who plays Gomez on ‘Breaking Bad,’ he’s a local guy, and he’s very popular here. He’s a stand-up comedian, and he has a variety show on The CW that airs in New Mexico once a week (‘The After, After Party with Steven Michael Quezada’). They tape on Tuesdays, so tomorrow night I’m going to be on his show, and I’m going to do a little stand-up, and then we’ll do an interview session. What the audience doesn’t know, though, is that when we’re talking, Steven’s going to say something to the effect of, ‘You know, you look so different in person than you do as Walter White the character.’ And then I’ll say something like, ‘Well, it takes a team of professionals and…well, let me show you!’ And then out comes my makeup artist, my wardrobe head, and hairdresser, and they start going to work on me. And I’ll just keep talking to Steven, taking off my clothes, putting on the wardrobe, the make-up goes on, the goatee goes on – I don’t have one right now – and then they’ll shave my head live on TV. And then I’ll put the glasses on, and it’s, like, ‘Voila!‘”

NICE.

Cranston’s hopeful that they can get a clip of this momentous event onto YouTube sooner than later. Let us all keep our fingers crossed…both for the clip, and that he makes good on his assurance that he’ll have me back on the “Breaking Bad” set in the near future. (In this case, a win for me is a win for you, too!)

The Comedy Central Roast of David Hasselhoff

As far as daises go, the group assembled to roast “Knight Rider” and “Baywatch” star David Hasselhoff was not the most star-studded, but all concerned brought the funny when it counted. With “Family Guy” creator Seth MacFarlane serving as the master of ceremonies, the roasters hit Hasselhoff in the usual places – he’s a drunk, his shows were terrible, he’s a lousy singer – but the gifted comics still found a way to mine comedy gold from it anyway, particularly Lisa Lampanellli, who owned the show’s best line. (“Your liver was so black and bloated, it could have starred in ‘Precious.'”) MacFarlane is surprisingly dry as the MC – though he did drop in a little Stewie voice when discussing Pamela Anderson’s breasts – and that proves to be the right call. The biggest surprises are unquestionably the non-comedians. George Hamilton does it old-school but still manages to throw in a few good zingers, and Anderson has much better comic timing than you’d think. As for Hulk Hogan, well, he made for a better target than he did a roaster. Hamilton, in particular, pounded him.

Best of all, Hasselhoff shows the world that he really can sing, charging into the room singing “Hooked on a Feeling” and finishing with some power ballad that, strangely, has his voice drowned in the mix. When it does rise above the instruments, though, it sounds good. His recent reality show may have been canceled, but Comedy Central’s roast of Hasselhoff strikes the right balance of good-natured skewering. It also serves as one of the last performances by the late Greg Giraldo, who was just about to move up to the next level. Pity.

Click to buy “The Comedy Central Roast of David Hasselhoff”

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