Category: Actors (Page 100 of 343)

Friday night movie news dump

Because I will it to be so…

* It’s getting mighty meta here. Via Anne Thompson, will show biz blogger/reporter Nikki Finke be in any position to sue HBO over their series about a presumably fictional entertainment blogger/reporter with a “no-holds-barred” attitude? asks THR, esq. She’s apparently already threatened to sue the Gawker. And here’s a quote for you:

So we were delighted when she acknowledged, fully aware that she would be quoted, that in our last off the record conversation she threatened to sue your blogger personally and Gawker corporately for “unfair business practices” related to our coverage of her. When we explained that the lawsuit threat was the reason we refused to speak off the record, she said, “How do you know I won’t? I’d love to own your house and your kids.”

Nikki Finke owning another blogger’s kids? Now there’s a Dickensian tale for you.

And that’s just the beginning of tonight’s useless blogging.

* Another superhero reboot. This time, it’s “Daredevil.” While writer David Scarpa’s resume doesn’t inspire great confidence, it shouldn’t be too hard to top the last attempt.

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* The Weinstein Company has picked up “The Tillman Story,” which is likely to be one of the year’s hotter documentaries.

* Sony has entered the bidding for the “The Terminator” franchise. Joss Whedon’s attempt at snapping up the franchise looking less likely every day. <Sigh>

* Speaking of Mr. Whedon, from time to time someone among his fans suggests some kind of fan donation and/or investment set-up to fund those ongoing “Buffy” or “Firefly” related projects they so crave. The idea is routinely shoot down as unrealistic. Kevin Smith works on a somewhat smaller canvas, but it’s interesting to see him apparently taking the idea seriously.

* James Cameron will presumably be betting against himself in Oscar pools.

* Many reasons to be slightly bummed that I decided not to take the SXSW plunge this year.

* One more Deadline|Hollywood item for the week from Mike “the sane one” Fleming. It’s about the movie moguls taking chances on less well-known directors (as if they aren’t always taking chances regardless, even if they’re trying not to), but all I can get my head around tonight is the idea of remaking “Damn Yankees” with Jake Gyllenhaal and Jim Carrey. I’m not Carrey’s biggest fan, but that could actually work. As for the part of the lovable Satanic temptress, Lola, I’m sure there are many great possibilities, but there’s one actress whose proven she’s got the stuff for Fosse-esque choreography.

Will “Avatar” become the Octo-b.o. king?

HmmmYes, folks, at last we have a teeny-tiny bit of suspense and disagreement among the prognosticators of b.o. (that’s “box office” for those who’ve never read Variety).  Hot off the news that’s she stands to be mythologized by HBO — and make no mistake, the “no-holds-barred” fictional film blogger “Tilda” will be inspired primarily by Finke and not Sharon Waxman or especially Anne Thompson — she most definitely bars certain holds, including insulting people for sport — Nikki Finke writes that it’s just possible that “Avatar” could be knocked off its perch by a movie that few males will see except under the most extreme forms of feminine duress.

The kicker here, of course, is Superbowl Sunday, when a large majority of the male public will be obsessed with the game as well as the beer and fat-heavy snacks that go with the event. Of course, some women like football, some men lack the sports-obsession gene (that’s me), and lots of people who really don’t follow football at all will still be watching the game with friends and family. But many females will still be flocking to our nation’s cinemas, and the younger ones especially may be attracted to “Dear John.”

The wartime love story is currently at 30% on Rotten Tomatoes and directed by Lasse Hallström,who is a long way from his “My Life as a Dog” days as an arthouse favorite. La Finke notes that Sony and Relativity Media’s sentimental romance starring Amanda Seyfried and Channing Tatum was defeating the mighty Na’vi on Fandango by a margin of 20 percent. Even rival Fox execs concede re: Sony executives’ hopes for an upset: “They are not suckin’ on a crack pipe.”

Still, the more establishment voice of The Hollywood Reporter‘s jolly Carl DiOrio states fairly unequivocally that James Cameron will, in fact, reign for one more week — though that may well be it. Still, I wonder just what kind of pipe he and his editors might have been smoking that allows him to describe the violent action thriller-comedy, “From Paris with Love” as another female skewing movie — it’s certainly not a traditional romance.

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Okay, the title might skew could be misleading to some (at least those who don’t know their early James Bond), and women certainly won’t mind looking at “The Tudors” star Jonathan Rhys Meyers.  However, take one look at the trailers and clips and it’s clear this is a real testosterone-fest of an over-the-top action film, embodied by a goateed, shaven-headed John Travolta as a brutal CIA agent and Finke is probably right that it could steal some of the male thunder of “Avatar.” Well, everyone’s allowed the occasional foul-up and jolly Carl certainly is part of “everyone.”

The consensus seems to be that the film from future “Dune” director Pierre Morel will perform below the numbers for “Dear John,” especially given a male-drained Sunday. Its reviews, by the way, are about equally underwhelming. On the other hand, this highly biased critic definitely recommends you take a look at “We’ll Always Have Paris”  — a Bullz-Eye feature on Paris-based movies that I had, of course, absolutely nothing to do with.

That’s pretty much all the news that fits save for noteable Oscar-nomination driven expansions in terms of theater count of “Crazy Heart,” the very good “An Education,” and “Precious.”  Those latter two-films especially might also not be harmed by the big game.

Gabourey Sidibe in

A special Thursday at the movies

It’s special because I usually do my box office preview tonight, but personal circumstance are forcing a small delay in that, so instead we have some more, if extra brief, news hits right now.

* The sad and shocking death of actress Brittany Murphy has been ruled accidental and is ascribed to a combination of pneumonia and prescription drugs.

* The Playlist points us to the latest on director Michel Gondry, off the set of “The Green Hornet” with Seth Rogen and working on some kind of “secret project” with Bjork, who long ago has sworn off movie making after the infamously difficult shoot of “Dancer in the Dark.”

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* From Nikki Finke: He’s not quite the J.D. Salinger of movie directors, but the very private and selective director with a large cult following and a tendency to take things slowly — very slowly — Terrence Malick  (“Badlands,” “The New World“), is keeping busy and working with big stars.

* One of the most buzzed about documentaries at Sundance, “Catfish,” has been purchased. Sounds interesting.

Stolen videos!

A couple of embeds I saw on the sites of two of our more notable film news reporter/bloggers struck me as being very much of interest to PH readers and film fans in general, so here they are.

First, here is the one-year old trailer for “The People vs. George Lucas” which Nikki Finke noted today is going to be featured at this year’s South by Southwest film festival, though Finke named some names back when she ran this. It should be noted that a lot of the people shown aren’t really perpetrating a personal “diss” as Finke implied.  Also, as a useless blogger, I’d like to know who she considers to be “second rate” movie critics. Anyhow, like Finke, I’m intrigued.

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If you’ve ever directed anything, you know that directors and actors have a pretty unusual relationship. Whether a director’s approach is intensely personal or assiduously professional, there’s always (or should be) an interesting dynamic. Yesterday, Anne Thompson featured this short video documenting a Vanity Fair/Annie Liebovitz photo-shoot featuring actors and their directors that offers a fun peak into one of the most crucial working relationships in the world of film.

Ice Castles

There are people who hold every movie from their childhood sacred to the point where the idea of remaking one of them is pure blasphemy. I am not one of those people. Now, that is not to say that I like remakes. More often than not, they’re a pale imitation of the original, but not because the source material is unimpeachable. No, it’s usually because of the story’s inability to adapt to the times (“Herbie: Fully Loaded”), or because the people involved with the remake have little regard for what people liked about the original (ahem, “Land of the Lost”).

Ah, but “Ice Castles,” that’s a perfect property to remake. The love story at its center is a sweet one, and the idea of a blind figure skater doing triple axels puts all of the true underdog sports movies of the 2000s to shame. And good for them that they didn’t try to make the movie more appealing by sexing it up – indeed, this is an innocent and squeaky clean a movie as you’re likely to see this year. Unfortunately, it’s also not very good.

Alexis Winston (Taylor Firth) loves to skate, and her boyfriend Nick (Rob Mayes) dreams of playing professional hockey. Lexi enters a local competition and catches the eye of a top-notch instructor Aiden (Morgan Kelly), who encourages her to come to Boston and train with him. Lexi becomes wildly successful but hates playing the fame game, and her busy schedule kills her relationship with Nick. When a fall on the ice leaves her blind, Lexi goes home to wallow in self-pity, but Nick encourages her to keep skating and believe in herself.

The way that Lexi and Nick are torn apart does not feel at all natural. Nick encourages Lexi to train under Aiden, then gets pissy when he can’t get her on the phone because she’s training every waking minute of the day. They set up Carrie Turner, a former student of Aiden’s, to be Lexi’s foe, but then she disappears for the final 40 minutes of the movie. Nick goes to see Lexi skate, and then spots her kissing Aiden on the lips. Nick, rightly, assumes they’re dating, but this is never really expanded on. It’s an awfully odd showing of affection if they’re not dating, and if they are…ewww. He’s twice her age, not to mention dating your pupils cannot be good for your image as an instructor. Either way, it’s poorly handled.

As is the accident that leaves Lexi blind. She leaves some swank party because she finds the whole business side of skating to be a chore, and heads out to a nearby frozen lake in order to skate her pain away. Someone makes a crack before she hits her head about her being desperate for attention, and they’re spot on. This appears to be their attempt at character development, or trying to establish that she, like Nick, is flawed, but their love is pure, or something. It doesn’t work. There is also a scene of Lexi and Aiden riding a snowmobile that doesn’t seem to have anything to do with anything else in the movie, except that they obviously felt as though they needed a bonding scene between Lexi and Aiden and/or a non-skating action sequence. There is a reference to a piece of music Lexi skates to, but we never find out its significance. (It’s revealed in the deleted scenes.) The whole thing is quite haphazard in its assembly.

Taylor Firth, however, does work. She’s cute as a button, and not a bad actress to boot. They dress her up like an extra from “Cats” at one point, but she’s immensely likable, even when she’s not on her best behavior. Rob Mayes has those non-threatening Zac Efron looks, but he’s pretty much unbearable until the last act. Fellow skater Molly Oberstar is given very little to work with as the snotty Carrie Turner, but she fares better than Michelle Kwan, who’s only playing a TV analyst but can’t get the inflection right.

There is no reason to think a spunkier but no less sweet version of “Ice Castles” wasn’t theirs for the taking, but this version isn’t it. The movie could have used some work all around, the editing in particular. It has the right tone, but no emotion. Pity.

Click to buy “Ice Castles”

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