Category: Action Movies (Page 63 of 165)

SXSW Film 2010: Keeping Austin Reel Weird

One of the first things I heard after arriving in town for South by Southwest was “Keep Austin Weird.” It’s sort of the city’s unofficial motto, but it’s one that resonated with me over the course of my week-long trip. Though it’s hard to say whether Austin really is as weird during the rest of the year as it is during SXSW, the city exudes a certain energy that makes it the perfect place to hold such a unique event. It also helps to have some of the most passionate movie lovers in the country populating the streets, because while SXSW attracts cinephiles from all over the globe, it’s the locals (from the volunteers to the everyday attendees) who actually make you want to come back.

For anyone that followed my SXSW Blog throughout the course of the film festival, you already know that my experience was a rather positive one. In fact, of the 17 films screened during my time in Austin, there were only two that I didn’t particularly like. You’d think that would make selecting my personal favorites even more difficult, but my Top Three easily blows the rest of the competition out of the water. Here are some highlights from my reviews of those films:

micmacs

1. “Micmacs

[Jean-Pierre] Jeunet’s latest film, “Micmacs,” may just be his best yet – a whimsical crime caper that boasts his trademark visual style, a classic Max Steiner score, and an ensemble cast filled with familiar faces. Though it likely won’t have the crossover appeal of “Amelie,” “Micmacs” is one of the most enjoyable moviegoing experiences of the year… It’s all done so effortlessly, and with [Dany] Boon and his co-stars so charming throughout, that you’d have to be in a pretty sour mood not to walk out of “Micmacs” with a giant grin on your face.

2. “Kick-Ass

Director Matthew Vaughn clearly understands the world that [Mark] Millar and [John] Romita Jr. have created, and that familiarity resonates throughout, from the high-energy action scenes to the colorful performances from its cast… The end result is an entertaining blend of action and comedy that, despite falling short of its ridiculously high expectations, delivers everything that was awesome about the comic and more.

3. “Four Lions

A pitch-black satire in the same vein as “Dr. Strangelove,” [Christopher] Morris has created a film so relevant to our current political climate that many will feel guilty just for watching it, let alone laughing at all the gut-wrenching humor along the way… “Four Lions” is one of the funniest, most provocative comedies of the last decade – and one that has more to say than any of the numerous self-important war movies that Hollywood has been cranking out for years.

Of course, one of the things that makes SXSW such a great place to watch movies is the venues. The theater experience in Austin is hands down one of the best in the country – from the historic Paramount Theater to the Alamo Drafthouse. While the Paramount is typically a more star-studded affair, complete with a red carpet and the opportunity to see a movie with its director and stars sitting just a few feet away from you, the Drafthouse (both the Ritz located on 6th Street and the South Lamar, which is a short drive from downtown) is a little more intimate. Star-crazed attendees will find little in the way of celebrity sightings, but the chance of seeing a hidden gem like Best Documentary winner, “Marwencol,” more than makes up for it. Plus, midnight showings of genre films like “Tucker and Dale vs. Evil” are usually more enjoyable when you’re watching it with a bunch of fellow cinephiles.

Continue reading »

What Else Ya Got? “Ninja Assassin”

James McTeigue’s “Ninja Assassin” certainly has its share of problems (the acting is subpar and the script is even worse), but while it definitely chooses style over substance, that style features so many killer action sequences that it’s still worth checking out. The Blu-ray release smartly hews towards those strengths, resulting in a nice collection of bonus features that fans of the film will definitely appreciate.

The Myth and Legend of Ninjas

This 18-minute featurette delves into the history of the ninja, using interviews with real-life ninja masters to discuss how the warring states of Japan during the 16th century led to the demise of the ninja. There’s also a brief discussion about the various kinds of weapons used (some basic and some so specialized that only a certain clan was proficient in it), as well as how ninjas have become a pop cultural icon in comic books and movies over the last few decades. It’s not a particularly well-made special, but diehard martial arts buffs will enjoy it nonetheless.

The Extreme Sport of a Ninja

By far the best of the bunch, this stunt featurette offers a brief glimpse at the making of every major action sequence in the film. Though the stunt team consisted of the usual suspects, it’s also revealed that other likeminded athletes (like free runners and gymnasts) were also recruited and trained as stuntmen in order to provide the ninjas with a unique style. There’s so much raw awesomeness packed into this 10 minutes that by the time it’s over, there’s a good chance you’ll want to change career paths.

Training Rain

This featurette follows the grueling martial arts and body fitness training that Rain was put through in order to transform him from a Korean pop star into a super-ripped badass. The stunt guys have nothing but praise for the wannabe actor, admitting that his background in dance helped him pick up and memorize the complex fight choreography so quickly. The comparisons to Bruce Lee are mostly unwarranted, but it’s easy to see why these guys are so impressed.

Additional Scenes

You’re not really missing anything here, as most of the so-called deleted scenes are mostly just missing bits from events that still take place in the film. There’s a brief flashback to the ninja camp during the Laundromat scene, another where Raizo jacks a car, and two more involving the Europol characters getting chewed out by their respective bosses.

The story doesn’t really benefit from any of the additional material, so they were probably best left on the cutting room floor. The other extras, however, are all interesting in their own right, and they more than make up for a lack of an audio commentary or proper making-of featurette. The two-disc set also includes a digital copy of the film and a sneak peak at the upcoming “Clash of the Titans” movie. It might not be Warner Brother’s finest hour, but it’s certainly more than I would have expected from one of the studio’s less successful films of 2009.

From Captain America to “American Idiot”

It’s your late night movie news.

* The big breaking news around the film geek blogosphere is that THR’s Heat Vision blog is reporting that Chris Evans will, indeed, play Captain America. I’ve only seen Evans in the first half-hour of “The Fantastic Four” (that was as far I made it through that one) but let’s say that, for the time being, I’m having a very hard time getting excited about this news.

* Moving from a project I’m interested in with some casting I’m not finding so interesting right now, we move on to some very interesting casting for a project I’m really not that personally interested in except to root for it to do as little business as possible because of the kind of filmmaking it symbolizes. It appears that John Malkovich, Francis McDormand, and Ken Jeong will all be in…wait for it…”Transformers 3.” Christopher Campbell has the predictably cynical and amusing blog reactions. I should add that I have absolutely no criticism of them for being in it. If Michael Bay wants to give me a few hundred thousand to do something connected to one of his films, I’m taking it. Now, if he wants me to say something nice about the flick, that’s going to cost a whole lot more.

* The bidding deadline has been extended a bit for the sale of MGM to make room for an offer from Time Warner. I imagine that would put the classic-era and later MGM library all under one corporate umbrella, which could make life a bit less confusing for us film buffs.

* I love spy movies. Also, in theory, I have no problem with movies based on video games — apart from the fact that I can’t think of one that people actually like very much, much less that I’ve personally seen and liked. Still, with all the great spy novels of all shapes and sizes that there are, the thought of a spy movie based on a video game does not make me very happy.

* I’m confused, is “Everything Must Go” starring Will Ferrell, which starts production this week with financing direct from its producers, really going to be an entirely non-comedic film, or is it being billed as a “drama” simply to distinguish it from Ferrell’s usual ultra-wacky comedies? To me, the premise sounds laden with a potential for dark humor, though I don’t know the Raymond Carver story, I do know he occasionally indulged in that.

* Previews begin the day after tomorrow on Broadway of the new stage musical, “American Idiot.” With a book by Green Day singer and lyricist Billie Joe Armstrong, the show’s “dialogue” is, as I understand, almost entirely sung.  It ran to mixed-to-positive reviews last year in the main theatrical venue of the Green Day’s California Bay Area hometown, Berkeley Rep. While not all the critics were high on the NoCal edition of the show, apparently Tom Hanks and his producing partner Gary Goetzman like it and are “in talks” to turn the production into a feature movie. I love some of the music on the highly acclaimed original album, so I’m intrigued by this one, though I could easily see it turning out horribly. (The music video featured by Kevin Jagernauth of the Playlist shows one way example of how a film version could go rather badly wrong.)

One thing this is not is a “jukebox musical” along the lines of “Mamma Mia!” but a concept album adaptation closer in spirit, I imagine, to “Tommy” and “Pink Floyd’s The Wall.” Still, one hurtle all these movies rarely overcome is the difference in energy between a live performance of a great rock and roll tune and the inevitably more packaged version you’ll get in a movie. Personally, I’ll be impressed if anything in the film version, if there ever is one, matches the intensity of the performance below.

What Else Ya Got? “Sherlock Holmes”

When a movie makes as much money as “Sherlock Holmes” did at the box office (certainly not “Avatar”-sized numbers, but still respectable for its budget), you expect the studio to reward its audience with some cool DVD bonus features. Unfortunately, that isn’t the case here, as Warner Brothers has only included a 14-minute making-of featurette called “Sherlock Holmes: Revisited” that, although not as shallow as the typical EPK, doesn’t go into nearly enough detail for being the only extra on the disc.

Among the topics discussed include how this rendition of Holmes is actually closer to Arthur Conan Doyle’s original vision; Guy Ritchie’s originally plans to cast an actor in his late 20s to play the title character before meeting Robert Downey Jr.; and why Jude Law’s Watson is unlike any other we’ve seen before. In other words, it’s information that anyone following the film would have already read about, rendering the featurette fundamentally pointless. It’s a real shame, too, because there had to be some other bonus material (like bloopers or deleted scenes) sitting around in the vault that fans would have liked to have seen. Though the Blu-ray edition gets the added incentive of WB’s awesome Maximum Movie Mode, even that seems a bit light for such a major release. The history behind Holmes is simply too rich to receive such a lackluster treatment, and though I’ve never been a very big proponent of studio double dips, this time around, it’s almost necessary to make up for such a major blunder.

And now a health lack-of-care movie moment

Since my side seems to have won the health care debate, for tonight anyhow, it’s time to relax and really get off the soapbox I was on, and then off, yesterday.

What follows are some very unhealthy moments in which new and various pre-existing conditions are inflicted on a host of random people, from “the world’s most action-packed movie” (aka, I believe, “Deadly Prey.”) One note, the following contains exteme violence which may disturb people offended by extreme violence but will more likely permanently scar those disturbed by severely inept, and oddly non bloody, fake filmic mayhem.

Thanks for this one, Zayne.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑