Author: Will Harris (Page 92 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

TCA Tour, Jan. 2009: “Eastbound and Down”

Danny McBride had a hell of a 2008, what with scene-stealing roles in “Pineapple Express,” “Tropic Thunder,” and…well, okay, maybe “Drillbit Taylor” wasn’t everything it could’ve been. But, still, the guy’s definitely on a roll, and although 2009 was already shaping up to be a good year for McBride, thanks to his co-starring role in Will Ferrell’s take on Sid & Marty Krofft’s “Land of the Lost,” he can now also claim ownership of a lead role in an HBO series.

HBO’s Sue Naegle was able to sum up the premise of “Eastbound and Down” in a single well-constructed sentence: the hilariously tragic story of Kenny Powers, a former major league pitcher whose bad-boy ways have him down and out and teaching phys ed. at his old middle school in North Carolina. As a man who’s spent his entire life within a 30-minute drive of the Tarheel State (though this is probably the first time I’ve ever referred to it as the Tarheel State), I admit to a certain affinity for the premise, particularly after hearing McBride talk about his reasons for doing the series.

“These guys both grew up in North Carolina,” McBride said, referring to his collaborators Jody Hill and
Ben Best, “and I grew up in Virginia, and we all met at film school down in North Carolina School of the Arts. We weren’t really happy with the way the South was portrayed in a lot of film and television. It seemed like it kind of stopped at the ‘Hee-Haw’ kind of deal, which is overalls and Billy Bob, so we kind of wanted to find new things to make fun of in the South.”

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TCA Tour, Jan. 2009: “Will Ferrell: You’re Welcome, America. A Final Night with George W. Bush”

No-one goes into a panel with Will Ferrell…not even one being done via satellite…with an expectation that it’s going to be a serious affair. But when he turns up wearing a woolen winter hat and a pair of New Year’s Eve glasses shaped like the number 2009, it’s fair to say that you can throw seriousness completely out the window.

“First of all, these are actually prescription glasses,” Ferrell assured us. “I’m not trying to be funny. It happens to be 2009, so that’s great. I also had head surgery, so that’s why I have this hat on, too.”

Sure, Will. Sure.

Ferrell and his longtime collaborator, Adam McKay, had turned up to discuss Ferrell’s new one-man show, “You’re Welcome, America: A Final Night with George W. Bush,” which will be getting a live airing on HBO on March 14th. Ferrell hadn’t really been called upon to do his Bush impression very much since departing from “Saturday Night Live,” but he thought the show would be a fun way to send off George W.

Ferrell and McKay reminisced about the origins and evolution of Ferrell’s impression, which began as a mere walk-on in a Clinton sketch. “It was before we kind of even knew who he was,” said McKay, “and Will basically just played him as a frat guy drinking beer, high-fiving.”

“Darrell Hammond was always going to play Gore,” said Ferrell, “and then Lorne Michaels had asked me if I wanted to play Bush. I thought, ‘Yeah, this will be fun. I’ll play him for a couple of months. He probably won’t win.’ And then he eventually won. He just kept kind of gaining momentum in terms of his comedic persona. He went from the 90 percent popularity to…it’s the longest sustained drop in popularity in Presidential history. Obviously, there’s been an incredible combination of some insane news events that he’s had to deal with and, obviously, some poor decisions on his part, along with his type of personality and the fact that he kind of can’t speak properly. That makes for a wonderful kind of comedic stew…and I like to use the word ‘stew’ whenever I can.”

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TCA Tour, Jan. 2009: “Big Love”

I’m very much out of my element when it comes to discussing “Big Love.” Not that I’m not interested in the show, but I simply haven’t watched it. I know, however, that another fine member of our editorial staff – one J. Codding – is a regular viewer, so I wouldn’t dare miss the opportunity to cover the upcoming third season of the show. Plus, really, whether you’ve watched the show or not, who in their right mind wouldn’t want to sit in on a panel that includes Bill Paxton, Jeanne Tripplehorn, Chloë Sevigny, and Ginnifer Goodwin?

If you haven’t followed the behind-the-scenes activity on the show, it’s been kind of a weird time for “Big Love” since it left the airwaves back in August 2007. The writer’s strike led to a delay in production for the show’s third season, and when the strike was concluded, executive producers Mark Olsen and Will Scheffer made the decision to throw out the ideas they’d come up with for Season 3 and basically start fresh.

“It’s always good to have more time and more time and more time to digest story and to reconsider choices made,” said Scheffer. “It makes the show stronger, deeper, better, you know, to have a couple of goes at initial assumptions. And so it was a blessing in that way, a mixed blessing because we were late coming on back to our fans, but, you know, I think that that little interim period where we weren’t writing when we were just sort of protesting and showering and such that we could have this time to breathe into the characters and the stories even more than we would have if we had just gone on our straight route. You know, I think the show would have been great, but I think what we have now is like beyond great.”

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Grissoms’s Last “CSI” A Rough Day for Wallace Langham

If you’ve seen the commercial promoting William Petersen’s final episode of “C.S.I.” (and if you’ve had a TV tuned in to CBS at any point in the last few weeks, you can’t possibly have missed it), then you know that the character of lab tech David Hodges earns an emotional moment with Gil Grissom, proclaiming, “The bad guys will win more if we don’t have you.”

Having seen Grissom’s farewell in its entirety, I can tell you that the entire scene between Grissom and Hodges is so great that you’ll find yourself wondering who Wallace Langham had to bribe to get such a wonderful moment in such a momentous episode.

“Every day’s a gift here at ‘C.S.I.,’ I’m telling you,” says Langham, with a grin.

In all seriousness, the show’s writers came up with the idea of Hodges’ emotional farewell to Grissom, and they couldn’t wait to tell Langham about it. “The character that they thought would be the most devastated about Grissom leaving would be Hodges, so they let me play that out,” said Langham. “And I tried to be as human as I possibly could in the context of Hodges, because he doesn’t always get those opportunities. He never gets within ten feet of an emotion. That part wasn’t necessarily that hard to play, but it was still weird for me, just because, as Hodges, I don’t really get to play it that often!”

As it happens, however, the shoot turned out to be a rough one for Langham for reasons beyond those of Petersen’s departure.

“It was a really tough day to shoot for all the usual reasons,” said Langham, “but, sadly, my father was passing away…and, actually, after we had finished filming, I got the call that he had died. It wasn’t a surprise, but…you know, I knew that would be the day, oddly enough. Once I got the call where they said, ‘Okay, you’re going to be shooting on the 10th,’ I just had a feeling. I thought, ‘Okay, the irony of life has always served me well,’ and true to form, it was a very heavy day on all levels.”

TCA Tour, Jan. 2009: “In Treatment”

The good news: “In Treatment” is returning to HBO for a second season. The bad news: after the network provided us with several great photos of Gabriel Byrne to utilize along with his quotes during the panel, we were given the bad news that Mr. Byrne had come down with a nasty case of the flu and would not be in attendance after all. In a word: d’oh!

Still, we must rise above our difficulties. Though the panel contained 100% less Gabriel than originally advertised, we were at least graced by the presence of Executive Producer Steve Levinson and Executive Producer and show runner Warren Leight. But, dammit, we got these photos and we’re damned well going to use them anyway! And, besides, it’s not like Dr. Paul Weston isn’t going to be a major topic of discussion.

As you may or may not know, Dr. Weston’s marriage has failed, resulting in a new setting for the series; possibly not coincidentally, the series itself is now being produced in New York, which is exactly where Dr. Weston is moving. Now he’s practicing in a Brooklyn brownstone, baby!

“I think once we knew we were doing it there, we thought we would embrace the city and embrace the location and certainly make reference to it,” said Levinson.

New York also happens to be where Gabriel Byrne himself lives. This is definitely not a coincidence.

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