Author: Will Harris (Page 93 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

TCA Tour, Jan. 2009: “Taking Chance”

Kevin Bacon’s a really underrated actor. We so often hear people refer to the whole “six degrees” thing that I think we sometimes forget just how talented a thespian he is…which is a little odd, really, given how often he offers us proof of his abilities. If you should happen to need another reminder, however, HBO’s “Taking Chance” fits the bill nicely. The film is based on the first-person narrative of Lieutenant Colonel Michael Strobl, USMC (Ret.), and chronicles Strobl’s journey as the volunteer military escort officer assigned to accompany the body of 19-year-old Lance Corporal Chance Phelps, USMC, who was killed in action in Iraq, across America to his hometown of Dubois, Wyoming.

Given that American forces remain in Iraq even as the film makes its network debut, it will certainly hit home to a great number of viewers, particularly as you experience the sad reminder that the soldiers dying over there are people’s friends and relatives. At the same time, however, it’s also a testament to how we can loathe the war but still respect those who are forced to fight it.

“One of the things that’s really interesting to me about the film,” said Bacon, “is that you really get back to the fact that…you can of read an article, and you can say a certain amount of Marines were killed in this city, when you see a body count coming up, but it doesn’t really hit home in the same kind of way as it does if you actually see what happens to the actual remains. You see the preparation, you see the respect, and you see the tradition and the honor that is involved with actually returning them to their final resting place. And the story is really a very, very simple one in that it’s really just the story of this man and this person, Chance, that he’s returning. And it’s almost completely unembellished with anything to make it more cinematic or dramatic or to somehow force us to feel one way or another based on what our preconceived notions are about Iraq and whether or not we should have been in there or whatever. It’s just the simple telling of what this process is like and, in its simplicity, I think, becomes an extremely profound kind of comment on the casualties of war.”

This is the third time Bacon’s played a Marine in his career, the other two occasions being in “Frost/Nixon” and “A Few Good Men,” but we shouldn’t infer any sort of military aptitude from these repeat performances. “There is no part of me that ever considered being a Marine or could make it in the Marine Corps,” he said, with a laugh. “I am definitely not that guy. I’m not the guy to throw myself in harm’s way. I would never make it through boot camp. It’s all acting.”

The actual Lt. Col. Strobl was on the panel as well, and he was asked if he thought it was a disservice to the memory of American servicemen that we rarely see their final farewells and are so often forced to remember them as numbers rather than names.

“Perhaps it might be good if we saw or thought more about them than just a line in the newspaper and went on with our day,” said Lt. Col. Strobl. “Hopefully, this movie will make people realize…I know we all know, but that there have been 3,400 combat deaths so far, and there’s a risk that they all run together. This movie will remind us all that they all have families that love them. They all had vibrant lives up to that point. So, yes, I suppose there is a risk, but maybe this movie will address some of that.”

“Taking Chance” premieres on HBO in February 2009.

Watch the trailer:

TCA Tour, Jan. 2009: “Grey Gardens”

Tell a film buff that HBO is getting ready to air a new movie called “Grey Gardens,” and watch their smug expression as they try to one-up you and say, “That’s not new! That came out back in 1975!” Well, they’re half-right, anyway. There was a movie that came out in ’75 called “Grey Gardens.” That, however, was a documentary about Edith “Big Edie” Ewing Bouvier Beale and her daughter Edith “Little Edie” Bouvier Beale, the aunt and first cousin of Jacqueline Bouvier Kennedy Onassis. This “Grey Gardens” tackles much of the same material but offers up a fuller picture of their lives, and this time the parts of Little Edie and Big Edie are being played by Drew Barrymore and Jessica Lange.

It’s funny how differently the two actresses reacted to the challenge of playing their characters. Lange was rather casual with her description of the experience; although she referred to it as “the most difficult role I’ve had in a long time,” she also said that it was good for her, describing it as “a fascinating exercise.” When listening to Barrymore talk about it, however, her desire to come through with nothing short of the performance of a lifetime was palpable.

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TCA Tour, Jan. 2009: “The No. 1 Ladies’ Detective Agency”

If you’re not already familiar with Alexander McCall Smith’s series of books about a female private detective in Botswana, then you’d be forgiven for thinking that HBO’s “The No. 1 Ladies Detective Agency” was some sort of premium-cable equivalent of ABC’s defunct “Women’s Murder Club.” It’s actually a rich look into modern day African culture that has as much to do with spotlighting the gorgeous landscape and establishing the personalities and quirks of its characters as it does with solving a mystery.

Fans of McCall Smith’s novels were chomping at the bit to see who would be cast to play the novel’s central figure, Mma Precious Ramotswe. The slightly surprising victor: Jill Scott, a woman known far more for her work as a singer than as an actress. It must be said, however, that Scott does a great job in the role, offering the appropriate notes of both humor and drama throughout the production. For his part, however, McCall Smith couldn’t say whether or not she truly fit his idea of what Precious would look like, if only because it’s something to which he ever gave any thought.

“As a writer, curiously enough — and people sometimes don’t believe me when I say this — but I don’t actually see my characters,” said McCall Smith. “I hear them, but I didn’t have a picture of what Mma Ramotswe would look like. So when Jill came along, I said, ‘That’s fine. That’s perfectly all right by me.’ And indeed, I think you have certainly given me a picture of my characters which I didn’t have before. But when I actually write, I don’t see people. I just hear things. And I see a countryside, but I don’t actually see the characters, which is a strange thing. So that was fine. I thought they were just right.”

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TCA Tour, Jan. 2009: “Clean House: Search for the Messiest Home in the Country”

As soon as I read about this series, I had two thoughts. The first was, “Oh, good, Niecy Nash had something to fall back on when ‘Do Not Disturb’ was canceled.” The second was, “Oh, God, I think my office alone could possibly get me on this show.” But as soon as the clips began, I realized that, despite our occasional moments of disrepair, there ain’t no way in hell that the Harris home could ever reach the deplorable depths of the houses that are spotlighted on this series. Some of them are so bad that you wonder how in God’s name anyone could stand to live in such conditions…which, of course, begs the question, “Is it possible that some of these people made their houses look this bad just so that they could get onto the show?”

“If they did, they had a lot to work with,” said Nash. “You know what I’m saying? It means that they had to get the clutter from somewhere. Even if they only pulled it out of the garage, it means that it existed somewhere in their space. The people who I know who did not manufacture their clutter is because it’s very difficult to manufacture clutter and filth on top of it. When it’s dirty and it’s borderline nasty, you say, ‘Baby, these people were already living like this.’ Another thing you can’t manufacture is smell. That will get you. It’s good thing we don’t have Smell-O-Vision; it’s hard on a sister’s nose sometimes.”

“Clean House” is preparing to celebrate its 100th episode (which surprises me a little bit, as I wasn’t familiar with the series until this panel), but as Nash acknowledged, not everyone is always excited about the job of spiffing up that’s been done by the show.

“One of the clients who I get asked the most about was my family where, after the reveal, the lady cried,” said Nash. “Her name was Judge Dragon, and she cried, and she carried on. But Mark Brunetz, my designer with the magic, who I work with, kind of saw that there was going to be a storm coming down the pipe, so we were kind of prepared for her to have a fit. I didn’t know it was going to be that big of a fit, but, you know we do our best, and you can’t make everybody happy all the time, can you? Anybody who’s a parent knows that. We take some bruises along the way, but it’s all right.”

The new season of “Clean House” premieres on The Style Network later in 2009.

The original Number Six no longer walks among us.

Only days ago, the producers of AMC’s new “Prisoner” re-imagining commented that the star of the original series, Patrick McGoohan, was unable to travel in order to make a cameo in the new production. It struck me as a suspiciously ominous choice of phrase, and now I see that my instincts were correct: McGoohan has died at the age of 80.

As I mentioned in my “Prisoner” posting, I’ve never seen the original series (and I’ve been too busy to start watching the DVD set that AMC gave me), nor have I seen his previous series, “Secret Agent” and “Danger Man,” but I have many, many fond cinematic memories of McGoohan, including his roles in “Braveheart,” “A Time to Kill,” “Silver Streak,” “Escape from Alcatraz,” “Scanners,” and the underrated superhero romp, “The Phantom.” Additionally, Disney recently re-issued his classic adventure, “The Scarecrow of Romney Marsh,” where he plays Dr. Christopher Syn; I’d heard about it for many years, and it lived up to all the favorable reports I’d received.

R.I.P., Number Six.

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