Author: Will Harris (Page 91 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

TCA Tour, Jan. 2009: “Mistresses”

At first glance, BBC America’s new series, “Mistresses,” would seem to be a perfect candidate for this year’s guiltiest pleasure…a 2009 equivalent of “Footballers’ Wives,” if you will…and when BBC America’s President, Garth Ancier, described the series as “a story of friendship and infidelity,” that seemed to cinch the comparison. But then he added a wrinkle by throwing out this comparison: “If you think of ‘Sex and the City’ as sort of a fanciful look at modern life, then ‘Mistresses’ can, I think, truly be described as an intimate, honest, and provocative one.”

Creator S.J. Clarkson admitted that the name “Mistresses” actually wasn’t intended to be anything other than a working title, but it stuck because they couldn’t think of anything else that summed it up as much. “It’s a red-flag word, so it makes people sit up and take notice,” noted Clarkson, “but inevitably it was always about truthful performances and to try and — all the storylines, performances and the look of it needed to feel truthful, cinematic and grounded, I suppose, because I’ve actually directed ‘Footballer Wives’ as well. So I knew I didn’t want it to be like that. This was more in the vein of — you know, I don’t know, films we looked at for reference was ‘Three Colors: Blue’ and ‘Unfaithful’ and ‘L’Apartement,’ which is a French film. And we looked at a lot more films for reference for it, rather than sort of lighter television.”

Clarkson tried to show the reality of being a mistress, as opposed to the usual television exaggeration. “I don’t think it’s necessarily all stiletto-heeled secretaries hanging around in hotel bars,” Clarkson said. “It’s often you meet somebody, you have a connection, you fall in love, and suddenly you realize they’re with somebody else…and what do you do in that situation? You’re told, ‘Follow your heart.’ Or the fairytale is, you know, you love someone, fall in love, get married, have children, have a happy lifetime together…but what happens if the person you fall in love with is already married? I think that’s a real dilemma and a truthful dilemma for many women today.”

“What we wanted to do (with ‘Mistresses’), I think, is reflect the kind of truthfulness and honesty that women have between each other,” said executive producer Douglas Rae. “Particularly at an age in their 30s, when their families may have moved to another city and the girls are becoming family in a way that, you know, has moved on from the ’50s and ’60s. So the girls themselves are a family and they share the stresses and strains of everyday life with each other. The series is not about promiscuity; it’s about how people can bond together and share secrets together.”

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TCA Tour, Jan. 2009: “Skins”

If I hadn’t been out here in L.A. for the last week and a half, you would’ve seen my review of the first volume of “Skins” on DVD, but when it finally does make it onto Bullz-Eye, you can count on it being a rave. I’ve groused on many occasions about the portrayal of American teenagers on television, how it always feel so terribly unreal and thereby presents a version of reality that they feel obliged to live up to. In the case of “Skins,” however, I’m torn by what I’m seeing: on one hand, there’s no denying that it feels really, really real, but, indeed, it’s so real that, unlike “Gossip Girl,” it makes me go, “Oh, my God, maybe this really is what my daughter’s going to be doing when she gets to be a teenager.”

(For what it’s worth, I’ve checked with my sources in the UK – hi, Claire! – and I’m assured that the Brit teen experience is far wilder than the US teen experience, so I’m feeling at least a little bit better about it.)

Those who’ve watched the first two series of “Skins” have been a little bit twitchy about the news that the father-and-son creators of the show, Bryan Elsley and Jamie Brittain, are basically doing away with the entire cast of kids – except for Effy and Pandora – and starting fresh with a whole new bunch of young’uns.

“We feel like…each cast has a kind of two-year life span, mainly because we are mostly interested in the ages of 16 to 18,” said Brittain. “That’s the format of the show. We felt that, looking at shows that have been before, like ‘Dawson’s Creek’ and ‘The O.C.,’ they tend to go downhill a little bit when the characters all go off to college or a university because, you know, then you have to contrive convenient endless ways to get them to meet up again. They’re always coming home for a party or something like that. Also, we sort of felt like, in the first series, we took the characters quite a long way and sort of took them to their conclusions, really. So any more of those original cast would be, you know, not needed.”

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TCA Tour, Jan. 2009: “Ashes to Ashes”

You know ABC’s “Life on Mars”? Okay, forget about it for a moment and jump back in time to the original BBC version of “Life on Mars.” After that series left the air in April 2007, rumors immediately began to swirl that there would be a sequel to the story, and in February of 2008, those rumors became a reality with the premiere of “Ashes to Ashes.” Sadly, however, we poor Americans have been stuck waiting around for the show to make its debut on BBC America ever since.

Thankfully, that wait will come to an end on March 7th.

If you’ve somehow managed to restrain yourself up ’til this point and don’t already know the storyline of “Ashes to Ashes,” here’s the deal: just as Sam Tyler was a modern-day cop transported back to the ’70s on “Life on Mars,” now it’s single mother and Detective Inspector Alex Drake who finds herself back in 1981…and, yes, she’ll be facing everyone’s favorite politically incorrect cop, Gene Hunt.

Music-wise, I’m particularly excited to hear what tunes will be offered up, given how many ’80s songs have been part of the soundtrack of my life, and it sounds like co-creator and writer Ashley Pharaoh has got quite a treat in store.

“In actual time, I was 21 in 1981, so I sadly was a New Romantic and had too much makeup and ribbons in my hair, so it was very dear to me, that stuff, and it was always going to be the soundtrack of ‘Ashes to Ashes,'” said Pharaoh. “Actually, we recreate a very famous New Romantic club from Soho: The Ritz Club. And Steve Strange, who ran the Ritz Club, guested in the episodes. Steve very Strange, we think he is, though.”

One of the first things Pharaoh wanted to do with a “Life on Mars” sequel was to change the male-male dynamic of the original series and bring a woman right into the heart of things.

“‘Life On Mars’ references back to sort of very male, British cop shows in the ’70s,” he explained, “and we wanted more sort of a ‘Moonlighting”’ feel, a brighter sense. And we thought it would be really good fun to take Gene Hunt on a journey with a very strong woman, feminist, intellectual from our time. The actress, Keeley Hawes, I’d worked with her before; I did a Thomas Hardy adaptation with her, ‘Under the Greenwood Tree,’ and I was knocked out. Whenever we met the producers and the writers with our little short list of actresses, she was always on the top, so it was a no-brainer, really, and I think it was a wonderful performance she gives as Alex Drake.”

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TCA Tour, Jan. 2009: “Keeping Up with the Kardashians”

If you happened to catch my review of the “Keeping Up with the Kardashians: Season 1” DVD, you already know that I’m not really a fan of the series. If you’re too lazy to click on the link, my feelings are probably best summed up with this line: “Watching (the show) provides one significant challenge for the viewer: trying to decide which female member of the family you want to smack the most.” I did, however, walk out of the viewing experience with a certain amount of respect for Bruce Jenner…partially just because he manages to put up with everything that happens in his house, but mostly just because he looks legitimately annoyed and pissed off about it all.

I’m not going waste space by offering up quotes from anyone else…because, honest to God, I don’t understand why we should care about them…but for those of you who watch the show, I’ll at least provide you with some of Jenner’s comments.

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TCA Tour, Jan. 2009: NBC newsflash

Angela Bromstad, President of Primetime Entertainment, and Paul Telegdy, Executive Vice President of Alternative Programming, just popped up on stage to offer the following tidbits of information, some of which were announced awhile ago but which we haven’t yet covered on Premium Hollywood:

* “Southland,” the new drama from John Wells (which was formerly known as “Police”), will premiere on April 9th, Thursday at 10 PM.

From Emmy Award winners John Wells, Ann Biderman and Chris Chulack comes a raw and authentic look at the police unit in Los Angeles. From the beaches of Malibu to the streets of East Los Angeles, “Southland” is a fast-moving drama that will take viewers inside the lives of cops, criminals, victims and their families. Michael Cudlitz plays John Cooper a seasoned Los Angeles cop assigned to train young rookie Ben Sherman. Cooper’s honest, no-nonsense approach to the job leaves Sherman questioning whether or not he has what it takes to become a police officer. Cudlitz and McKenzie are joined by other cast members including Regina King who plays Detective Lydia Adams. Adams lives with and is the primary caregiver of her mother. Her partner, Detective Russell Clarke (Tom Everett Scott) is an unhappily married father of three. Michael McGrady plays Detective Daniel “Sal” Salinger. Sal oversees fellow gang detectives Nate Moretta (Kevin Alejandro) and Sammy Bryant (Shawn Hatosy). Arija Bareikis plays as patrol officer Chickie Brown, a single mom who dreams of being the first woman accepted into SWAT.

* They have ordered 3 more episodes of “ER,” bringing the season total to 23. The series finale will now air on April 2nd, with a one-hour retrospective preceding the two-hour finale. Why the additional episodes? “Why not?” asked Bromstad. She then clarified, however, that it allows John Wells time to get “Southland” ready.

* They have officially signed on for additional seasons of “The Office” and “The Rock”

* NBC has signed Don Cheadle and his company, Crescendo Productions, to a two-year, first-look television development deal.

* Due to its success up against “American Idol,” they will indeed be picking up another season of “Biggest Loser” for next season.

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