Author: Will Harris (Page 65 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

15 Movies That Were Almost Turned Into TV Series

If you’re not an ABC Family aficionado like myself, then you may not be aware that the often-underrated network is preparing to launch a new series on July 7th: “10 Things I Hate About You,” based on the film of the same name. It’s hard to say whether this is a good idea or not, though the fact that Larry Miller has carried over his character from the film – patriarch Walter Stratford – is certainly a step in the right direction, but we can say one thing: there have been worse ideas. It’s been a television staple to transform motion pictures into weekly TV series, but not every attempt actually makes it to the airwaves. Here’s a list of 15 such swings and misses, many…okay, most of which deserved to fail.

1. “The African Queen” (“The African Queen,” 1962 & 1977) – It seems only appropriate to start this list out with an attempt at transforming a classic film into a TV series. The first time around was in 1962, when James Coburn took on the role of Cap’n Charlie Allnot, while Glynis Johns played the Hepburn role of missionary Rosie Sayer, but although it aired as an episode of NBC’s “The Dick Powell Theater,” it never made it any further. Fifteen years later, CBS took a stab at it, with the leads played by Warren Oates and Mariette Hartley. No dice. If the actual movie ever makes it to DVD (can you believe it’s still unavailable?), perhaps one or both of these pilots will be included as part of the bonus material.

2. “Breakfast at Tiffany’s” (“Holly Golightly,” 1969) – It sounds nuts, right? Granted, if there was anyone in the late ’60s who was the TV equivalent of Audrey Hepburn, it was probably Stefanie Powers, but Hepburn’s performance was so iconic that it’s hard to even wrap your head around the idea of anyone else playing the role of Ms. Golightly. As it turns out, the original author of “Breakfast at Tiffany’s” – Truman Capote – didn’t like the movie, either, calling it “a mawkish valentine” to Hepburn, so he was even less ecstatic about the idea of a TV series. In an interview with Time Magazine, Capote predicted that the show would be even more “jerky” than the film and that he would not stand for the TV version “if they give me all the money in Christendom.” One doubts that his position on the matter had anything to do with the series not being picked up, but the end result no doubt pleased him, anyway.

3. “Diner” (“Diner,” 1983) – This one had a lot of potential, with the film’s writer/director, Barry Levinson, doing the same duties on the pilot. There was only one original cast member willing to return, however, but, hey, at least it was Paul Reiser (Modell). Plus, Mickey Rourke (Boogie) and Kevin Bacon (Fenwick) were traded out for Michael Madsen and James Spader, respectively, which ain’t half bad, really. In an interview with Venice Magazine, Levinson said, “We had a great cast, but CBS thought otherwise. They thought it wasn’t compatible with the current programming line-up they had.” The fools!

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A Chat with “Harper’s Island” Victims #13 and #14

It would be fair to say that not everyone enjoyed this past Saturday’s episode of “Harper’s Island,” based on Mr. Paulsen’s recent post, but even if you’re in the same camp that he is, I think it’s a safe bet that, if you’ve been watching the series for this long, you’ll still be returning for the final episode next Saturday (July 11th). While I agree that the subjects of this week’s interview probably should’ve made at least a cursory attempt to escape death rather than lunging headlong into their demise (which is, ultimately, what both of them did, even if one did it in a different manner than the other), it can at least be said that neither of the actors had any problems with their exits.

Yeah, you’re right: I guess that isn’t much consolation for a disgruntled viewer.

Oh, well.

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A Chat with Kevin Nealon

Kevin Nealon’s been a familiar face on television since his days as a cast member on “Saturday Night Live,” but in recent years, he’s become more known for his work on Showtime’s long-running series, “Weeds.” Those who can’t afford the premium stations, however, may also see him pop up as the host of TBS’s “World’s Funniest Commercials” specials. Won’t you please join us for…

Kevin Nealon: Hey, Will! How are you doing?

Bullz-Eye: Hey, Kevin, good to talk to you!

KN: Yeah, you, too!

BE: So this is not your first time around the block for TBS.

KN: No, it’s not! It’s starting to add up. (Laughs)

BE: So how did you come to hook up with them in the first place?

KN: Oh, gee, let me see if I can remember. It’s been about…oh, I’m guessing eight years now? Seven or eight years. I think they just kind of came to my agents with this offer to host this show, and I always loved funny commercials. You know, one of the reasons – like a lot of people – that I watch the Super Bowl is for the commercials during it, so I was into that. And, also, I went to school for marketing and learned a lot about commercials then, and I was going to be in advertising, but instead I went into comedy. So there’s a big interest there for me.

BE: Do you have a favorite commercial from this most recent special that really stands out?

KN: Well, there are a couple that I like. There’s one…I think it’s for Berlitz Language School, where a guy’s on the phone and he’s trying to find out how to spell “Def Leppard” because he’s doing a tattoo on somebody’s back. And it’s all in subtitles, but the woman goes, “Do you mean ‘deaf’ as in hearing, or ‘death’ as in dying?” He goes, “Um, I’m not sure.” Then he looks to the person’s back, where he’s just made the tattoo “deaf.” That’s a cool one, and there’s another one for Tabasco that’s from Belgium, where they show a streaker running across a soccer field, the cops are chasing him, and then they stop the action and say, “An hour earlier,” and they show him in a restaurant having Tabasco sauce. They kind of back up the whole thing, from the soccer field leading back up to when he used the Tabasco.

BE: So where did you film this special? I know you film them on location in various places.

KN: Oh, yeah, we’ve done them everywhere! Well, not everywhere, but we’ve done them in California, in Paris, New York. This one happens to be in Chicago, which is great, because I love Chicago.

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True Blood 2.3 – You Scratch My Back…

When a vampire is driving down the road at an outrageous speed, there’s no other phrase you can use to describe it than “like a bat out of Hell.” Bill’s clearly still enraged over Sookie’s foolish decision to take Jessica at her word and trust that she wouldn’t approach her family, let alone attack them. But can you really blame him? It’s as I said last week: there was no way it wasn’t going to end badly. As it happens, it ended a whole lot better than it could have – like I figured, Bill glamoured them rather than dispose of them in the less savory way that most of his ilk would have – but what was most surprising about his annoyance with Sookie was how concerned he was about the fact that she undermined his authority. Is that the residual effects of having lived through the good ol’ days when women knew their place? (Just kidding, gals!) Either way, when Sookie decided to bail out of Bill’s reaming and walk home, she had a close encounter which resulted in a full-fledged “holy shit” moment.

Actually, that’s underselling it: it was a “holy shit, WTF” moment.

And it only got worse. Those claw marks were awful. Good thing Bill and Eric are pals with a highly knowledgeable physician, but even Dr. Ludwig’s wealth of information could only offer an approximation of how to treat the poison in Sookie’s wounds. (I don’t think it would be exaggerating things much to suggest that the treatment was almost worse than the wounds themselves. I didn’t fight my instinct to turn away from the TV. Ugh!) The long-lived Eric claimed to have no idea what had attacked her, either, but it’s hard to trust that guy. Still, his underlings seemed to be equally mystified.

Can someone please explain to me why the folks at Fantasia keep Ginger employed? Anything she brings to the table can’t possibly outweigh the fact her IQ is somewhere in the low double digits, as she quickly proves by letting slip in her thoughts that Lafayette is chained in the basements. Looks like you were right, Mr. Paulsen: they didn’t actually turn him after the credits rolled last week. You gotta give Sookie credit: not many people would have the either the balls or the unbridled stupidity to smack a vampire of Eric’s strength across the face. Given his reaction, however, one can’t but wonder if the maintaining of Lafayette’s human existence was something Eric did solely because he knew he could trade his life for the favor he’d been needing from Sookie. Either way, after some wheeling and dealing by both Sookie and Bill, Lafayette earns his freedom and Sookie signs up for Eric’s favor, earning a sizable cash influx in the process and providing the best exchange of the night:

Eric: Perhaps I’ll grow on you.
Sookie: I prefer cancer.

With everything going on, Jessica accidentally ends up getting left home alone, and it looks likes she’s going to get into at least as much trouble as Macaulay Culkin. I never particularly dug the song when it first came out, but I have to admit that they made good use of Marcy Playground’s “Sex and Candy” as she strolled into Merlotte’s. What a surprise, however, when it looked as though the usually-belligerent redhead was legitimately swooning over the sweet naiveté of the gentleman who she’d intended as her night’s conquest. The moment when her fangs came out unbidden was pretty funny, her tearful reaction was even a bit sad, and I kept waiting for the guy to say, “Hey, guess what, I’m a vampire, too!” They cut it close enough to the quick that I really did think that she’d bitten him, so when Bill and Sookie broke up their coupling on the couch, I was surprised to see a notable lack of holes in the guy’s neck.

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A Chat With “Harper’s Island” Victim #12

It was a gut-wrenching death on this week’s “Harper’s Island,” partly because it was gruesome, partly because you were forced to sit there knowing full well that it was impending and couldn’t be stopped, but mostly because it was a character we knew more about than just about anyone else on the show.

This is another one of those cases where, although I wasn’t rooting for this person to get the call from Karim, I was still very much looking forward to talking to the actor in question…and, in fact, I enjoyed the interview so much that, although I’m not going to mention the person until after the jump, I will at least say this much to random web surfers who happen upon this entry: you don’t have to be a dedicated viewer of “Harper’s Island” to click onward. You could just be a fan of the work of David Milch (“Deadwood,” “John from Cincinnati”), or of “Supernatural,” and you’d still enjoy reading what lies after the jump.

So what are you waiting for?

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