Author: Will Harris (Page 57 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

TCA Tour: Fox Executive Session

This morning, Peter Rice, Fox’s Chairman of Entertainment, and Kevin Reilly, Fox’s President of Entertainment, sat down for their network’s executive session, and you will be unsurprised to learn that they were positively bombarded with questions about Paula Abdul’s departure from “American Idol.”

“Paula is the only member of ‘American Idol’ whose contract was up this year,” said Rice. “We have been talking to her about it for most of the season, and we very much wanted her to return. In the past few weeks, the negotiation came to a conclusion, we made an offer that was fair to Paula, a substantial raise on the money she made in past, but Paula decided not to return. It was not our choice. We wanted her to come back to the show.”

Rice admitted that, given the short amount of time since Abdul’s announcement of departure, they didn’t have any big announcements to make about what they’d be doing, aside from the fact that
they would be focusing on the auditioning process and that it was their intention to have guest judges at each audition.

“We are talking to people now, a couple are confirmed, and we are talking about dates with others,” said Rice. “It’s our intention to have the guest judges be female pop stars, female performers, female artists.” Minutes later, he acknowledged that they had indeed gotten commitments from two such judges already: Katy Perry and Victoria Beckham.

“Between now and January,” said Rice, “we will come up with a more permanent solution on what we’ll do,” but of the inevitable change in dynamic with a new judge, he admitted, “There’s something exciting about that.”

Seriously, though, isn’t there still a chance she could still be back in the “Idol” fold come January?

That’d be a “no,” according to Rice. He says that the negotiations have concluded and that Paula Abdul is not returning.

“The expectation and hope was that Paula would come back,” he reiterated. “I think that when her current agent made a statement to the press two weeks ago, we thought, ‘What if she doesn’t come back?’ But we had no contingency. There is going to be a change, and we have to look at it as a positive change now, an opportunity for the show, to bring a different energy to it.”

Reilly, who had let Rice run with the ball, did finally chime in and remind us that, ultimately, the show is about the contestants. But I don’t think anybody bought that for a second.

Okay, that’s enough about Paula, but there was one more “Idol” note that came up during the session: no matter what you may have heard, Fox is not paying Ryan Seacrest $15 million to host “American Idol.” Seacrest’s $15 million deal is with CKX, Inc., which encompasses much more than “American Idol.” His original contract for “AI” remains in place.

Frankly, there wasn’t much time left after all of the Paula Abdul questions were asked and answered, but somewhere in the midst of it all, a few more random facts did slip out:

* The renewal of “Dollhouse” for a second season was due to the die-hard Joss Whedon fans, but Reilly swears that “it didn’t factor in from a fear place. It was more from a positive place. Those fans were there every week, and they stuck with it in a way that a lot of television fans don’t.” Now that he’s worked out the hiccups in the show, the official mandate for Season 2 of “Dollhouse” is for Joss to keep doing what he does.

* The decision to air the pilot of “Glee” as a standalone episode several months before its formal series premiere was “a marketing stunt,” one that did better than they ever imagined. Rice admits that the show’s a bit unique. “It’s definitely not saccharine, but every episode ends in an uplifting manner,” he said, going on to describe the series variously as “upbeat,” “subversive,” “sweet,” “emotional,” and “aspirational.”

* And, lastly, there are currently no plans to air the final six episodes of “King of the Hill.” Nice one, Fox. The series was always treated like the bastard child of the Sunday night animated line-up, so way to keep it that way to the very end.

TCA Tour: “Bones” set visit

Of the set visits I’ve done this trip, the one to “Bones” was the most disappointing one to date. Don’t get me wrong, the Q&A with stars David Boreanaz and Emily Deschanel and producers Hart Hanson and Stephen Nathan made for a good time. The disappointment came from the fact that we’d been told that we’d be touring Dr. Brennan’s lab at the Jeffersonian, only to arrive and find that, due to filming commitments on that set, we’d be stuck hanging out at the FBI. I’m not saying it wasn’t cool to see that set, but…well, it’s like if someone told you that you were going to get to walk onto the field of Yankee Stadium, only to find out that you were actually only going to get to go into the locker room: they’re both cool in their own way if you’re a fan, but one’s definitely a damned sight more impressive than the other.

Okay, I know, I’m complaining about not getting to see my favorite set when you’re probably saying, “Yeah, but, still…Bones and Booth were right in front of you!” And you’ve got a point: that was pretty cool. I’ve never actually had a chance to chat with Ms. Deschanel before, but I’ve talked to David before, and he’s always a lot of fun to talk with. And if you’ve never seen him do an interview before, let me assure you that, for as much characterization as the writers have brought to the table at “Bones,” there’s still a heck of a lot of Seeley Booth in David Boreanaz, and vice versa.

So, of course, if we’re talking about the upcoming season of “Bones,” then what you really want to know is if Bones and Booth are finally going to get together.

“Do you honestly think I am going to answer that question after what I went through last season?” asked Hanson, with a laugh.

“We did end up in bed together,” Deschanel reminded us. “It was in our minds, but that changes our relationship, and you will see that going into season 5. That changes our relationship for good. Basicall,y he wakes up and you don’t know whether it was his coma or my books or both, in some way. The fact that it was in our minds does in fact change your relationship, and you will see it changes our relationship even more than just being in our minds.”

“You look at each other differently,” acknowledged Hanson, “and it’s quite evident, especially in the first episode. You see the relationship has evolved because of that experience.”

“Well, I’m just trying to get my memory back, so that’s probably what you’re seeing,” said Boreanaz, with a grin.

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TCA Tour: “Dollhouse” set visit

Last year, I had a chance to visit the “Dollhouse” set, and it was absolutely breathtaking. This year, I went to visit it again, and the effect was the same. I just wish I liked the show as much as I like the Dollhouse itself. But, hey, maybe that’ll change when I finally get a chance to sit down and watch the Season 1 set in its entirety…particularly the bonus 13th episode, “Epitaph One,” which the show’s creator, Joss Whedon, describes as “an incredibly strange sort of bookend to the show.”

When we first arrived on the set, the actors were still shooting elsewhere on the Fox lot, so Whedon held court before the assembled throng of critics (some of whom may or may not have actually been bowing before him) and spoke to the second season of “Dollhouse” all by his lonesome, which he described as “the biggest surprise of my career.”

“What can I say?” asked Whedon. “I really didn’t expect to be sitting here again for a while. This has been like skiing in a cartoon where you go up the mountain and down the mountain and up and down. Right now, we are pretty high up on it because we realized that we were actually going to have to work for a living this summer.”

Okay, I’m sure the Whedon-ites will want to know every last word that Joss had to say, but for the sake of those who – like myself – still have good intentions of playing catch-up before Season 2 begins, I’ll do you the favor of waiting ’til post-jump to offer up his comments.

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TCA Tour: “NCIS: Los Angeles” set visit

I’m a big fan of CBS’s “NCIS,” but I’ll freely admit that I didn’t get in on the ground floor. I didn’t find my way into the series until the second season of the show was released onto DVD, but once I started working my way through the set, I found that it was almost impossible to stop. Ever since then, I’ve been making it a point of watching the show…though, of course, I’m far from the only one at this point. Back then, it was still kind of an under-the-radar series, but, really, how far under the radar can a show possibly fly when the USA Network is running three back-to-back episodes every weeknight?

This heightened off-network profile, combined with the remarkable accomplishment of having its new episodes grow in popularity with each subsequent season, is no doubt why CBS has decided that the time is finally right to gift the show’s fans with a spin-off: “NCIS: Los Angeles.” It’s probably also why the new series has no less than three instantly recognizable faces – Chris O’Donnell, LL Cool J, and Oscar winner Linda Hunt – within its cast.

It’s gotta be tough to break out from a series like “NCIS,” where the fans are about as die-hard as they come, but at least the cast is aware of their responsibilities.

“My biggest concern, and I think for most of us, is to please the current ‘NCIS’ fans first and foremost, because they’re very loyal fans and a huge following,” said O’Donnell. “And, you know, if new people tune into the show, that’s great, but I feel more pressure to live up to their expectations than I do maybe to the network or the studio expectations, to be honest with you. I was overwhelmed how many people were watching the show. It was a similar reaction to when I went on ‘Grey’s Anatomy,’ and I would go through the carpool line, and every mom wanted to know what was happening in the show. Everywhere I’ve gone this summer, you know, it’s just…I’m overwhelmed. People that I don’t even think watch TV are coming up to me. ‘What’s going to happen? I love her. I love him.’ It’s amazing. You look at the numbers there, and everyone says, ‘Well, his TV numbers are pulling back, and not as many people are watching network TV.’ I’ve got to tell you, so many people are watching ‘NCIS.’ It’s amazing.”

“I think the main thing for us is just approaching it with humility and being clear that nothing is guaranteed and that our job is to do the best work that we can,” said Mr. Cool J. “We depend on Shane (Brennan, the show’s executive producer) to bring the best stories to the table, and then we will try to bring those stories to life in a great way. And I think that that, for us, is the main focus. Obviously, we want to maintain the current ‘NCIS’ fan base and all of those people that are joining the show. We don’t want to, you know, make them have an allergic reaction to what we’re doing on screen. But I think it’s just about having fun. You know, the pressure part of it…I don’t think anyone here is being arrogant. We’re not making any guarantees or predictions for the playoffs. We’re cool. We just want to do a great show, and we hope that you guys like it. That’s the real thing.”

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TCA Tour: NBC Executive Session

We just had NBC-Universal Executive Session, with Angela Bromstad (President, Primetime Entertainment) and Paul Telegdy (Executive Vice President, Alternative Programming and Production) taking the stage to answer our questions, and…you know, I’ve got to be honest: it was pretty underwhelming. No surprise: the first two words of the very first question were “Ben Silverman,” and his name remained a recurring theme for the remainder of the session. It also wasn’t a surprise that the topic of Conan’s ratings and the expectation for Jay’s ratings were brought up, but it was absolutely ridiculous that neither Bromstad nor Telegdy seemed prepared to handle the queries, instead either feigning uncertainty about the numbers, offering vague responses which signified nothing, or attempting to pawn the questions off to Jay’s panel this afternoon. This immediately came back to bite Bromstad on the arse when she was asked outright if she’d be on that panel (she won’t be), and it led to one critic offering a sarcastic apology for asking questions of the wrong people.

Here’s the extent of information that I was able to glean from the panel:

* Bryan Fuller’s latest departure from “Heroes” was dismissed as being due to the fact that he’s at a point in his career where he’s really wanting to create his own shows, so NBC is focusing on their development deal with him. As for “Heroes,” Bromdstad said that Fuller helped Tim (Kring) get back on track, helped everybody decide where they were going, and that the show is doing exceptionally well creatively.

* The start of “30 Rock” has been delayed due to Alec Baldwin’s movie schedule, which is why the network is kicking off “Community” in its timeslot. The 8 PM timeslot will therefore be filled with six Thursday night “Weekend Update” specials, three of which are currently on the schedule.

* We are assured that, despite the fact that some shows which were previously airing in the 10 PM timeslot are now being moved to 9 PM out of necessity, there should be no issue with their content in their new time periods.

* The network’s new zombie series, “Day One,” is being embraced due to the sci-fi success of “Heroes.” “It’s a genre we cannot ignore,” said Bromstad, though she admitted that it does tend to be a little more of a narrow genre. Her most notable comment on the matter, however, was the acknowledgment that the network is viewing “Day One” as a “big event” for the network…but not necessarily one which would return for a second season.

* There is always talk of doing another regular “Apprentice,” but according to Telegdy, the most recent “Celebrity Apprentice” had a ratings jump from the previous, so we probably shouldn’t look for it to happen any time soon.

* “Friday Night Lights” will not be back until summer 2010. “We just think that ‘Friday Night Lights’ is a sensational show,” said Bromstad, “but it doesn’t have the ratings to justify it on the fall schedule.”

* Regarding “Southland,” the network has “incredible passion” for the future, but its future depends on how it does in the fall. “We’ve made some creative adjustments,” said Bromstad. “I feel like they tried to do too much in the first six episodes – instead of letting the audience become more familiar with characters, they became too serialized – so the show will focus on Regina King and Ben McKenzie, the crimes, and how they come together.”

* RE: “Medium,” “It was definitely a show we were considering picking up ’til the very end, but we had to make choices creatively and financially.”

* RE: “Chuck,” “The great thing is that they’re on a great track collectively. We’ve got 3 or 4 scripts in already, and it is something we can move around, but right now it’s not scheduled to come on until March.” The series has a 13 episode pick-up, and it’s possible that it could be bumped up, but “these are just discussions we’re continuing to have.”

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