Author: Will Harris (Page 50 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

True Blood 2.12 – If A Tree Falls In The Woods, It’s Still A Tree, Ain’t It?

Was it just me, or did the conclusion of tonight’s “True Blood” season finale feel somehow…anticlimactic? After spending the majority of the season waiting for the grand conclusion of the great and powerful Maryann’s storyline, only to have those matters wrapped up by the time the episode reached its halfway point, I felt a little cheated. Not that it necessarily needed to be dragged out any longer than it already had been, but, still, it felt like things ended not with a bang but a whisper, which is exactly what we haven’t come to expect from this series.

After Sookie was forced by Lafayette to slip into a bridesmaid dress but before all Hell broke loose, we found out from Maryann that Sookie is “beyond human,” though we didn’t make any particular headway in discovering what that actually means. Sookie did, however, finally break down and ask the question that the majority of the viewers had been wondering since last week: “Okay, what is with the egg? Did you lay it?” Nope, it’s an ostrich egg, and it represents fertility. Fair enough.

Jason and Andy once again scored a couple of classic comedic moments, with the best being Jason’s recitation of great movie quotes, concluding with, “I love the smell of nail polish in the morning.” I was surprised, however, to see both of them quickly slip over to the dark side. (I really thought that Andy was immune to Maryann’s powers, and that we were going to find out this week why he hadn’t ended up as one of her minions.)

As for Maryann’s marriage ceremony, I dug the off-kilter wedding march, but the nuptials themselves were a letdown. After Sam and Bill had their discussion at Merlotte’s, we knew that Bill wouldn’t just give Sam over to Maryann, so it was obvious that the two of them had concocted a plan of some sort. I admit to being surprised that Sam was actually stabbed…I didn’t know what their plan was, but I figured it would kick off before the knife hit flesh…but when the ox (I guess that’s what it was) turned up, my immediate thought was, “Okay, I’m not sure how, but that’s got to be Sam.” And it was, thanks to Bill having provided him with enough vamp blood to kickstart his healing process. I question the expediency of the healing, but, hey, Maryann and her mole claws (that’s what they looked like to me, anyway) got their just desserts, and the actual moment of impact, as it were, looked good and probably earned a few cheers from various viewers. Too bad it happened at the 27-minute mark of the episode, leaving us with way too much time to wrap up loose ends and throw out a few new threads to linger ’til Season 3 kicks off.

But, okay, fair enough, let’s talk about what happened in the post-Maryann portion of the episode.

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Sam Trammell talks “True Blood”

If you’re a regular reader of Premium Hollywood’s “True Blood” blog (and I’m pretty sure there are at least three or four of you out there), then you already know that, when I was out in California for the TCA Press Tour, I had a chance to mingle with some of the members of the show’s cast after the series took home the TCA’s award for Outstanding New Program. Not everyone from the cast was present, and you can imagine that the ones who were there had a tendency to be surrounded by critics doubling as fans, but as the evening progressed and various folks departed the festivities, at least one man stuck it out for the long haul: Sam Trammell, a.k.a. the resident shape-shifter of Bon Temps, Louisiana. My wife and I ended up chatting with him for an extended period, and though we actually talked more about music – he’s a big Psychedelic Furs fan – than we did the show that had brought him to the function, I was able to set up a proper interview when I made it back to Virginia.

In other words, I had…

Now, if you’re going to play a shapeshifter, then you’ve quickly got to get over any issues of modesty that you may have. Fortunately, when it comes to getting naked, Trammell is a professional, having done theater work which necessitated the wearing of limited amounts of clothing, but that doesn’t make it any easier.

You know, the thing is, most of the time when people have to get naked, it’s for a sex scene or it’s post-coital, and they’re in a bedroom and it’s kind of a closed set. But with Sam, it always seems to be because he’s turning back into himself from being an animal, so I’m always outside. Like, way out. Like, out for everybody to see. There’s no way you can close the set, really, and it’s just…it’s bizarre. I just feel very vulnerable, standing around naked. But with HBO, of course, before you even sign up, they’re, like, ‘Are you willing to take your clothes off? Because this is HBO.’ And, of course, I’m, like, ‘I’ll do anything to be on the show.’

Sam’s not just one of the stars of “True Blood.” He’s also a fan…although there have been moments during Season 2 which have even been a little rough for him to watch.

That heart soufflé was pretty intense. Also, when Jane Bodehouse cut her finger off, that was pretty hardcore, too. That whole scene was really weird. And the guy sitting in the sink…? Really creepy. I know there’s some other stuff, too, that I’m not thinking about. and I know there’s some stuff coming up in the finale that’s really harsh and shocking. Yeah, there’ll be a little gore in the last one, too.

To read more of the interview — including lots more “True Blood” talk, as well as his thoughts on being eaten in “Alien vs. Predator: Requiem” and having appeared in “Law & Order: Criminal Intent” — click on the image above or follow this link!

Who’s headed from “True Blood” to “The Office”?

There’s been a lot of buzz on the ‘net recently about how John Krasinski and Jenna Fischer were spotted together in Niagara Falls, filming sequences for Jim and Pam’s wedding on “The Office,” but when I talked to Oscar Nunez earlier today (I’ll post the whole interview in the near future) and the topic of the impending nuptial episode came up, he teased that there’d be a guest star turning up. He wouldn’t give any specific names, damn him, but he let slip that it was someone from the cast of “True Blood.”

So who is it?

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Mad Men 3.4 – Rage Against The Machine

First off, my thanks to Bob Westal for quite capably filling in for me last week. It’s not that I couldn’t have blogged both “True Blood” and “Mad Men,” it’s just that I really, really didn’t want to, so I greatly appreciated his assistance…and I hope he didn’t hate it so much that he’s considering backing out of doing the same thing next week while I’m tackling the “True Blood” season finale.

Wow, remember the good ol’ days when kids could get away with taking the wheel for awhile while their dad…or, in this case, their granddad…was sitting in the passenger seat? Actually, even *I* don’t remember the days when kids were doing it quite that young. Maybe it’s just because we lived in a pretty heavily populated area, but while I remember sitting in my father’s lap and handling the steering wheel, I don’t think he trusted me to drive like that on a public street until I was, like, 14. Maybe we can chalk it up to Gene’s increasing senility…? I spent the first part of the episode convinced that Gene was going to suddenly snap and scream at Sally, “You took my five dollars, you little shit,” but when he sat down with Betty to discuss his funeral arrangements, I sensed that we’d see them put into action sooner than later…and, of course, I was right. (As far as the disposition of his worldly goods, wow, isn’t it amazing how much has changed since the ’60s when it comes to the importance of fur as a status symbol?) If Gene had to depart the “Mad Man” universe, at least he got a lot of love in his final few episodes. This week’s tense discussion between him and Don over the merits of war was one of the moments which makes you nod as you take in the similarities to today’s world, though you rarely hear anyone today dismiss a suggestion that war might be bad by replying, “Maybe, but it makes a man out of you.” That whole sequence was great, particularly Jon Hamm’s acting with his eyebrows as Don listened to Gene giving Bobby a lesson on how to cut open a box properly, but, damn, I wanted to hear the story about how Gene got that fan!

Mad Men - Betty Draper sitting at table with man

Gene and Sally continued their bonding sessions – last week, it was The Decline and Fall of the Roman Empire; this week, it was ice cream – and grew closer, but as soon as he made that comment about the chocolate tasting like oranges, I immediately thought, “Uh-oh, that ain’t a good sign,” and promptly Googled the symptom. As a result, I was horrified…much as I suspect the rest of the viewing audience was…that we were going to see Gene suddenly slump against the wheel while driving his grandchildren to school. Thankfully, he at least made it to the A&P before he had his stroke or seizure or whatever it was that claimed his life. After the episode was over, I said to my wife, “You know, even in the ’60s, I just can’t believe that someone would arrive at the house and present the news to a very pregnant woman like Betty without first having her sit down.” She felt otherwise, suggesting that tact wasn’t necessarily first and foremost on the minds of those folks back then, but I’m still skeptical. Even so, however, the imagery of poor little Sally, sobbing against the front door in her ballerina outfit, was heartbreaking…even if it quickly slipped into annoyance at Betty. Seriously, is she the worst mother on this show…?

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