Author: Will Harris (Page 191 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

Jericho, Episode 20: Everything’s Gone Green

Damn. Why wasn’t this show as good at the beginning as it is now? Maybe the producers are panicking a little bit about the uncertainty of a second season and have decided to pull out all the stops. Whatever the case, this week continues “Jericho”‘s roll of excellent episodes.

This was a very Green-heavy week – Jake and Eric are still in prison, Johnston finds out about it and goes after them, and Gail gets a lot of face time both as a result of her work in the hospital and her sketchy relationship with Eric’s girlfriend, Mary – but, of course, Hawkins gets some face time as a result of having gone with Jake to rescue Eric, and we also visit with Dale and Skylar for a bit, too.

The Greens

I gotta say, I spent a decent amount of the episode not entirely sure that Eric was going to still be among the living by the time the closing credits rolled; I really liked the way they kept things uncertain on that front. I’m also consistently amused by the fact that, although Jake’s clearly the bad boy of the family, his dad is clearly still the biggest badass in the gene pool; Gerald McRaney has been consistently impressive with the way he walks that line between being a good ol’ boy and being a guy you’re rather intimidated by. I have to say, though, that what I wasn’t overly impressed with was the return of Maggie; she seems a lot less witty and entertaining now than she did in her initial appearance. As far as Gail and Mary, I’m glad that they didn’t just provide an automatic reconciliation and an instant happy ending; that it’s taking awhile for them to have some respect for each other actually feels rather realistic.

Hawkins

Actually, I guess he doesn’t necessarily need his own individual write-up here, since his appearances were all tied in to the Greens, so I’ll just say that, as an agent, I would’ve expected him to be a bit more skeptical about Maggie’s story when she came running up to them. But whatever.

Dale and Skylar

Damn. Dale’s just got the look of one of those guys you’d describe as “quiet, kinda kept to himself a lot” after he’s done something really, really awful…and he’s only getting more bitter. That whole “you and me against the world” attitude is gonna get him killed soon. I just sense it. Meanwhile, Skylar’s becoming more and more sensitive since the incident with the Mayor about trying to declare her parents dead. How long ’til they come back? Because you know that at least one of them will. You just KNOW it.

Anyway, next week looks to be another nice, dark episode as well. New Bern vs. Jericho, winner takes all. All I’m saying is, they better wrap this shit up in the season finale, because if there’s no second season, I’m gonna be pissed if things end in a cliffhanger…

Closing note: I went to the show’s Wikipedia entry to confirm the name of a character, and, um, did anyone else realize that the morse code you hear when the show’s title card pops up is different each week? There’s a separate Wikipedia page for each episode, and they indicate what’s been said in code. This week’s was “We Pledge.” Is this information being posted elsewhere, or is there just a morse code expert out there who’s writing up the entries each week…? Either way, it’s a pretty cool maneuver by the producers, and I can’t believe it’s taken me this long to become aware of it.

Another ’70s cartoon flashback or three

Okay, Jason’s “Devlin” post inspired me to revisit a few of Hanna-Barbara’s more obscure shows.

As a kid, I used to go to a theme park called Kings Dominion; it’s since been bought out by Paramount, so they’ve expanded their entertainment focus considerably, but back in the ’70s, it used to completely focus on the Hanna-Barbara characters, from the rides all the way down to the areas of the parking lot…and for whatever reason, no matter what time of day we arrived there, we always seemed to end up in the Funky Phantom lot. Now THERE’S a cartoon that has fallen into obscurity…possibly because it really wasn’t all that great (the first sign of laziness was that the Phantom’s voice was clearly borrowed from Snagglepuss)…but because of that damned parking lot, I know I’ll never forget it.

All I have to say about “Help! It’s The Hair Bear Bunch!” is…bear with an afro. I mean, c’mon, people: the bear has got a fucking afro.

And, lastly, I submit for your approval “Goober and the Ghost Chasers.” Okay, seriously, how many times could Hanna-Barbara rip off “Scooby-Doo”? They’d later kinda sorta get away with it via “Clue Club” (sorry, Jason, I always liked that show), but they barely even TRIED to change things up with this. I mean, it’s a bunch of kids and a dog who chase ghosts. The fact that the dog is a ghost himself and can become intangible and invisible at the drop of a hat (and, hey, he even wears a hat!) certainly didn’t stop anybody from saying, “Dude, this is SUCH a rip-off of ‘Scooby-Doo.'” The quality of the video is liable to make you nauseous and it ends really abruptly, but, sorry, it’s the only one I could find.

In closing, does anyone remember “C.B. Bears”? I couldn’t find a clip of that show to save my life, or else it would’ve been in here. But here’s the title card, at least…

Heroes, Week 19: The (Point-Oh-)Seven Percent Solution

I’d love to say that time has flown since the last new “Heroes” episode, but who am I trying to kid? I’ve been waiting for this with bated breath. Basically, what I’m saying is that every Monday night since March 4th has been a waste of time. Finally, however, Mondays are worth living for again…well, for the next five weeks, anyway. And although the episode-beginning conversation between HRG and Eric Roberts was a little too melodramatic for my tastes, just about everything else within this week’s “Heroes” was spot-on.

The deceptively casual nature of the chat between Nathan and Mr. Linderman belied just how serious the discussion was. Mr. Linderman’s power to create life from lifelessness seems to arguably be one of the most powerful of all; how ironic, then, that it should be in the hands of the man who seems to be the most ethically…or, at least, morally…challenged. (It’s amazing how chilling the phrase “acceptable losses” can be when uttered in a certain context.) Linderman’s interest in Micah can’t be a good thing…and it’s clear that Nikica agrees. I wouldn’t want to be in that shapeshifter’s shoes when Miss Split Personality gets a hold of her.

The escape orchestrated by HRG with Matt and Ted was inspired, with HRG relaying instructions to Matt, who was clearly wayyyyyy out of his intellectual depth. And I wasn’t paying close enough attention, I admit it, but…was the diner where they were grabbing a meal the same one where Charlie used to work?

The battle between Peter vs. Sylar was short but sufficiently harsh. Gosh, it sure was nice of Mohinder to deliver Peter’s dead body to his mother, wasn’t it? There wasn’t much in the way of real suspense with the whole Peter-is-dead bit, of course, but when Nathan started crying, all I could think was, “If his tears are real, they ain’t for his brother; they’re because he just lost the Presidency.” Am I cynical? I don’t think so. But back to Peter. Didn’t you love the graphic sound effect when Claire pulled the piece of glass out of his skull.? Nice. And speaking of Claire, her newly discovered grandma sure turned into a hard-ass out of nowhere, didn’t she? I mean, Jesus, in the first episode, she seemed like a woman lost, and now look at her! The conversation between Claire and Nathan, meanwhile, was about as depressing as they come. Thanks, Dad! Good to meet you, too!

Isaac vs. Sylar was kind of a one-sided fight, but it must be said that Sylar’s nailing Isaac to the floor with paintbrushes was grotesquely inspired. The realization that Sylar’s now able to fortell the future, unfortunately, means that the grand finale is going to be particularly nasty.

And as long as we’re talking about finales, Future Hiro showing up only in the last seconds of this episode was just cruel…but at least next week looks like it’s all about the future.

The three best lines of the night:

1) “I know this man.” “Good! If you see him, tell him I want my sword back!” – Nathan and Mr. Linderman, respectively
2) “Oh, my God! You’re middle management!” – Matt Parkman
3) “He’s no longer with the company.” – Thompson

In closing, can I just ask, “NBC, are you effing kidding me? You pulled ‘Studio 60’ for ‘The Real Wedding Crashers’? You can’t find ANYTHING better than this piece of crap to follow ‘Heroes’ with?!?”

Jericho, Episode 19: Whoops, Apocalypse!

Sorry for the delay in getting this posted…although, honestly, the feedback is so often limited to just one person’s thoughts that I’m thinking maybe John and I should just trade E-mail back and forth about the show. (Loosely translated: even if the show makes it back for Season 2, don’t necessarily hold your breath on the blog returning with it.) Anyway, the reasons for the delay are really just several small, ultimately-unimportant excuses, so I’ll just offer my apologies and say, “Let’s get on with it, then, shall we?”

Well, actually, delay or no delay, this’ll be a short one.

The big action this week involved the boys from Jericho returning from New Bern with windmills…but without Eric. Jake, of course, goes in search of his brother, and he drafts Hawkins to go with him. This gives Hawkins a chance to finally let loose and use the skills he hasn’t had much call for since the bombs dropped; it shocks Jake a bit when Hawkins takes on the deputy, but, dude, you knew his past, you shouldn’t have been that surprised. Johnston and Mary bond a little, Stanley and Mimi fight a little, Skylar tries to declare her parents dead so that she can have control of their farm (and, amazingly, Mr. Mayor manages to make a valid point or two when arguing with her), and, basically, we get the idea that between New Bern and Ravenwood, Jericho’s probably gonna be using that tank they’ve got stashed away sooner than later.

The big bombshell of the week, though, is that Heather is dead. I didn’t really anticipate that.

Will we see these comedies come the fall…?

The folks at TheFutonCritic.com somehow manage to know more about what’s going on the world of television than – by our reckoning – any other online source out there. So when we were curious to get an idea about what we might be seeing when the 2007 – 2008 TV season arrives, we knew there was no better place to visit. After scouring their database, we found that these looked like the shows to put your money on seeing come September…provided, of course, that the pilots don’t need to be retooled. (I hate it when that happens.) Otherwise, it’s sayonara ’til mid-season…or, God forbid, forever.

Action News

The Big Names in the Cast: Kelsey Grammer, Patricia Heaton, Fred Willard

The Pitch: In the 90s, the local TV news scene in Pittsburgh was dominated by one team: CHUCK DARLING (Grammer) and KELLY CARR (Heaton). They had that elusive quality all news teams need: chemistry … at least on-screen. Off-screen, Chuck was a bit of an egomaniacal womanizer, Kelly a bit of an uptight know-it-all. So when Chuck got the call to move up to a larger market, no tears were shed. Now, after an embarrassing newscast tirade ends up on the Internet, Chuck finds himself on the downswing career-wise. He’s even questioning whether his lifestyle of chasing women and living in hotels is as exciting as it used to be. So when he gets the call to return to Pittsburgh, to reunite with Kelly and try to take the newscast back to No. 1, it’s an offer he can’t refuse.

As If That Wasn’t Enough: it’s co-created by Christopher Lloyd and Steven Levitan, the team behind “Frasier,” so they know how to play to Grammer’s comedic strengths.

Area 57

The Big Names in the Cast: Paul Reubens, Matthew Lillard, Bruce McGill.

The Pitch: Taking on the challenge of a classified mission in a top-secret location is hard enough. Throw in a dysfunctional crew that despises you and an alien that makes fun of you and you’ve got one bizarre challenge on your hands. So what if Colonel Steven Isaac’s (Lillard) new career move turns out to be more punishment than promotion? He’s ready for it. Foul extraterrestrial bodily emissions? No problem. Random objects falling from the sky? He’s got it covered. Dirty looks and dirtier rumors? No worries. The laughs are all in a day’s work in this unique comedy.

As If That Wasn’t Enough: the executive producer, David Latt, also produced the pilot for “Twin Peaks,” so he clearly knows how to handle quirky material.

I’m In Hell

The Big Names in the Cast: David Cross, Jason Biggs, Erika Christensen

The Pitch: This comedy centers on a high-flying wall street guy (Biggs) who dies in a blackberry-related car crash only to be sent back stripped of his career, his fancy apartment and the fabulous trappings of his former existence.

As If That Wasn’t Enough: David Cross plays the Devil! What more do you need to know?

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