Author: Will Harris (Page 190 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

Bullz-Eye’s Favorite TV Finales

All good things must end and, certainly, our favorite television series are no exceptions to this longstanding rule. It’s really been on our mind a lot lately, given that one of the most important shows in recent memory is drawing to a close. Of course, we’re speaking of “Gilmore Girls.”

Um, we mean “The Sopranos.”

Sorry, our bad. We don’t watch “Gilmore Girls.” And we definitely don’t own the six seasons of the show that are currently available on DVD. Or the soundtrack.

Where were we?

Oh, right: “The Sopranos” is departing the airwaves, and like most diehard TV addicts, we here at Bullz-Eye are down on our knees, hoping and praying that the series finale lives up to the legacy that David Chase has created for the show over the course of these six seasons. It’s also gotten us to reminiscing about other departed series…in particular, which ones met the challenge of providing just the right amount of closure to leave their fans happy, and which ones failed miserably at the task. Your mileage may vary when you’re presented with our selections, but, hey, we can’t watch everything!

By the way, we shouldn’t have to tell you that there are major spoilers ahead, but better safe than sorry, no? And now that we’ve officially absolved of any guilt, click here to read on!

Jericho, Episode 21: Bombs dropping down, please forgive our hometown in our insignificance…

(Anyone recognize the subject line…? Without Googling the lyrics, I mean…)

Again with a great episode? Wow, you’d think the producers of “Jericho” wanted to come back next season or something…

So, basically, Phil Constantine is a dick. He sends over a lackey (was he actually his son, or did he just use “son” as a generic term?) with a walkie talkie, so that there’s a line of communication between Jericho and New Bern, then says, “Turn over this, this, and this, or we’re kicking the living hell out of your town.” And when Mayor Anderson refuses, it’s Mortar Time! So Mr. Mayor sends Stanley and a bunch of dudes over to New Bern to ambush ’em…and, whoops, Stanley’s basically the only one who makes it back. As if the bombs weren’t bad enough, given that Gail Green was caught in one of the explosions, this was really rough stuff. Suddenly, Grey Anderson begins to have a major emotional freak-out…and, frankly, who can blame him? He’s just sent a bunch of townfolk to their death…! The Mexican stand-off was a great, tense moment; I don’t care how many times you see it done in movies and on TV, you just can’t beat a Mexican stand-off for tension…

So Hawkins reunited with his family and, at last, he’s decided that Jericho is officially his new stomping grounds. That was a great moment when Jake was incredulous that Hawkins hadn’t offered up any of his guns before, and Hawkins said, “I didn’t think I was going to make Jericho my home.” Now that he has, look out! I was a little uncertain about Dale’s move to invite the refugees into co-ownership of his farm – I had visions of Jonestown, for some reason – but it looks like it’s gonna pay off for Jericho as a whole. The disgusted expression on Emily’s face when she watched her dad kill the grounded New Bern guy in cold blood was also a good, if sad, moment.

The use of the acoustic version of the Foo Fighters’ “Times Like These” served as a final way of proving how far “Jericho” has come this season. Remember all of my complaints about their god-awful music selections for the episode-ending montages? (My personal favorite: “The choice of pop songs for the soundtrack sucks ASS.”) Well, this one was an absolutely perfect choice. Watching the entire town arm themselves for the coming battle against New Bern definitely left you wondering: when the new day is rising, who’ll be left standing to greet the dawn?

I have to say, though, that despite the sight of Heather resulting a slight eyebrow raising, the phrasing sure sounded ominous in that voiceover during the preview for next week’s season finale; I have a bad feeling about the chances of that second season…but, by God, I’m not giving up hope. (If you thought I was going to add something cheesy like, “If the people of Jericho aren’t giving up, I’m not, either,” well, I admit, I was sorely tempted…but I’m restraining myself.) With each passing episode, “Jericho” proceeds to get better and better. As I’ve said before, if the show doesn’t get picked up for a second season, it has no-one to blame but itself for the slow start and rocky middle of Season 1…but, damn, you can’t say they haven’t been trying a Hail Mary pass with these last several episodes. I mean, you have to hate the fact that it’s beating “Friday Night Lights” in the ratings, given that that show’s pretty damned good, too, but surely we can all agree that it’s a public embarrassment that both series are being stomped by…”The George Lopez Show”?

Come on, America, give us a break

Heroes, Week 20: You Dropped A Bomb On Me

C’mon, did you really expect any other subject line?

You know, for all the talk about how Mr. Linderman’s plan to drop the bomb (so to speak) and destroy New York smacks of Ozymandius’s endgame in “Watchmen,” I dare say this week’s episode will have people saying, “Is it just me, or is this a whole lot like like a cross between the ‘Days of Future Past’ saga in ‘The Uncanny X-Men’ and the plot of ‘X-Men 3‘?” And they’ll be right. I mean, seriously, you go check out those Wikipedia entries, then come back here and tell me that I’m wrong…

Also, am I the only one who, at approximately 43 minutes into the show, uttered an obscenity under their breath? Holy mother of God, was that some shit or WHAT? But we’ll get to that…

So it’s five years in the future. What’s everybody’s story?

* Peter’s a major-league badass. Nice to finally see that scar Future Hiro spoke of so many episodes ago.
* Nikica’s a stripper AND Peter’s girlfriend. (Moral: being a badass has its benefits.) Oh, yeah, and she’s also not Nikica anymore. She’s just plain Nikki. Her husband’s gone, her son’s gone, Jessica’s gone…and we don’t really know for sure what happened to any of them, except that Micah’s demise is directly related to the explosion in New York.
* Mohinder is the advisor to the President of the United States on all things Hero-related, but despite everything that’s gone on during the last five years, it’s nice to see that he’s still naively hopeful about the chances for the future…to the point that he’s willing to commit murder to achieve it.
* Matt Parkman’s working for Homeland Security (along with Brother Voodoo), and he’s become a complete and total dick.
* HRG’s rustling cattle in Texas…okay, well, not really. But that’s the phrase Nikica used, and it made me laugh. It appears that he’s actually part of an underground movement to keep Heroes safe from the government by providing them with false identities. He’s also given up his trademark glasses! What the hell…?!?
* Claire’s a waitress who’s changed her name and her hair color and is on the verge of getting married.
* Hiro’s a fucking terrorist.
* And Ando…well, let’s not discuss Ando’s future fate. It makes me sad.
* Nathan is the President of the United States…though, of course, we knew that was coming…but did we really imagine that he’d become pro-genocide, especially given that he’s a Hero himself? Why would he do that?

Oh, wait, I know why he’d do it: because he’s SYLAR! HOLY CRAP!

There were a lot of great moments in this episode, but a very small one particularly stood out for me: how sad was that pitifully honest thought of Hiro’s that Matt caught? “I just want to be a hero.”

I also loved this exchange:

Parkman: So he’s a time traveler…?
Mohinder: Is that any different than being able to read minds?
Parkman: Uh, yeah. Yeah, it is.

Other nice moments: a newscaster’s reference to “the Linderman Act,” the way Parkman yelled “WHAT?” after Peter busted in, stopped time, and swiped Future Hiro and Ando from underneath his and his people’s noses, and the sheer depth of Parkman’s assholosity, when he thanks HRG for saving his child, then proceeds to threaten his life and go after his adopted daughter. Hey, if you’re gonna become an asshole, don’t do it in half measures, right? Which is why he goes on to kill Future Hiro before the episode’s over.

Okay, so the battle between Sylar and Peter had way too much of a Darth Vader vs. Obi-Wan Kenobi overtone to it, with the red and the blue lights. I still found myself thinking, “This is AWESOME!”

“Now, the hard part,” indeed. These three last episodes are going to be something else. I say again: there’s no other show on TV that’s as must-see as “Heroes.”

TV DVD QT, Vol. 7

Walker: Texas Ranger: The Complete Second Season – Honestly, we really shouldn’t even cover this release, given how poorly the poor bastard did in our Badass Bracket. I mean, honestly, it was shameful…almost as shameful as the fact that there ain’t a single special feature on this seven-disc set. Then again, if you’re enough of a fan of the adventures of Chuck Norris’s Texas-based Martial Arts master, you probably won’t care, anyway.

Voyage to the Bottom of the Sea: Season 2, Volume 2 – So tired…so very, very tired…of this show coming out on DVD. If they cared enough to release the first two seasons on DVD, why in God’s sake did they feel obliged to stretch it into four separate sets? I mean, good lord, they’re releasing “Land of the Giants” (another Irwin Allen series) in a Complete Series set. They couldn’t at least put each season of “Voyage to the Bottom of the Sea” in its own box? Oh, well, the DVD producers at least deserve some credit for stretching out the special features as well, so that each set gets some; this time, you get still galleries as well as interviews with David Hedison (Captain Crane).

Moonlighting: Season Five – It’s nice of Lions Gate to finish up the release of “Moonlighting” by getting the show’s final season into stores, and it’s even nicer that we continue to get special features – audio commentaries (one with producers Glenn Gordon Caron and Jay Daniel on the season premiere, another with director Dennis Dugan on the series finale) as well as the original screen test of Bruce Willis and Cybill Shepherd as an on-screen couple – but we could’ve done with a little more details as to where to find them. The accompanying booklet provides in-depth episode synopses and a reference to the existence of the special features, but no clarification as to what features are on what disc. If you’ve forgotten how the show ended, David Addison returned to the offices of Blue Moon Investigations after Bert and Agnes’s wedding, only to find an ABC executive packing things up. “I don’t know how to tell you this, but you’re cancelled.” After tearful goodbyes are said, we get a closing title card which reveals that the agency ceased operations on May 14, 1989, and the Anselmo case was never solved. Damn!

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Possibly the most lax “WKRP” blog ever

This is barely worth posting about, but it made me laugh.

I was doing a search to see if any other reviewers had commented on the fact that the “WKRP in Cincinnati: The Complete First Season” box set contains two featurettes, neither of which are among the three featurettes that had been trumpeted in the press release for the set, and I found this blog – http://wkrp.blogspot.com – that’s dedicated to the show.

Here are the first two sentences from the most recent entry:

“How time flies. The first season DVD set was released two days ago, and I completely forgot about it.”

Yep. That’s dedication for you.

Be sure to check out some of the other entries as well, many of which focus specifically on actress Jan Smithers and her character on the show, Bailey Quarters. Now, I admit, I’ve rarely been in a discussion about “WKRP” where I didn’t mention that I preferred Bailey to Jennifer (Marlowe, Loni Anderson’s character), but, still, dig this comment:

I had a debate with some guys recently about who was more desirable–Bailey from “WKRP” or Kaylee from “Firefly.” This is a tough call, but I still vote for Bailey.

I find myself mostly just fascinated about how that particular debate began, who was involved, and, perhaps most importantly, what stages it went through before reaching the pinnacle where the participants said, “Okay, so we’ve narrowed it down to two: Bailey Quarters from ‘WKRP’ and that chick who was the engineer on ‘Firefly.'”

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