Author: Will Harris (Page 192 of 261)

Will is a member of the Television Critics Association and has written for Decider.com, the Onion A.V. Club, The Dissolve, Indiewire, Rhino.com, TV Week Magazine, The Virginian-Pilot, Popdose.com, and EW.com along with writing for Bullz-Eye.com and Premium Hollywood.

The return of “Dog the Bounty Hunter”

There’s are two things I’ve learned recently:

1) The big reason that the Arts & Entertainment Network tends to downplay its name these days and simply refer to itself as A&E may be because they’re loaded up with reality shows that don’t exactly qualify as art.

2) Art ain’t everything; sometimes, all you want is the entertainment, anyway…and, on that count, “Dog the Bounty Hunter” definitely makes the grade.

Truth be told, I’d never seen an episode of the show until we scored copies of the first few episodes of the new, fourth season, but when I asked my wife if she was interested in checking it out with me, she said, “Sure. I’ll watch that show just to see his hair.” Well, once I saw Dog’s coif, I couldn’t really argue with her; that’s some kind of look Dog’s got going on…but, hell, are you gonna tell him how ridiculous it looks?

Alas, we didn’t get the season premiere, but we did get the pair of episodes that follow – “Rusty Cuffs” and “The Mystery of Mona Lisa” – and they’re both examples of great reality television. You take someone with a unique profession…in this case, a bounty hunter…and you delve into both their career and their family life. Dog’s dealing with the repercussions of his activites in Mexico, but he’s trying to get back into the swing of things in Hawaii, searching for fugitives and trying to bring them to justice. You get a lot of Dog’s personal side, including his tendency to pray before his assignments and, in “Mona Lisa,” his continuing grief over the death of his daughter, Barbara Katy, but don’t mistake emotional for soft. Dog’s clearly a badass (maybe we should do a real-world Bad Ass Bracket, huh?), and if he doesn’t get the job done, he gets angry.

Any time a season premiere makes you want to go back and investigate previous seasons, a show’s doing something right. If you’re bored with reality shows like “The Apprentice” or “Survivor,” you’re not alone…but “Dog the Bounty Hunter” is anything but boring.

Better late than never: “The Tudors”

“You think you know a story, but you only know how it ends; to get to the heart of the story, you have to go back to the beginning.” So it is said at the beginning of the opening credits for Showtime’s new series, “The Tudors.”

I know, I know: new is relative. The show premiered on April 1st – in fact, it was the highest rated debut for any original series in the history of the network – so I’m probably one of the last people to get around to investigating this show, but I’ve finally had the chance to check out the first few episodes, and lemme tell ya, it ain’t bad.

Now, of course, by “it ain’t bad,” I first and foremost mean that it’s full of sex and violence, two things that tend to make any show worthy of investigation by a red-blooded American male. Understand that I’m not looking to dumb it down by claiming that those are the only two reasons to check it out; it’s just that there are no less than four sex scenes in the first episode alone, so it’s not as though you can really ignore that particular aspect of the series.

The series – intended to run for only 10 episodes – explores the early years of the reign of King Henry VIII of England. Jonathan Rhys Meyers stars as the King, and he does a fine job, but the real star of the show is Sam Neill, who plays Cardinal Wolsey; his performance might not be up the the standards set by Orson Welles and John Gielgud in their respective turns in “A Man for All Seasons,” but there’s little question that he raises the level of class within “The Tudors” considerably. The stand-out amongst the more fresh faces of the cast is Steven Waddington, who plays the Duke of Buckingham.

The show looks gorgeous, flows along at a rapid clip, and it’s extremely easy to get caught up in it; I’m not always swept up in period pieces so immediately, but “The Tudors” captures your attention from the start. Yes, as the narration freely admits, you do know how this story ends…but the events leading to that point are not quite so well-documented in film or on television. Given the the explicit nature, you won’t be seeing this show up on a necessary-viewing list for any high school history classes, but “The Tudors” continues to build Showtime’s slate of high-quality original programming to levels which should have HBO concerned.

UPDATE: So much for that 10-episode plan. Showtime has renewed the series for a second season. Sweet, does this mean it’s time to start making shit up?

Joe Rogan: He’s Not Just “That Dude From ‘Fear Factor'”

Yeah, we know: he’s also “That Dude From ‘NewsRadio,'” too. And you might not even realize it, but, these days, he’s also “That Dude From The Ultimate Fighting Championship” as well. But long before all of those things, Joe Rogan was a stand-up comedian…and he’s never stopped being a stand-up comedian. In fact, he’s just released a new album entitled Shiny Happy Jihad, which gave us the perfect excuse to talk to him about that as well as the other stuff he’s done in his career.

Oh, yeah, and we also got to ask him what his position was with this whole Carlos Mencia thing that went down…and his response was, “Well, my position on it is what it’s always been: he’s a…”

Joe Rogan interview

A what? A WHAT?!?

Oh, well, you’ll have to click here to read the interview, won’t you?

(And afterwards, don’t forget to come back and leave your comments about his comments.)

Jericho, Episode 18: I stretched back and I hiccupped and looked back on my busy day

Oh, come on: this is the episode where Jake asks of Hawkins, “Who are you?” Surely you can figure out where the title of this post comes from.

The episode opens by portraying Hawkins as the loneliest son of a bitch in Jericho, sleeping single in a double bed, then waking up to sit by himself in an empty kitchen and eat a bowl of cereal…a single serving, no doubt. As such, it’s no real surprise that when he gets a text message from Sarah’s employers, asking for a meeting, he’s on his way in mere moments, though not before setting a tiny trap so that he can determine if someone’s been in his house. As it happens, it’s a trap that Jake spots, so when Deputy Jim finally comes across as halfway intelligent for a change and tells him of his suspicions about Hawkins, the two of them break into Hawkins’ place, and Jake replaces the trap. Thus, Hawkins is none the wiser and, as a result, walks in to quickly find Jake aiming a gun at him.

So what info does Jake get out of him?

Well, for one thing, Hawkins isn’t FBI. He’s CIA, and he and Sarah were to infiltrate the terrorist cells that we’re, of course, already aware of. We confirm that, yes, he did indeed go deep, deep undercover – to the point of killing a guy to maintain his facade – and lots of blanks are filled in as far as the goings-on within the terrorist organization and how their plans were laid out. Inevitably, Jake is skeptical of Hawkins’ claims, so Hawkins shows off his proof: the nuclear bomb he’s got stored beneath his tool shed. After that, Jake’s sufficiently sure of Hawkins that, when he reports back to Deputy Jim, he assures him, “Yep, he’s FBI.” After last week’s shenanigans, didn’t anyone learn their lesson about what happens when you lie to people?

Although Hawkins’ story is the big one, this proves to be another episode that’s full of of brief visits to various other ongoing subplots within the series:

* Emily tries to re-start the public school in Jericho, but as you’d expect, kids are less interested in learning these days and more interested in, say, trying to keep their family fed. Okay, now, this is a “Little House” moment in all the right ways; I remember an episode of that show where some kid’s dad didn’t care about his son getting no book-learnin’ when there were crops to be tended. The interaction between Emily and Allison (Hawkins’ daughter) is nice, even if it does lead to a too-schmaltzy scene between Allison and her mom.

* We get more Mimi and Bonnie interaction. Proving conclusively that it’s only when Mimi and Stanley are together that their characters are insufferable, Mimi scores a few points back for her heartfelt chat with an underproducing chicken who’s destined for the dinner table (“You’re the one who lays the least eggs, and I distinctly told you that this was going to happen”), while Bonnie scores some sweet lovin’ while her brother’s out of town. By the end, Mimi and Bonnie are friends. Aw, how sweet.

* Gail and Johnston have an emotional battle over Johnston’s refusal to visit April’s grave, instead opting to hunt deer in woods where all the deer have long since been killed. As any old coot worth their salt would do, Johnston stands his ground through the closing credits…and like any good wife would, Gail brings him dinner and leaves him to grieve in his own way.

As the episode ends, we’re handed the bombshell that a member of the Department of Homeland Security may actually have been in on the bombings…and, even better, the member in question, Thomas Valente, is played by Daniel Benzali, who was so awesome in “Murder One” back in the day. Sweeeeeeet.

One of the great character actors has died

Roscoe Lee Browne – whose appearance in a Season 1 episode of “The Streets of San Francisco” I wrote of mere days ago – has died at the age of 81 after a long battle with cancer.

As with all character actors, you may not know him by name, so here’s his face:

I can think of very few appearances Browne made, whether sitcom (“Maude,” “A Different World,” “Soap,” “The Cosby Show”) or drama (“ER,” “Law & Order,” “The Shield,” “Magnum P.I.”), where he didn’t add a touch of class to the proceedings. He worked with Hitchcock on “Topaz” and also appeared in the Blaxploitation classic “Superfly TNT,” but his best-remembered work in theaters will probably be from his narration. After all, it was Browne’s voice you heard as the narrator in “Babe.” In fact, the greatest shame is that the last item on the resume of this fine actor will be for serving as the narrator for “Epic Movie.”

I mean, seriously, that sucks almost as much as the fact that he’s died…but it doesn’t mean he won’t still be missed.

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