Author: Jason Zingale (Page 50 of 154)

Lost 5.14 – The Variable

It’s not very often that we welcome back a character the same night we say farewell, but if the end of tonight’s episode is to be believed, Daniel Faraday is no more. To which I say, fuck you Carlton Cuse and Damon Lindelof. Killing Charlie was bad enough, but if this death sticks, I’m going to be pretty pissed. Okay, maybe not. It’s kind of hard to stay mad at you when you continue to deliver top-notch episodes like this, but that doesn’t mean I’m not upset. Nevertheless, just like Charlie’s last few episodes at the end of Season Three, Faraday’s last hurrah was one for the ages.

First, we find out that Eloise is Faraday’s mother, and then we find out that Widmore is his father, but honestly, anyone that didn’t see that one coming hasn’t been paying attention these last few years. Still, Faraday’s connection to the island certainly has to be the most interesting of all the characters, and the fact that Eloise willingly sent her son back knowing exactly what was going to happen takes serious guts. Of course, if the Others were able to save Ben Linus from a gunshot wound, what’s to say they won’t be able to do the same for Faraday? It seems plausible, and wouldn’t it explain Faraday’s memory loss in the future/present?

Speaking of which, Faraday’s flashbacks weren’t quite as revelatory as some might have hoped, but it was fun to revisit key moments (like his reaction to the Oceanic 815 recovery footage) knowing more about his journey after those events. The same goes for the opening scene from the season premiere, where we saw Faraday passing Marvin Candle/Dr. Chang in the Swan station, but nothing more. Now we know that Faraday not only spoke with Candle about evacuating the island, but also broke several of his own time travel rules by telling Candle that he’s from the future and that Miles is his son. Candle didn’t seem to buy into either claim, but how could he not? The only Chinese guy on the island with the name Miles? Yeah, it seems like a pretty airtight argument to me too.

Whatever Faraday was expecting Candle to do, he seemed to believe that he was going to do it after their little talk, and let’s hope that he does, because Faraday’s ultimate plan is explosive to say the least. Some of the commenters on this blog were insistent that ‘ol Jughead would rear its head again in the future and, well, they were right. Personally, I completely forgot about the hydrogen bomb between all the time jumping during the middle of the season, but once Faraday mentioned blowing up the Swan’s mysterious power source using the bomb, it suddenly made a lot of sense. Of course, Faraday’s plan doesn’t exactly work under his initial theory that “whatever happens, happens,” but since the Losties currently are experiencing their present, they still have the power to change their future. It’s a pretty cool theory for sure, and it’s really the only way the writers could have gotten out of the hole they conceivably dug themselves into.

Now that Faraday’s dead, though, who will carry out the plan? Jack and Kate are probably stuck in Others territory, Sawyer and Juliet have been outed by Radzinsky, and Hurley and Miles are stuck in the middle of it all. Plus, with three more hours left to go, there’s still more than enough time for a couple of wild cards to be thrown into the mix – namely Locke, Sun and Ben, who will no doubt play a role in all of this before the season is over. Oh yeah, and there’s no way the Losties erase the past by blowing up the Swan. At least, not with an entire season still to go. Can this show really get any better? God I hope so.

Blu Tuesday: Star Trek, JCVD and The Reader

It’s been quite some time since so many major titles were released on one day, and while most of them (even the ones I’m covering in more detail) aren’t exactly the kind of films you would consider must-see, there’s still something for everyone. From Oscar nominees and indies to a re-issue of an old favorite, let’s not waste any time in getting to my picks of the week.

“Star Trek: The Original Series: Season One” (Paramount)

With the exception of the feature films, I’ve never really been a fan of “Star Trek” (especially “The Original Series,” as it’s now being dubbed), so when the first season arrived on my doorstep a few weeks before JJ Abrams’ big screen reboot, I decided to give the series another shot. As it turns out, I feel the same way about the sci-fi classic now as I did before, but Paramount has done such a good job with the Blur-ray release that I’m actually considering holding on to it. For starters, both the original broadcast version and a new remastered version (with updated visual effects) of all 29 episodes are available in high definition, and though purists may want to stick with the former, the remastered episodes are almost too gorgeous to pass up. The DTS 7.1 audio track is equally impressive, while nearly all of the extras from the HD-DVD release (like the Starfleet Access video commentary tracks) has also been included. Though diehard fans likely already have the series in several different formats, it’s hard to deny that the Blu-ray release is the best version on the market. Here’s hoping it sells well, because if there’s one thing that would benefit from the HD treatment more than classic movies, it’s classic TV shows.

“JCVD” (Peace Arch)

There are a few things you should know before going into “JCVD.” First, it’s not like most Jean-Claude Van Damme movies in that it’s a low-budget drama – which means that with the exception of a cool tracking shot that opens the film, there’s very little action. Second, while Van Damme’s performance has been acclaimed as award-worthy (TIME Magazine is even quoted on the cover), it’s not. With that said, however, “JCVD” is one of the best surprises of the year. Van Damme stars as a fictional version of himself, a direct-to-DVD action star who’s caught up in the middle of a bank heist that the cops think he planned. Though he’s essentially just playing himself, Van Damme proves here that he isn’t just the Muscles from Brussels, but a regular guy who lucked his way into Hollywood. In a scene towards the end of the film (where Van Damme truly breaks the fourth wall in order to deliver a heartfelt speech), the actor proves that he’s just that – an actor. That likely won’t impress loyal fans that would rather just see him kick ass, but for everyone else, it has to be seen to be believed.

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The Spectacular Spider-Man: Volume Four

Sony’s decision to break up the first season of “The Spectacular Spider-Man” into volumes may be a hard one to swallow, but at least they haven’t wasted any time in releasing them on DVD. While the last two sets were definitely an improvement over the slightly disappointing “Return of the Lizard” trilogy, Volume Four ups the ante yet again by expanding the universe to include even more things we loved about the comics. For starters, it marks the debut of the popular alien symbiote and black suit storyline (which also includes a cool flashback to Spider-Man’s origin), and perhaps more importantly, the entrance of fan favorite Venom into the fold. Those who feel like the comics went downhill after the introduction of Venom, however, will be pleased to discover that the writers have included a few classic stories as well including a team-up episode with Black Cat and the inevitable formation of the Sinister Six (the vintage line-up featuring Doc Ock, Sandman, Rhino, Electro, Vulture and Shocker). The show only gets better with every episode, and though it would be nice to be able to watch more than just a few at a time, we’ll take what we can get.

Click to buy “The Spectacular Spider-Man: Volume Four”

Trailer Alert: “More Than a Game”

It might seem a little strange to be releasing a documentary about LeBron James’ high school basketball glory days six years after he was drafted into the NBA, but with the NBA Finals in full swing and the Cleveland Cavaliers considered a frontrunner to win the championship, it really couldn’t come at a better time. To be fair, Kristopher Belman’s documentary, “More Than a Game,” isn’t only about LeBron (it’s actually about the group of friends who played together at St. Vincent–St. Mary High School in Akron, Ohio), but it’s hard to imagine anyone seeing the film for anything other than him.

With that said, check out the first trailer for the documentary below. It actually looks pretty good (almost like a cinematic version of the book, “The Fab Five”), though you’ll have to wait until October to check it out.

Blu Tuesday: The Wrestler, Frost/Nixon and Sin City

The Blu-ray community is positively obsessed with the technical specs of every high-def release, but that doesn’t mean you should only invest in movies that make the most of that technology. While there are some titles this week that look and sound great because of it, there are a few others that still belong in your collection – even if they don’t exactly benefit from the enhanced audio and video that Blu-ray delivers.

“The Wrestler” (Fox Searchlight)

With each passing year, the Academy Awards become easier and easier to predict. There are so many awards given out by different organizations before the big night that by the time it finally arrives, the race has already been won. This year was a little different – Sean Penn stole the Best Actor prize when the Academy decided to make a political statement following the passing of Proposition 8, even if that meant denying comeback kid and frontrunner Mickey Rourke from completing the collection – but that shouldn’t take anything away from Rourke’s touching performance as an aging professional wrestler. Though the movie is pretty simple in terms of story and filmmaking (especially considering Darren Aronofsky is the one behind the camera), “The Wrestler” is a must-have for anyone searching for a good American drama. The included bonus features aren’t particularly enticing (the lack of a commentary is the biggest offense), but for a movie as gritty as this, it sure looks good in HD.

“Frost/Nixon” (Universal)

Another film that’s dependent almost entirely on the strength of its performances, “Frost/Nixon” was one of the 2008’s best movies, but you wouldn’t know it from the little attention it did receive during awards season. Ron Howard is the kind of director who isn’t as talented as the material he’s working with, but he sure knows how to pick a good story. Based on the Tony Award-winning play of the same name (which was in turn based on David Frost’s famous series of interviews with then former president Richard Nixon), “Frost/Nixon” blazes through its tension-filled 122-minute runtime so fast that you almost forget to breathe. Constructed like a boxing match where the opponents take jabs at each other with words instead of punches, Peter Morgan’s script is filled with the kind of dialogue-heavy scenes that you’d expect to find in a stage play, but wouldn’t expect to work as well on film. Remarkably, it does, but without Frank Langella and Martin Sheen in the lead roles, “Frost/Nixon” wouldn’t be quite as captivating. Add to that some pretty cool extras, and you’re looking at one of the unlikeliest films to prosper on Blu-ray.

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