Author: Jason Zingale (Page 49 of 154)

Black Lagoon: The Second Barrage

Not many shows can survive without their lead protagonists front and center (the only successful one that comes to mind is “The Wire,” and even then it was only for a season), and though the producers of “Black Lagoon” should be commended for trying something so radical, the second season just isn’t the same without the Lagoon Company constantly in the mix. They’re always a part of the action, mind you – whether it’s hunting down a pair of vampire assassins or protecting a money counterfeiter from an army of bounty hunters – but the stories never truly revolve around them like they did in Season One. Granted, we get to meet some pretty interesting characters as a result of that, but by the time Rock and Revy head to Japan on a contract job for Hotel Moscow, you’ll be sorely missing Dutch and Benny, both of whom rarely appear throughout the season. The team-based antics may be gone, but the show is still packed with wall-to-wall action, and it even offers more complex storylines than before. Still, with rumors that a third season is in the works, here’s hoping the show gets back to its roots, because without the Lagoon Company to cheer on, it simply isn’t as fun.

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Lost 5.16 / 5.17 – The Incident

This season of “Lost” has been one of the best (if not the best) in the history of the series. The season finale? Not so much. While we’ve been hearing for weeks that the finale would prove to be a game changer – prompting many to even wonder how the show could go on – I just don’t see how anyone could come to that conclusion. Was tonight’s finale really better than the flash-forward of Season Three? Hardly, and though it may have changed the series more than we think, we still won’t know anything until Season Six starts up in 2010. After all, the show may have ended with a literal bang, but it felt more like a whimper with that fade to white.

Tonight’s episode also had way too much going on for me to even attempt my usual format, so instead, I’ve decided to break my recap down into more general ideas so that I can discuss each one in a little more depth. Hopefully it’s not too difficult to follow along and will make it easier for commenters to address certain topics without having to go into too much detail. I apologize in advance if it does the complete opposite.

1. Jacob – He certainly wasn’t at the top of my list of questions I was eager to see answered, but I’d be lying if I said I wasn’t a little disappointed by the lack of explanation we received for Jacob. Apart from the fact that we know he has some kind of magical power (including Richard Alpert-like immortality and the ability heal), Jacob remains shrouded in mystery. Oh yeah, and now that Locke’s convinced Ben to kill him, we may never find out who he really is, where he’s from, and how he was able to leave the island so frequently throughout the last 30 years. Which brings me to…

2. Jacob’s Flashbacks – Carlton Cuse and Damon Lindelof have always had fun trying to connect each character to one another, so it was cool to see Jacob pop up throughout the Losties’ history. Even more important, however, was that he seemed to always do so during a crucial moment in their lives. Okay, so I’m not exactly sure what significance paying for a stolen New Kids on the Block lunchbox has for Kate, but the others all made perfect sense. The funeral of Sawyer’s parents; the death of Sayid’s true love; Sun and Jin’s wedding; and the list goes on and on. The most important of the bunch, however, is Locke’s crippling fall from the apartment building. Many people called in to question how someone could possibly survive such a fall around the time that original episode aired, and now we know the answer – Jacob revived him. Which brings me back to my first point: just who the hell is Jacob?

3. Rose, Bernard and Vincent – The writers have been promising all season that we’d eventually get to see what happened to the beloved secondary characters, and as it turns out, they’ve been time jumping with the rest of the survivors all this time. That was pretty much a given, but the fact that they were able to do so without anyone the wiser is pretty impressive. Apparently, they’ve not only decided to retire in a nice beach house since the “flaming arrows three years ago,” but they’ve also become hippies in the process. I could have done without the whole “All We Need Is Love” speech that Bernard delivered, but seeing as this is probably the last time we’ll ever see him or Rose again, it was an admirable send-off for a couple that could have easily been excised from the series after Season Three.

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Blu Tuesday: Taken, Star Trek and Underworld

It’s been awhile since my last Blu-ray column (two weeks ago, I attended a brand retreat in Walt Disney World with Hanes and returned with a non-swine flu), but luckily, I didn’t miss too much. In fact, with the exception of “The Curious Case of Benjamin Button” (which you should definitely pick up, by the way), there were no other major releases last week. This week is a different story, however, with a few A-list titles, a slew of movies from the Paramount and MGM vaults, and an awesome collection that sci-fi fans are going to want to check out.

“Taken” (20th Century Fox)

By far the biggest surprise of the year, Pierre Morel’s “Taken” is a good old fashioned action thriller that doesn’t waste a single minute on pointless exposition or silly subplots. Liam Neeson is excellent as the Jack Bauer-type who jets off to Paris when his teenage daughter is kidnapped by human traffickers, and then proceeds to kick the ass of each and every person involved until there’s no one else left to punish. Though I’ve yet to actually check out the extras on the Blu-ray release, the U.K. edition sported some pretty cool bonus material including a picture-in-picture geographical locator, a making-of featurette, and side-by-side comparisons for six of the film’s key sequences. I’d expect the U.S. version to feature the same, but here’s hoping we get a few exclusives as well.

“Star Trek: Original Motion Picture Collection” (Paramount)

With J.J. Abrams’ big screen reboot of the sci-fi classic tearing up the box office in its first week in theaters, it’s really no surprise that Paramount would want to take advantage of the hype train by releasing all six of the original “Star Trek” films on Blu-ray for the first time. As we’ve already seen from the Season One release, however, Paramount’s HD reissues are more than quick cash grabs, but rather serious undertakings meant to please the most loyal of fans. The same appears to be true of the “Star Trek: Original Motion Picture Collection,” a seven-disc box set that includes remastered editions of all six movies (sorry, no director cuts this time around) and an additional disc of bonus material entitled The Captain’s Summit. Suffice it to say, this is a no-brainer Day One purchase for any real “Trek” fan, but at such a great price ($79.99 on Amazon), I’d even say it’s worth it for the casual fan as well.

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Lost 5.15 – Follow the Leader

Typically, the second-to-last episode of every season of “Lost” has never really been the calm before the storm, but rather the storm before the storm, which makes tonight’s episode difficult to write about. It’s not that it wasn’t good, but that when compared to past seasons, it just wasn’t quite as spectacular. Carlton Cuse and Damon Lindelof have always done a great job with getting all of their ducks in a row before the big two-hour finale, but while they’ve done that here again, it was unusually mediocre.

I mean, sure, we now know that Faraday is officially dead, but couldn’t they have at least pretended to try and revive him? I find it hard to believe that a little kid that was shot twice by a trained soldier can be miraculously resurrected hours later, and yet Faraday dies within seconds of being shot once in the back. Perhaps it’s just my disappointment over his death, but for a show that has done a relatively good job with logic, that has got to be one of the most illogical things that has ever happened. Obviously, it had to happen or Eloise would have never agreed to help Jack blow up the island’s electromagnetic power source, but it sucks nonetheless.

Thankfully, the episode had some really cool moments as well, the best of which included the return of Sayid when he popped out of the bushes to save Jack and Kate from a mob of angry Others with guns. Sayid’s been gone in the wild for so many weeks that I nearly forgot he was even absent in the first place, but it’s nice to have him back. And if anyone was going to help Jack detonate Jughead, you can bet your ass it was going to be Sayid. Aside from Jack during the early years, Sayid has been the number one supporter of all things anti-island, so it isn’t at all surprising that he’d jump at the chance for a clean slate. Of course, the chance that it’s actually going to work is pretty doubtful because, well, there’s a whole another season left to go. (Then again, wouldn’t it be brilliant on the part of Carlton Cuse and Damon Lindelof to end the show a year earlier than expected?)

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What Doesn’t Kill You

Some people may wonder why “What Doesn’t Kill You” didn’t receive a proper theatrical release, and to be completely honest, it all comes down to luck. Over the last few years, there have been a number of gritty crime dramas released in the same vein as Brian Goodman’s directorial debut, and though a majority of them weren’t any better or worse, they had the good fortune of being made first. That’s really the only thing standing in the way of the film, a based-on-a-true-story tale about two lifelong friends (Mark Ruffalo and Ethan Hawke) making a living as soldiers for the local crime boss in Boston. When a job gone wrong lands the pair in prison, however, one struggles to make the most of his second chance under the haze of drugs and money.

If there’s one thing going for “What Doesn’t Kill You” that some of the other likeminded films didn’t have, it’s a strong performance from its lead actor. Mark Ruffalo has been on the brink of breaking out for what seems like a decade now, and yet he continues to hammer away with quality roles where he really gets to flex his dramatic muscle. Ethan Hawke isn’t quite as memorable in what could easily be viewed as a copycat of his character in 2007’s “Before the Devil Knows You’re Dead,” but he still does his best work in films destined for the festival circuit. Unfortunately, though “What Doesn’t Kill You” may claim to be based on a true story, it’s simply too far-fetched to be believed. Goodman should have had the good sense to ignore that aspect of the tale and just focus on crafting a movie that we haven’t already seen countless times before. Maybe then it would have never gotten lost in the shuffle.

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