Author: John Paulsen (Page 28 of 79)

“Smallville” to return for ninth season?

EW.com reports that Tom Welling is in talks to sign on for a ninth season, which would breathe life back into “Smallville.”

Question: Any news as to whether Tom Welling has signed on for another season of Smallville? — Scarlett
Ausiello:
Yes, there’s news, and it’s good. Some would even call it, ahem, super. According to a well-placed Smallville insider, Welling is nearing a deal to return for a ninth season. I’m told they’re just ironing out some minor deal points, such as should the Brinks Truck pull into the actor’s driveway, or just unload on the street.

I’ve always liked this show, and while it has had its ups and downs, its eighth season has been pretty good. They’ve been moving forward on Clark Kent’s romance with Lois Lane, and there’s still plenty of room for Kent to grow into Superman.

“American Idol” ratings down

“American Idol” was still #1 in its time slot, but its audience was off 10% year-to-year.

Last night’s premiere pulled in 30.1 million viewers with an 11.6 rating/28 share in the 18-49 demo, according to Variety. That’s a 10-percent drop from last year’s 33 million viewers, and seven-and-a-half million off of the sixth season’s series high for premieres. What’s more worrisome for Fox is the dip in the younger demographic–last night’s show was off 16 percent in the 18-49 age group, and 25 percent in the 18-34 age group (maybe the young kids aren’t as dumb as I thought).

However, Fox can also let out a sigh of relief…30 million people is still good enough to be tops for any show this season (including sports broadcasts) and the drop-off wasn’t as much as some people expected. The concern here on out is whether the changes made to this season (new judge, less audition time) will have a positive or negative effect on the show’s ratings. As a friend of mine said, the auditions are acceptable television watching, the rest is not.

My wife and I used to watch the auditions to laugh at all the train wrecks then we’d bail on the show once it hit Hollywood. I don’t know what the writer’s friend considers to be “acceptable television watching,” but we sure got a kick out of the tonedeafness (is that a word?) and cluelessness of a good portion of the contestants. Once we heard they were scaling back on the train wrecks, we crossed it off our playlist.

I wonder if the audience will fall further now that people have had a chance to see the “new” version of the show.

“Prison Break” coming to an end this season

We speculated late last year that “Prison Break” may be on its last legs, and Fox has now made it official.

The news probably isn’t a huge shock to anyone who has been following the series recently. Late last year, speculators thought the show would be coming to an end when Fox tacked on a few extra hours to this year’s production schedule. And with heavy promotion for Fringe, 24, and Lie to Me in full swing, it isn’t hard to see who the odd man out is.

Prison Break is currently on a little vacation, as Fox beefs up its midseason schedule with the aforementioned trio and a little program called American Idol. However, Fox did schedule a return for the final episodes of Prison Break–they begin their run April 17.

According to TVGuide.com, Fox president Kevin Reilly explained, “[Prison Break] got to a point where a lot of the stories had been told,” which is a kind way to say the show was running on fumes creatively. At least six hours of the drama are left to go, with the possibility of a few more hours added as Reilly said he wants the program to “finish strong.”

It’s about time. I’ve been blogging the show for a long, long time, and I’m happy to hear the news. The only thing worse than when a series doesn’t get enough of a chance (i.e. “Journeyman”) is when a network resuscitates a series over and over, squeezing as much money as it can out of a successful franchise to the point where all that’s left is a husk of its corpse.

Okay, that’s a little dramatic, but it’s a good time for “Prison Break” to end. Hopefully the news comes early enough so that the creators can bring about a satisfactory conclusion for the fans that have stuck around.

The 10 Worst Comic Book Movies

King-Mag.com put together a list of the 10 Worst Comic Book Movies.

Here’s a sampling:

9. Daredevil (2003)
Why’s it so bad? The director of Grumpier Old Men delivers a crash course in miscasting with Colin Farrell chewing the scenery as a cornball assassin and Ben Affleck in a skintight, red leather suit. What could be worse?

Aftermath: A modest hit, Daredevil managed to rake in over $100 million at the box office and gave Affleck his last taste of success before the career-killing streak of Gigli, Paycheck, Jersey Girl and Surviving Christmas. Turns out bad choices hurt him more than the Kingpin ever could.

It’s a pretty solid list, though they sort of throw “The Incredible Hulk” under the bus by mentioning it in the “Hulk” blurb.

Five years later the title relaunched with new stars (Edward Norton and Liv Tyler), a new director (Louis Leterrier) and similar results (disappointing box office, mixed reviews). Let’s hope Marvel doesn’t believe the third time’s a charm.

I didn’t think the first one was all that bad, but there’s no doubt that the second one was better. “The Incredible Hulk” got a 7.3 at IMDB.com, a 67% at Rotten Tomatoes, and according to Box Office Mojo, it made almost $263 million worldwide (on a budget of $150 million). I for one sure hope that they bring back Edward Norton for another chapter.

Seven shows that just don’t get enough love

Unfortunately, I didn’t have the time to put together a list of my favorite television moments before the end of 2008, but that doesn’t mean I didn’t spend an inordinate amount of time in front of the tube. (Come to think of it, maybe my television addiction was the reason I didn’t have the free time to write about the best of 2008. Hmm.)

Anyway, here is a list of seven terrific shows that seem to be flying under the proverbial radar.

1. “True Blood” (HBO)
Alan Ball, the writer of “American Beauty” and the creator of “Six Feet Under,” brings us a series based on vampires in the Deep South. The series is based on Charlaine Harris’ Sookie Stackhouse series of books and stars Anna Paquin — whom I argued, under the moniker of Eli Cash a few years back, would have made a better Penny Lane than Kate Hudson — as a mind-reading waitress in a small town in Louisiana. The first season was excellent, though it got off to a bit of a slow start. Paquin is the key, but her best friend Tara (played by Rutina Wesley) often steals the show.

2. “Dexter” (Showtime)
Everyone’s favorite serial killer is back for a third season. Dexter Morgan works for the Miami Police Department as a blood splatter analyst and he spends his night hunting and killing the worst criminals in South Florida. This series has been excellent from the start, and shows no signs of slowing down. This season brought in Jimmy Smits as an Assistant District Attorney with a serious dark side. After “Six Feet Under,” I thought I’d always see Michael C. Hall as the openly gay David Fisher, but now I can’t imagine him as anyone other than the dark and secretive Dexter.

3. “It’s Always Sunny in Philadelphia” (FX)
Maybe this show just too crass to be mainstream, and thinking about it, that’s probably what makes it so great. “Sunny” really hit its stride in the third season, and the fourth season was even better. The show follows a group of friends (and Danny DeVito) that own a bar in Philadelphia. Every episode has its own completely ridiculous premise, but once you accept that every single character is a selfish, narcissistic moron, it becomes that much funnier. As far as sitcoms go, for me, the excellent fourth season put it in the same tier as “The Office,” “30 Rock,” “Weeds” and “Curb Your Enthusiasm,” and that’s some good company.

4. “Summer Heights High” (HBO)
Anyone who dug the U.K. version of “The Office” should check this series out. It’s an Australian mockumentary that follows three characters — the effeminate drama teacher Mr. G, the snotty private school transfer Ja’mie and the disruptive Tongan student Jonah — which are all played by the same actor, writer/creator Chris Lilley. Watching a grown man run around in a school dress is ridiculous, but that’s part of the fun. Lilley is extremely talented; it can’t be easy to morph into three very different characters every week. The humor is outrageous and the situations (especially involving the clueless Mr. G) can be David Brent-type awkward.

5. “Supernatural” (CW)
This sci-fi/fantasy series started off in typical “freak of the week” fashion with a different monster to defeat each week, but as it got into its third season, it really developed some serious, serialized chops. Now in its fourth year, the show continues to follow two brothers who are “hunters,” i.e. they fight all manner of evil — demons, vampires, ghosts, etc. Even in its first year, the show held my attention, but with all the happenings of the last two seasons, new episodes don’t sit on my TiVo for very long. Viewers who like sci-fi/fantasy should definitely check out “Supernatural.”

6. “The Unit” (CBS)
I think a lot of people write off “The Unit” as a typical CBS show like “CSI” or “NCIS” (or some other acronym), but as the show as worn on, it’s simply gotten better and better. The subject matter is ripe with storylines; the show follows members of a Special Forces unit (led by super-badass Jonas Blane, played wonderfully by Dennis Haysbert) and their families. A quick look at the production staff reveals a couple of big names — David Mamet (“The Untouchables,” “Glengarry Glen Ross”) and Shawn Ryan (“The Shield”) — that instantly give the show some serious credibility. Early on, the series could get a little “hooah!” and focus on the wives a bit too much, but the later seasons have struck the perfect balance between the professional and the personal.

7. “Brotherhood” (Showtime)
It doesn’t have as high of a profile as “The Sopranos” and maybe it’s not as addicting, but “Brotherhood” has the same feel and the same quality of writing. It follows two brothers in Providence, Rhode Island. One is a corrupt state congressman trying to do right by his family and the other is deeply involved in organized crime. Those that miss “The Sopranos” or “The Wire” should definitely rent the first season of “Brotherhood.”

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