Author: David Medsker (Page 64 of 65)

An SNL star is about to be born

Every once in a while, someone stumbles onto the stage at “Saturday Night Live” that forces you to stand up and take notice. As I was skimming through last week’s episode, starring Eva Longoria (who seemed like a good sport), I fell in love with a girl, twice.

Ladies and gentlemen, meet Kristen Wiig.

In the show’s first skit, a very unfunny fake awards show on spam email, Wiig did a hilarious impression of “Will & Grace’s” Megan Mullally. A few skits later, during a parody of ’50s holiday specials, she went one better, doing the funniest Judy Garland you will ever see. Wiig is tall, she’s gorgeous, and she has to be making the other women on the cast nervous. Surely, Maya Rudolph is working out eight hours a day to get rid of her baby weight in order to get back onstage, and if her presence prevents Rachel Dratch from doing one more Debbie Downer skit, then the world is already a better place.

The Simpsons must die

I have loved “The Simpsons” from day one. Their dialogue peppers my speech on a daily basis. I buy the box sets the second they hit the shelves. I’ll be the first to admit that the show was less than perfect when Matt Groening was running both “The Simpsons” and “Futurama” concurrently, but the last season had some episodes that stand up to the best work the show has ever seen. Last year’s season finale, where Bart is expelled and goes to Catholic school, is one for the ages. (“Ahhh, yer just like yer mother! Ya can’t take a punch neither!” Heh heh, beating your wife is funny.)

They should have quit then. This season has been a colossal disappointment. Tonight’s episode, where Homer once again tries to win back Lisa’s love (dressing as a saftey salamander, don’t ask), feels as though it was written by people who have never watched the show. The viewers, however, have watched the show, and they’ve seen this episode in particular, in one form or another, at least half a dozen times. Even worse, they’re getting reeeeeeeeaaaalllly preachy these days, wearing their pinko colors on their sleeve even more than they did in the past. And don’t get me wrong, I tend to side with them more often than not on those issues. But I liked them better when they respected our opinions and weren’t beating us over the head with their leftist views. I never thought I’d say these words, but I really hope that they take “The Simpsons” off the air at season’s end. It’s dead, dead weight.

Groening has finally announced that a “Simpsons” movie is in the works. That came as spectacular news to some, but not to me. I think they should have done what Trey Parker and Matt Stone did with “South Park”: They hit early, they hit really hard, and got the monkey off their backs before anyone had any unreasonable expectations of them. There is no way that any movie the creators of “The Simpsons” make will have a song as funny as the Stonecutters’ theme song “We Do” or Lurleen Lumpkin’s “Bagged Me a Homer,” nor will it have an exchange as funny as Homer cheering Lisa up by reminding her of the time he hit a referee with a whiskey bottle. This ship has sailed, people. If Fox is at all smart, they keep “Arrested Development,” and they kill “The Simpsons.”

Box Office Roundup: Johnny Cash gets his ass kicked by a 14 year-old

Based on Sunday’s estimates:

1) Harry Potter and the Goblet of Fire – $101.4 million (first weekend).
Bored with setting £100 notes on fire, J.K. Rowling decides to buy the Isle of Man, renames it Azkaban, and sinks it into the Irish Sea.
2) Walk the Line – $22.4 million (first weekend)
No wonder Johnny had such a rough upbringing: his dad was a freaking Terminator.
3) Chicken Little – $14.7 million (third weekend, $99.1 million to date)
For their next CGI feature, Disney will make a movie about a virgin (voiced by Rachel McAdams) who crashes weddings by day and spends her evenings as a vigilante fighting to free clones from a utopian facility where their organs are harvested for profit. The soundtrack will not feature a single song released after 1978.
4) Derailed – $6.5 million (second weekend, $21.8 million to date)
We’d come up with something witty to say about this movie, but Weinstein Co. didn’t want to show it to us, and we didn’t want to see it.
5) Zathura – $5.1 million (second weekend, $20.2 million to date)
Scores of kids whose parents couldn’t score tickets to “Potter” flock to “Jumanji in Space,” are subjected to playground ridicule for at least a week.

What on earth happened to: Jarhead? Onetime Oscar hopeful, unceremoniously booted out of the top 5 by an unpronounceable kids movie.

“Saw” is for suckers

Seen the trailer for “Hostel,” the Eli Roth movie that’s coming out next year? Sweet Jesus. Just when we thought that the makers of the “Saw” movies were the sickest people alive, along comes this happy little tale about a group of backpackers who head to this Slovakian hostel because they heard that they can live out their deepest darkest desires. And while that may be true, they have no idea exactly what it entails.

The trailer doesn’t actually show much, except for the tip of a toe in the vice of a very large wrench. And, unlike the “Saw” movies, where the victims of Jigsaw’s games are forced to commit unspeakable acts on themselves, the trailer for “Hostel” suggests that the hapless victims are tortured by someone else, someone who paid for the privilege. The worst part of this premise is that it is allegedly based on true events, though finding documentation of said events is rather difficult.

The success of the “Saw” movies is a great story from a less-is-more perspective, but it’s also a rather disturbing observation of what as a people turns us on. On the plus side, it could mean the end of the snuff film industry, since these movies have rendered them obsolete.

“Trapped in the Closet”: Best, South Park, ever

Trey Parker has never been afraid to skewer someone that offended his sensibilities. Janet Reno, Mel Gibson, Rob Reiner, OJ Simpson, Russell Crowe, Barry Bonds, Jason Giambi and Phil Collins have all felt the wrath of Trey. He even dedicated an entire episode to debunking the “psychic” abilities of John Edward, which effectively (and thankfully) killed Edward’s career.

But last night’s episode, “Trapped in the Closet,” is by far the biggest swing Parker and Matt Stone have ever taken at a celebrity; they took on Tom Cruise, the Biggest Movie Star in the World. The setup to this is that the Church of Scientology thinks that Stan is the reincarnation of church founder L. Ron Hubbard. When Stan/L.Ron tells Tom that he thinks Tom’s just an okay actor, Tom is devastated, locks himself in Stan’s closet and won’t come out. For the sake of space, I will list my five favorite bits in the episode.

– The conversation between Tom and ex-wife Nicole Kidman, who is summoned to lure Tom out of Stan’s closet.
Nicole: Don’t you think this has gone on long enough? It’s time for you to come out of the closet.
Tom: I’m not- I’m not in the closet.
Nicole: Yes, you are, Tom. And you just need to end this and come out. I’m not going to think any differently of you. Katie’s not going to think any differently of you. You don’t need to be in that closet anymore, Tom.
Tom: I’m not in here, though.
Nicole: Yes, you are.
Tom: I’m not – I’m not in the closet.
Nicole: Then how am I talking to you, Tom? Come out of the closet, you’re not fooling anyone.
Tom: But I’m not – I’m not in here.

– The summary of the tenets of Scientology, equipped with a helpful animated reenactment. At the bottom, there is a super that states, “This is what Scientologists actually believe.” Hard, core.

– R. Kelly. He sings throughout the entire episode, and after three or four lines, he sings, “So I pull out my gun!” Everyone runs for cover, including the police. Even better is where he ends up in the closet with Tom (and John Travolta). Anyone who makes videotapes of themselves peeing on 14 year-old girls has deeply conflicted sexuality issues.

– Stan’s speech when he’s dismissing his friends. They all walk away slowly, thinking that they’ve lost Stan forever. Cartman waits behind to say, “Stan, I just want you to know that I still hate Kyle more than you.”

– The final scene, where Stan dares to dismiss Scientology as a global scam. The church’s response: “We’re gonna sue you!” Stan stands up to them. “Go ahead! I’m not scared of you! Sue me!” The credits roll, with every name changed to “John Smith” and “Jane Smith.”

The last act was a stroke of genius. If Tom Cruise or the Church of Scientology dares to actually sue Trey and Matt, they’re only validating everything the episode implies. It’s a preemptive strike that neuters their opponents before they can even respond. Bravo, Trey and Matt. You are my heroes.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑