Author: Bob Westal (Page 211 of 265)

Writer guy Bob Westal was literally born in Hollywood and has commented on the worlds of movies, popular culture, politics, and food ever since. His interest in cocktails is more recent, but he made up for lost time with hundreds of “Drink of the Week” blog posts for Bullz-Eye. In addition to writing and editing, Bob also talks a lot.

Void at the box office

gerard_butler_gamer

There’s a definite feeling of apathy about this week’s new box office releases, but on we go.

Topping this Labor Day weekend’s movie newbies is the Gerard Butler sci-fi action flick from the team who brought us “Crank.” “Gamer” adds a video game twist to such past violent media commentaries as “Death Race 2000” and “The Running Man.” Lionsgate isn’t screening this one for critics, so there’s no reason to assume there’s anything terribly clever or satirical about it, though a capable supporting cast led by Michael C. Hall (Showtime’s “Dexter“) as a villainous game designer as well as Ludacris and Kyra Sedgwick seem to indicate someone, at one point, hoped to do something interesting with this one. As for commercial success, it appears to all be laid at the feet of Butler. Nothing against the very capable Scottish thespian, but I just don’t see this one beating last week’s leader, the gimmick-driven 3-D horror opus, “The Final Destination.”

And that, I’m sure goes double for next of the three new major releases of the week, the Sandra Bullock headlined screwball romantic comedy, “All About Steve.” A film which the nation’s critics might well wish Fox had withheld, it has achieved the still fairly rare honor of a 00% Rotten Tomatoes “Fresh” rating (as in 100% “rotten”). Costar Bradley Cooper’s newfound recognizability via “The Hangover” probably won’t help much here, and Thomas Haden Church doubtless deserves better. Apparently the creators of this one intended Bullock’s character to be a lovable eccentric, but instead wound up with the more usual sort of eccentric — the kind who’s just weird. There’s likely a reason this one’s being dumped at the end of a long movie summer.

It’s in significantly fewer theaters than its competitors at only about 1,500, but Mike Judge’s “Extract” simply has to be better than either of them. At a 55% RT rating, the nation’s critics pretty much reflect the divided reaction of my fellow PH-er Jason Zingale, who calls it “a wildly uneven film that is deftly funny at some points, and just plain dull in others.” Still, though Jason 100% detested Judge’s earlier, barely released, “Idiocracy” that film got better reviews and the portions I’ve seen on cable certainly made me laugh — not that anyone cares what us critics think.

Jason Bateman in
As the writer-director of “Office Space” and the creator of TV’s “King of the Hill” and “Beavis and Butthead,” Judge is a knotty figure when it comes to movies. His now legendary workplace comedy was pretty much dumped at the box office only to be discovered later on vide0, and “Idiocracy” got even less promotion than the original release of “Space.” (Jason would say for good reason.) “Extract” star Jason Bateman is a skilled comedian but despite important parts in numerous hits, including “Juno,” he’s a very long way from the film stardom of his onetime TV son, Michael Cera. Still, both Judge and Bateman have a lot of pent-up goodwill. Maybe there’ll be a surprise here, but don’t bet the farm, or even the garden, on it.

That leaves two 100-theater releases. The first is a horror flick being dumped after the demise of Paramount Vantage. “Carriers” seeks to milk horror from pandemic fears. Quarantined from critics, it stars the talented Lou Taylor Pucci and the new Captain Kirk, Chris Pine. Speaking of James Tiberius, the other release isn’t new at all but another chance to catch J.J. Abrams’ hugely entertaining (if oddly filmed) “Star Trek” in Imax, which has certainly lived long and prospered at the box office.

Star Trek

Surviving

* It’s playing in relatively few theaters in the U.S., but the acclaimed documentary “The Cove” may have already saved the lives of many dolphins in Japan. The film documents a clandestine attempt to expose a regular slaughter of the highly intelligent animals thought by many to be sentient. (As in, self-aware, like humans.) H/t to Christopher Campbell who documents the blogger reaction.

* Are you excited about the Oscars already? Me neither, but those who really want to get into the weeds about the changes in the awards and possibly the ceremony will want to read Steve Pond’s interview of MPAA Executive Director Bruce Davis. It seems the Academy is worried about cash. Who isn’t?

* YouTube is reportedly negotiating with Lionsgate, Warners, and Sony for a possible pay-per-view movie service. You can already see movies on YouTube for free, in chunks of ten minutes. Even in more user-friendly form, I wouldn’t call it an ideal way to watch movies, but having more options is never a bad thing, I suppose.

* If ever there was a guy who’d love David Lynch-influenced musical comedy space westerns, I’d be that guy. But Cory McAlbee’s first entry in that sub-sub- genre, “The American Astronaut” didn’t do a whole lot for me, though he’ knows how to make things look interesting and I liked one of the numbers. Still, give indie filmmaker/musician Cory McAlbee credit for sticking to his musical comedy space western guns while also playing around with formats and self-distributing. As Anne Thompson reminds me, his new entry is a six part serial, “Stingray Sam,” which will be showing in a downtown L.A. movie theater this week and will also be viewable on cell phones.

Here’s the trailer I stole from Ms. Thompson. It works hard to be clever and funny but, except for the part about “I’m not David Hyde Pierce,” I barely cracked a smile as I watched it. Still, McAlbee knows how to create memorable imagery. Maybe you’ll like it better.

The ultimate price

Though the people involved are not household names, this is easily the saddest post I’ve had to write here. I was going to try to blend with less somber stories, but that just seems tasteless. So, without the usual pictures or videos, here’s just the facts as I know them.

* French documentarian Christian Poveda was shot by suspected Salvadoran gang members with links running right here to Southern California. Poveda joins the very small group of directors who have been murdered because of their filmmaking and/or writings. You’ll remember the case of abrasive, iconoclastic Dutch filmmaker, Theo van Gough, murdered by an Islamic extremist with alleged ties to terrorist groups. Also, journalist Doug Ireland has pointed to a possible fascist connection to the 1975 murder of openly gay “Catholic Marxist” writer-director Pier Paolo Pasolini.

* Variety reports that Filipino-Canadian critic Alexis Tioseco and his partner, Slovenian writer Nika Bohinc, were murdered Wednesday when they surprised burglars at their home in Manila. Though I wasn’t acquainted with their work, this nevertheless hits a little closer to home for me. Fellow critic and cinephile blogger Noel Vera has a remembrance of Tioseco, who was only 28.

The calm after the storm

Thanks to some unusually humid weather, greater L.A. — and its air quality — is just beginning to recover from the still ongoing Station Fire. Hollywood is similarly recovering from the news of the Disney/Marvel merger. Still, there are a few items.

*  If you’re a member of the cult around 1999’s “The Boondock Saints,” you’ll be happy to hear that Troy Duffy and company are back and that “The Boondock Saints: All Saints Day” has been picked up for distribution. I missed both the original film and “Overnight,” the documentary about misbehavior and rank miscalculations of its director. Now, maybe, I should see both.

The movie has a lot of fans  of the young and male variety, and I’m one of those two things. Still, I’ve always had a sneaking suspicion I’d hate the movie and love the documentary, but we’ll see. The cast for the sequel looks very good, however. Two favorites of mine are included, stand-up genius and highly underrated thesp Billy Connolly is back from the original and the excellent Julie Benz of “Dexter” and “Angel” is featured as well.

* Guy Ritchie is apparently recreating himself as a franchise film director these days, and in the wake of his upcoming “Sherlock Holmes,” he’s been signed to do an adaptation of DC’s “Lobo,” which I take it will be some form of violent space opera. Nothing wrong with that.

* Presumably with inglourious cash in its pocket, The Weinstein Company has made an acquisition. Colin Firth will be taking the lead in an upcoming film about England’s King George IV VI, “The King’s Speech.”  Back in 1994, the very good stage adaptation, “The Madness of King George” dealt with the mental issues of George IV’s dad ancestor, George III. According to legend, the title was changed from “The Madness of George III” because of a fear that prospective filmgoers might assume it was a third sequel. They might as well re-title this one “The Speech Impediment of King George.”

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑