Month: July 2009 (Page 6 of 26)

Blu Tuesday: Battlestar Galactica, Fast & Furious and Green Lantern

After last week’s fantastic selection of Blu-ray titles, you’d think that we’d have to wait another month or two before getting anything even remotely as good, but for fans of sci-fi, you really can’t do much better than today’s offering. There are no less than six geek-worthy Blu-rays this week, as well as a few other major titles definitely worthy of a spot in your collection.

“Battlestar Galactica: The Complete Series” (Universal)

Okay, so I may have never actually watched “Battlestar Galactica” (save for the pilot/miniseries), but it’s one of those shows that I’ve been meaning to check out for quite awhile. And with the release of the complete series box set, what better time than now? This is the first time the show has been available on Blu-ray, and thanks to the fact that it’s actually shot in HD (though not broadcast that way, curiously enough) old and new fans alike can finally enjoy the show as it was meant to be seen. The included extras are mostly a retread of previously released bonus material, but Blu-ray owners do get a few exclusives, like picture-in-picture video and a pop-up encyclopedia. The series is housed in a sweet metallic cube that expands to reveal all four seasons and includes your very own frakkin’ toaster figurine. Even if you’re not a fan of the series, that’s pretty hard to resist.

“Fast & Furious” (Universal)

I don’t care how you may feel about the fourth installment of the popular car porn franchise, or even the series as a whole, because Universal has delivered yet another fine Blu-ray packed with just about everything you could hope for. Personally, I thought the movie was good mindless fund, but I know that a lot of people found it silly and contrived. Fair enough, but for those of you who did enjoy it, the double-disc effort includes a director commentary, stunt featurettes and even a cool Vin Diesel-directed short film that acts as a prequel to the movie. Of course, the real highlight is the Take Control feature, which offers an in-depth look at the film hosted by Justin Lin and Paul Walker. Though it’s only activated for the bigger sequences, it enables the filmmakers to go into further detail than the typical commentary track. Lin pauses, rewinds and fast-forwards his way through key moments, highlighting things with the help of storyboards and behind-the-scenes footage. Zack Snyder may have technically beaten everyone to the punch with a similar feature on the “Watchmen” Blu-ray, but it’s just good to see that Warner Bros. isn’t the only studio looking ahead. This is the future of the HD format.

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Wrapping Comic-Con, if that’s even possible

Okay, so the big show has been over for more than 24 hours and it’s time to come to some grand conclusions. The thing is the only grand conclusion I can offer you is one that isn’t news, and really hasn’t been for many years now: Comic-Con is less and less about comics as a medium — a medium that is too frequently confused with a genre — and more and more about a kind of obsession in the media business with appealing to a young males with tales of butt-kicking monoliths and moderately dressed babes who bend over a lot, and now to young females with tales of forbidden love with troubled vampires who are more a lot more James Dean than Bela Lugosi or Max Shreck — not that there’s anything wrong with any of that, in theory. (I’ve never seen/read “Twilight,” hence my blissful tolerance on that score.)

Of course, there are plenty of bright spots and I’m fond of reminding the world of “Sturgeon’s Law,” the dictum uttered by science fiction great Theodore Sturgeon that “90 percent of everything is crap.” In other words, don’t expect greatness most of the time from any genre, whether it’s superhero funnybooks or Elizabethan plays (though the ones that survive a few centuries tend to be dandy).

And, as someone who bemoans the lack of emphasis that the still nascent art form of comics gets at its own convention, I need to get serious myself and read a few more of them this year. (If you’re curious about comics as a medium and how they relate to other media, including film which grew up alongside it, one of the best books about media ever created is a comic book, “Understanding Comics” by Scott McCloud.) For this kid who grew up dreaming of the day his comic book favorites would finally become major motion pictures, the phrase “be careful what you wish for” is certainly valid.

Before we go, we do have a few lingering con and geek related news items I should probably mention…

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A post-Comic-Con almost-movie moment

I’ll be back in a bit with something more substantial, but I’ve been outside running around taking care of odds and ends in the wake of my return from Comic-Con, it’s hot out, and now I need a nap and an ice-cold diet Orange Crush.

In the meantime, Dave Foley and Kevin McDonald of The Kids in the Hall remind us of the perils of film fandom in the dark days before easy access to IMDb.

The Next Food Network Star: do you believe in karma?

For those of us pissed off that the judges of “The Next Food Network Star” kept giving Debbie Lee pass after pass this season, despite the fact that she was dishonest and deceitful while acting all jolly and Korean, karma reared its head in our favor. More on that in a minute, but last night’s showdown between the final three of Lee, Melissa D’Arabian and Jeffrey Saad was actually very exciting to watch.

They began the episode by having the three finalists meet Emeril Lagasse at his restaurant, and Emeril announced their challenge for the week–in honor of the upcoming film, “Julie & Julia,” the contestants would have to create their own ultimate 3-course meal for some very distinguished judges. Each would have $1000 to shop as well as the help of a sous chef. After shopping (and Jeffrey being way under budget), they arrived back to find out who their sous chefs would be….naturally, former contestants….Jamika, Michael and Katie, who would be paired with Melissa, Debbie and Katie, respectively.

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Entourage 6.3 – One Car, Two Car, Red Car, Blue Car

For all those doubters out there who haven’t seen this week’s episode yet, please do, because it’s one of the best the show has ever produced. I’ve been waiting for Turtle to get a worthwhile storyline ever since that whole rap management thing fell through, and though he did get a lucky break at the end of last year by hooking up with Jamie-Lynn Sigler, their new relationship hasn’t exactly spurred any kind of change in his lifestyle. Now that he’s got a case of the birthday blues, however, Turtle’s ready to get his life back on track.

The fact that both his best friend and girlfriend have just bought him new cars (a Ferrari and Porsche, respectively) isn’t helping, though, and when his mom isn’t giving him shit about being a loser, 50 Cent is picking on him for being Vince’s lackey. Still, you really have to respect Turtle’s tenacity, because some people would be perfectly happy leeching off their famous best friend forever. Not Turtle, because even after Ari grills him on the concept of paying one’s dues, instead of giving up, he decides to enroll in business management class at UCLA. Here’s hoping the writers aren’t just introducing another subplot for Turtle only for us to never hear about it again. I’d still really like to know what happened to that other girl he was dating back in Season Three.

While Drama and Vince try and console Turtle, Eric is stressing out over the impending pilot test results of Charlie’s surfer sitcom. Unfortunately, it’s a good news/bad news situation. While the test audience actually liked the show as a whole, they didn’t exactly love Charlie in the lead role. I don’t know how that’s possible (if you don’t like the main character, how can you like the show?), but regardless, Eric is forced to make some decisions of his own. He still thinks Charlie is funny upon another viewing of the pilot – even after Ashley, who he’s clearly crushing on since almost blowing her off the night before, declares that he just “sucks” – but the studio wants to replace him. Again, Ari is called on for advice, who suggests that he should stand up for his client if he truly does believe in him. Eric does just that, and even plays the race card in a last ditch effort, but no dice – Charlie is canned and Eric follows suit to support him.

For as good as both Turtle and Eric’s storylines were, however, one of the major reasons tonight’s episode worked so well is because Jeremy Piven wasn’t overused, as he too often is. Instead, he had a short exchange with Lloyd early on that revealed that he had forced the agent-in-training to memorize every one of his client’s favorites drinks, and then shined in two great scenes with Turtle and Eric – not as his usual asshole self, but almost as a mentor dispensing words of wisdom to his young pupils. It might sound a little strange to think of Ari as the Mr. Miyagi of the Hollywood agency world, but sometimes, it’s nice to see his human side.

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