Tag: Veronica Mars (Page 2 of 2)

Bullz-Eye’s TV Girlfriends, Round Five: Married to the Job

Married to the Job

You’ve exercised your right to vote through the first four rounds of Bullz-Eye’s TV Girlfriends, choosing your favorites from the Hot and Smart, Pretty, Vacant, Girls Next Door, and Coworkers with Benefits categories…and now it’s time for round five: Married to the Job.

Your mission, should you choose to accept it, is to survey our shapely (and professionally driven) lineup of potential TV Girlfriends — a list that includes more recent hotties like Nancy Botwin of “Weeds” and Veronica Mars, as well as classics like Mary Richards — and pick the one you’d most like to spend your weekends with. Will it be Chloe O’Brian of “24”? Sarah Connor? Elaine Nardo from “Taxi”? Or another of our fine choices? Take a look and cast your vote!

A Chat with “Harper’s Island” Victim #1

If you watched the premiere of CBS’s new murder-mystery series, “Harper’s Island,” either last night at 10 PM, where it won its timeslot against the stiff competition of NBC’s “Southland,” or online, where it was CBS.com’s biggest online premiere ever, then you already know who the show claimed as its first victim. But in case the episode is currently sitting on your DVR, waiting for an hour to free up on your busy schedule, we wouldn’t want to spoil their identity for you, so we’ll wait ’til after the jump to do any namedropping. We will, however, offer up a bit of an in-joke for those of you who are in the know:

This person may not be “sixteen, clumsy, and shy” at this point in their career, but the Smiths song in which those words are featured says a great deal about how their character was left at the end of the first episode of “Harper’s Island.”

Victim #1, would you sign in, please?

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“Veronica Mars” movie on the way?

Good news, “Veronica Mars” fans — it looks like there may be a movie in the works.

Fans of the CW drama were absolutely crushed when the network didn’t renew the show in 2007, and talk immediately turned to giving the series a proper two-hour Cineplex sendoff. Now, creator Rob Thomas has divulged the first solid details of the project, which is closer than ever to becoming reality.

Speaking to reporters at the TCAs in Los Angeles, Thomas (on hand to promote his new ABC show Cupid) confirmed that he is writing a Veronica Mars movie, according to iFMagazine.com.

Thomas says he has the movie “70 percent” down in his head, and is struggling with one crucial plot point. However, he also feels he is “on the right track now” and will clear that hurdle soon enough.

The movie is not going to take place where Veronica Mars’ would-be fourth season would have (Thomas made a presentation for network execs that proposed jumping forward in time to Veronica in the FBI). Instead, the movie is set to start just days before Veronica graduates from Hearst College.

According to the article, the cast is interested and financing shouldn’t be a problem, so this is looking very good at the moment. This comes on the heels of the news that there is also a “Jericho” movie in the works.

Count this writer amongst the fans of the show that were sorely disappointed when the CW elected not to renew it. In that final season, “Veronica Mars” was every bit as good as it ever was, and it felt like there were plenty more stories to tell. I was intrigued by the possibility of her ending up at the FBI, but I’ll take any of Ms. Mars that I can get at this point.

TCA Tour, Jan. 2009: “Rockville, CA”

I’ve long thought – and I think my old friend Brian Becknell would agree with me on this – that a concert venue would make a great setting for a TV series…and I’m not talking about, like, “Hey, ‘90210’ fans, get ready for ‘Nat’s Peach Pit!'” I’m talking about a show that takes the music and people’s love of the music seriously…and although I’m not putting all of my eggs in one basket and saying that that show has arrived, I think that Josh Schwartz’s new online series for TheWB.com, “Rockville, CA,” is at least heading in the right direction.

“I think this is a show about people in their early twenties who are finding themselves, finding their place as adults,” said Schwartz, who arguably covers similar territory in “Chuck.” “They’re in that transitional phase. I think a lot of times when you are young, when you’re in your early twenties, music and the people who make music have a really sort of powerful affect on you, and sometimes you believe that the artist is the man. And sometimes the guy on the sidelines who is criticizing the music might be the better catch.”

As a former music journalist who spent his twenties in the audience rather than on the stage, I think Mr. Schwartz may be onto something here.

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