Tag: True Blood blog (Page 6 of 6)

True Blood 2.3 – You Scratch My Back…

When a vampire is driving down the road at an outrageous speed, there’s no other phrase you can use to describe it than “like a bat out of Hell.” Bill’s clearly still enraged over Sookie’s foolish decision to take Jessica at her word and trust that she wouldn’t approach her family, let alone attack them. But can you really blame him? It’s as I said last week: there was no way it wasn’t going to end badly. As it happens, it ended a whole lot better than it could have – like I figured, Bill glamoured them rather than dispose of them in the less savory way that most of his ilk would have – but what was most surprising about his annoyance with Sookie was how concerned he was about the fact that she undermined his authority. Is that the residual effects of having lived through the good ol’ days when women knew their place? (Just kidding, gals!) Either way, when Sookie decided to bail out of Bill’s reaming and walk home, she had a close encounter which resulted in a full-fledged “holy shit” moment.

Actually, that’s underselling it: it was a “holy shit, WTF” moment.

And it only got worse. Those claw marks were awful. Good thing Bill and Eric are pals with a highly knowledgeable physician, but even Dr. Ludwig’s wealth of information could only offer an approximation of how to treat the poison in Sookie’s wounds. (I don’t think it would be exaggerating things much to suggest that the treatment was almost worse than the wounds themselves. I didn’t fight my instinct to turn away from the TV. Ugh!) The long-lived Eric claimed to have no idea what had attacked her, either, but it’s hard to trust that guy. Still, his underlings seemed to be equally mystified.

Can someone please explain to me why the folks at Fantasia keep Ginger employed? Anything she brings to the table can’t possibly outweigh the fact her IQ is somewhere in the low double digits, as she quickly proves by letting slip in her thoughts that Lafayette is chained in the basements. Looks like you were right, Mr. Paulsen: they didn’t actually turn him after the credits rolled last week. You gotta give Sookie credit: not many people would have the either the balls or the unbridled stupidity to smack a vampire of Eric’s strength across the face. Given his reaction, however, one can’t but wonder if the maintaining of Lafayette’s human existence was something Eric did solely because he knew he could trade his life for the favor he’d been needing from Sookie. Either way, after some wheeling and dealing by both Sookie and Bill, Lafayette earns his freedom and Sookie signs up for Eric’s favor, earning a sizable cash influx in the process and providing the best exchange of the night:

Eric: Perhaps I’ll grow on you.
Sookie: I prefer cancer.

With everything going on, Jessica accidentally ends up getting left home alone, and it looks likes she’s going to get into at least as much trouble as Macaulay Culkin. I never particularly dug the song when it first came out, but I have to admit that they made good use of Marcy Playground’s “Sex and Candy” as she strolled into Merlotte’s. What a surprise, however, when it looked as though the usually-belligerent redhead was legitimately swooning over the sweet naiveté of the gentleman who she’d intended as her night’s conquest. The moment when her fangs came out unbidden was pretty funny, her tearful reaction was even a bit sad, and I kept waiting for the guy to say, “Hey, guess what, I’m a vampire, too!” They cut it close enough to the quick that I really did think that she’d bitten him, so when Bill and Sookie broke up their coupling on the couch, I was surprised to see a notable lack of holes in the guy’s neck.

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True Blood 2.2 – All Lifestyles, Sizes, Shapes, and Forms

“If you’ve got any silver on you, now would be the time to reveal it.”

So sayeth Sheriff Eric to Lafayette, and given that he preceded the comment by throwing a redneck’s severed arm in his general direction, you can imagine that it’s a suggestion that Lafayette would’ve been quite willing to take, if only he had any on him. He doesn’t, though, assuring Eric that, even if he did have any, he wouldn’t be stupid enough to try and use it. Eric disagrees, but he hustles Lafayette off nonetheless, taking him on a trip to meet Pam. Lovely girl, that Pam. First, she gives Eric a serious “tsk-tsk” for all the blood he’s gotten in his hair, then does the same thing to Lafayette for immediately offering to give up the names of every single one of his clients in order to save himself. His response to her attitude results in the first glimpse of the real Lafayette that we’ve seen this season, and it was so funny that I’m going to quote it verbatim for your enjoyment:

“Oh, don’t get it twisted, honeycone: I’m a survivor first, a capitalist second, and a whole bunch of other shit after that, but a hookerdead last. So if I got even a Jew in an Al-Queda pep rally’s shot of getting my black ass up out of this motherfucker, I’m taking it. Now, what you wanna know?”

Awesome.

Give Lafayette credit for being embarrassed to give up Jason Stackhouse (though he did it, anyway, and it still didn’t do him a lick of good), and Eric for having the sense not to go after Jason. Once Lafayette’s back in the clink, though, he makes a move that’s damned near ingenious…although, if I’m to be honest, I first thought he was starving and resorting to cannibalism. But, no, he used the materials available to him – ewwwwwww – and made a break for it. And it looked like he was going to get away with it, too, until Ginger the Trigger-Happy Waitress took him down for the count with one shot. So do you think Eric’s going to turn Lafayette? Do fish swim…?

You’ve got to respect a show where a pair of character post-coitally discuss the merits of break-up sex versus you-thought-I-was-dead sex (according to Sookie, they’re both pretty good), then drift into a discussion about the surprising lack of differences between being a vampire and being a teenage girl. Sookie’s sympathetic about Jessica’s plight as a newly-turned vamp who’s just lost forever the chance to grow up, and when she sees the plea from her parents, it only gets worse. The two of them bond, possibly over their mutual ability to not laugh at Jessica’s pitch-perfect Bill impression, and the next thing you know, Sookie’s driving Jessica over to her parents’ house. C’mon, is there anyone who didn’t think this was going to end badly?

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True Blood 2.1 – What Can Wash Away My Sin?

Welcome to the “True Blood” blog, the first time Premium Hollywood has deigned to tackle HBO’s top-notch vampire series on a weekly basis. If you’re a regular reader, then you know that I ventured into the first few episodes of the show and enjoyed what I saw, but other responsibilities kept me from delving any further into the adventures of Sookie Stackhouse and company until the Season 1 DVD was released. After absorbing all twelve episodes, I was definitely chomping at the bit to see the Season 2 premiere, so when the call went out for someone to blog the second season, I figured I’d accept. Hey, at the very least, it’s a series that my wife and I both love…and as I’m sure many readers know, it goes a long way toward maintaining marital bliss when both of you enjoy watching the same series.

So let’s get rolling, shall we?

For those who’ve been waiting in suspense ‘til the end of last season to find out whose body was in the car, the mystery is solved almost immediately…and it ain’t Lafayette. Of course, that was always gonna be a little too easy, anyway, but I still didn’t expect it to be Miss Jeanette, the exorcist from season 1. And based on her scream, Tara didn’t, either. She starts off in denial, claiming no knowledge of the woman, but with Sookie barely able to tune out her frantic thoughts, she eventually concedes and reveals who the woman is. “My mama’s gonna fall to pieces when she finds out,” says Tara. (Was I the only one who briefly thought that her mama might’ve been the one who did it? I thought maybe she’d figured out the woman was a fraud, gone on a bender, and killed her.)

Not long after the case gets underway, it looks like Andy’s going to call it a night, but after his protestations that he’s not overworked (nice lack of denial about his state of inebriation, though), he ends up sticking around, despite the sheriff’s annoyed reminder that, “at best, you’re a material witness to a homicide; at worst, you could be a suspect.” Yeah, but there’s one big thing keeping me from buying into Andy as the killer: does anyone see that hillbilly as the kind of guy who’d be able to pull off that kind of acting performance? Once the crew get back to the station, Mama Thornton comes by and gets the grisly details about Miss Jeanette’s demise, which she takes about as well as her daughter had expected. Still, she refuses to concede that the woman may have been a fraud, and as she and Tara are departing the station, Mama starts in on Tara…until Maryann Forester turns up. Man, talking about giving someone the verbal smackdown. Oh, snap! Well, if there’d been any doubt about whether Tara had fallen for Maryann’s schtick before, you can’t blame her for being squarely in her camp now.

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Seven shows that just don’t get enough love

Unfortunately, I didn’t have the time to put together a list of my favorite television moments before the end of 2008, but that doesn’t mean I didn’t spend an inordinate amount of time in front of the tube. (Come to think of it, maybe my television addiction was the reason I didn’t have the free time to write about the best of 2008. Hmm.)

Anyway, here is a list of seven terrific shows that seem to be flying under the proverbial radar.

1. “True Blood” (HBO)
Alan Ball, the writer of “American Beauty” and the creator of “Six Feet Under,” brings us a series based on vampires in the Deep South. The series is based on Charlaine Harris’ Sookie Stackhouse series of books and stars Anna Paquin — whom I argued, under the moniker of Eli Cash a few years back, would have made a better Penny Lane than Kate Hudson — as a mind-reading waitress in a small town in Louisiana. The first season was excellent, though it got off to a bit of a slow start. Paquin is the key, but her best friend Tara (played by Rutina Wesley) often steals the show.

2. “Dexter” (Showtime)
Everyone’s favorite serial killer is back for a third season. Dexter Morgan works for the Miami Police Department as a blood splatter analyst and he spends his night hunting and killing the worst criminals in South Florida. This series has been excellent from the start, and shows no signs of slowing down. This season brought in Jimmy Smits as an Assistant District Attorney with a serious dark side. After “Six Feet Under,” I thought I’d always see Michael C. Hall as the openly gay David Fisher, but now I can’t imagine him as anyone other than the dark and secretive Dexter.

3. “It’s Always Sunny in Philadelphia” (FX)
Maybe this show just too crass to be mainstream, and thinking about it, that’s probably what makes it so great. “Sunny” really hit its stride in the third season, and the fourth season was even better. The show follows a group of friends (and Danny DeVito) that own a bar in Philadelphia. Every episode has its own completely ridiculous premise, but once you accept that every single character is a selfish, narcissistic moron, it becomes that much funnier. As far as sitcoms go, for me, the excellent fourth season put it in the same tier as “The Office,” “30 Rock,” “Weeds” and “Curb Your Enthusiasm,” and that’s some good company.

4. “Summer Heights High” (HBO)
Anyone who dug the U.K. version of “The Office” should check this series out. It’s an Australian mockumentary that follows three characters — the effeminate drama teacher Mr. G, the snotty private school transfer Ja’mie and the disruptive Tongan student Jonah — which are all played by the same actor, writer/creator Chris Lilley. Watching a grown man run around in a school dress is ridiculous, but that’s part of the fun. Lilley is extremely talented; it can’t be easy to morph into three very different characters every week. The humor is outrageous and the situations (especially involving the clueless Mr. G) can be David Brent-type awkward.

5. “Supernatural” (CW)
This sci-fi/fantasy series started off in typical “freak of the week” fashion with a different monster to defeat each week, but as it got into its third season, it really developed some serious, serialized chops. Now in its fourth year, the show continues to follow two brothers who are “hunters,” i.e. they fight all manner of evil — demons, vampires, ghosts, etc. Even in its first year, the show held my attention, but with all the happenings of the last two seasons, new episodes don’t sit on my TiVo for very long. Viewers who like sci-fi/fantasy should definitely check out “Supernatural.”

6. “The Unit” (CBS)
I think a lot of people write off “The Unit” as a typical CBS show like “CSI” or “NCIS” (or some other acronym), but as the show as worn on, it’s simply gotten better and better. The subject matter is ripe with storylines; the show follows members of a Special Forces unit (led by super-badass Jonas Blane, played wonderfully by Dennis Haysbert) and their families. A quick look at the production staff reveals a couple of big names — David Mamet (“The Untouchables,” “Glengarry Glen Ross”) and Shawn Ryan (“The Shield”) — that instantly give the show some serious credibility. Early on, the series could get a little “hooah!” and focus on the wives a bit too much, but the later seasons have struck the perfect balance between the professional and the personal.

7. “Brotherhood” (Showtime)
It doesn’t have as high of a profile as “The Sopranos” and maybe it’s not as addicting, but “Brotherhood” has the same feel and the same quality of writing. It follows two brothers in Providence, Rhode Island. One is a corrupt state congressman trying to do right by his family and the other is deeply involved in organized crime. Those that miss “The Sopranos” or “The Wire” should definitely rent the first season of “Brotherhood.”

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